Stolpersteine 2.0 by Sacha Bertram and Martina Bachmann from pARTcours

•

0 gefällt mir•2,079 views

pARtcours is a joint venture between Martina Bachmann and Sacha Bertram, founded in 2011. pARtcours produces interactive content in the form of smartphone apps and the web applications. The company is focused on the development of augmented reality applications for information & entertainment, marketing, accessibility for museums, arts, culture & education. The designers and developers of pARtcours dedicate 10-20% of their time to charitable projects, which they support or initiate.

Technologie Business

STOLPERSTEINE 2.0
HTTP://STOLPERSTEINE-MUENCHEN-APP.DE
A NON-PROFIT PROJECT BY PARTCOURS
App
Sacha Bertram

Apps
Web
Content
Augmented
Reality
Film
Audio
Photo
Animation
Commercials &
Marketing support
Culture & Education
Information &
Entertainment
Inclusion services
http://partcours.de

Apps
Web
Content
Augmented
Reality
Non-profit projects

The target audience
Let us introduce you to…

Localization
History
Knowledge
Memory
Connection to history

Prielmayerstrasse, München
localized
Emotion

FACES OF THE PERPETRATORS
WE’VE SEEN THEM AGAIN AND AGAIN

THE FACES OF VICTIMS THOUGH
HAVE DROWNED IN THE ANONYMOUS MASSES

becomes possible
Add emotion
Tell stories
Show pictures Identification

Financing Collaboration
Spread
the word
involvement

Financing
Covers research costs, costs for licenses and marketing
Crowdfunding platforms
z.B. Indiegogo, Start Next, Kickstarter…
Donations through PayPal, etc.
Directly from within the app
On http://stolpersteine-muenchen-app.de
Donations have positive side effects:
You always have something to talk about…
and you are always in the news
Donations create involvement
Donator has something to tell his friends about
Creates a monetary value to the symbolic value of
virtual Stolpersteine

Finanzierung Collaboration
Spread
the word
Involvement

Translations to other languages
Research (text and picture)
Test-users for new app versions
Keyword: CROWDSOURCING
Beware of sabotage / vandalism
Requires that all crowd-sourced work is thoroughly checked
Automation is not recommended
Collaboration

MitarbeitFinanzierung
Spread
the word
Involvement

Social Media
Encourage users to share their experience
i.e. from within the app or our home page
Or conventionally through app flyers etc.
i.e. in museums, cafes, cultural institutions etc.
Spread
the word

Spread
the word
Financing Collaboration
Involvement

Involvement
Involvement
Involvement
Involvement
Involvement
Involvement

224
biographies
112 addresses in
Munich
MAY 2014
Over 1.000 downloads

There is still a lot to do…
English language version, either through crowd sourcing or financed by crowd funding
Stronger participation of victims associations, relatives or descendants of victims…
Biographies, documents, photos, diary entries…
Scanning of these documents, which very often end up in the trash after some time
Articles about historic backgrounds
Completed by photos and other documents
Stronger integration of social media
Stolpersteine-tours for interesting biographies
i.e. for schools or groups of tourists
Search feature integration:
Name, address, date of birth etc.
Online update of content, which is currently available online etc.

http://stolpersteine-muenchen-app.de
https://www.facebook.com/stolpersteinemuenchenapp

http://www.partcours.de
https://www.facebook.com/partcours
sacha@partcours.de

Weitere ähnliche Inhalte

Ähnlich wie Stolpersteine 2.0 by Sacha Bertram and Martina Bachmann from pARTcours

Overview Of Current Museum Presence In Social Media

coniecto

Networks Blessingorcurse

lanino

Making Things Public

Non-fiction

7scenes - The (Urban) Landscape as an Exhibition Space

Ronald Lenz

Mobile strategy for the Abu Dhabi Authority for Culture and Heritage (ADACH)

Nancy Proctor

Mobile is social media: In the museum as distributed network

Nancy Proctor

[Young Marketers Elite Program] Assignment 15.1 - Phương Vi_Vũ Phúc

Phonl CL

A presentation from Museums and the Web 2010. Acknowledging that the only constant in technology is change, this paper proposes ways of ‘thinking outside the audio tour box’ in developing mobile interpretation programs in museums: instead of making mobile interpretation a question of which device, platform, or app the museum should invest in, it puts the focus on cross-platform content and experience design.Putting audiences at the center of museums’ mobile content and experience designs make it possible to engage them through the media consumption practices and platforms that they already use outside of the museum. Based on research conducted at the Smithsonian American Art Museum, the Indianapolis Museum of Art, and with the principals of SmartHistory.org, this paper offers a ‘question-based’ methodology for developing an interpretive strategy that starts with mapping visitors’ queries in the galleries. From this conceptual map we can derive a matrix of platforms, media, and narrative voices that work cross-platform. The traditional audio tour, with its analog ‘linear’ content and random access ‘stops’, offers important paradigms for ‘mobile 2.0’ content design: on the one hand, conceptual overviews and immersive ‘soundtracks’ provide a ‘score’ for the museum experience, and on the other hand, ‘soundbites’ in a range of media (audio, multimedia, or text) can be searched, saved, shared and favorited in multiple contexts. From social media, we can also learn how to integrate links, apps and user-generated content into the mobile mix. Finally, the paper considers how content style impacts shelf-life. What is the enduring legacy of creating ‘quick & dirty’ interpretive ‘snacks’ versus investing in more nutritional fare? How can museums best allocate their mobile content budgets in this light? Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002342.html

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

museums and the web

Kulturplanner Impulse- North American Trends in Cultural Marketing: Building ...

Kulturplanner

Digital Storytelling & Interactive Media

Alexa Wheeler, University of New Mexico Valencia

The concept of 'social media' is vast and therefore this presentation looks at three key areas: - The origins of social media - Where social media is today + case studies of best practice - Where we expect social media to go next Social media has always been a personal and professional passion of mine so I wanted to tell story. Much of the research about the history of social media is taken from the work of Tom Standage, deputy editor of The Economist and author of 'Writing on the Wall', a historical look at social media over the last 2,000 years. One of the key aspects of the presentation I would like people to take away is what I defined as the 'five key tenets of social media': • Connection • Engagement • Shared interests • Content • Conversation

The Wonderful World of Social Media

Gavin Llewellyn

ERASMUS+ CLICHE TRANSMEDIA STORYTELLING I.pptx

Vivi Carouzou

Τhe economic crisis in Greece in recent years, combined with the weakness or non-selection for a form of a national strategy that is consistent with international developments, has negatively affected the Athens role in the international trend, that is followed by most cities abroad. But the emerging initiatives like the Re-launching Athens project, the Re- think project, the Niarchos project, the awarded start ups, the volunteerism, the creativity of the cultural sector are elements and actions which reveal that Athens is following global trends and starts to form a role . We have action with participative collaboration and we have values and we have also cultural venues to enjoy. That is now our story and we ought to promote it. But is this the competitive advantage of Athens? The advantage of the city is that it forms gradually a cluster of culture, of creative start ups and of volunteering participation. In order our story to be unfolded—and that will not happen in a glance– we need our people to believe in it, because they are our ambassadors. According to Charles Landry, “creativity is the backbone of the city, and the critical resource is their people. It is the intelligence, the vitality, the imagination and most of all the creativity of people that feed the history. Indeed, the intensity of this creative power and its exploitation, is the key that will determine the progress and manage the sustainability of each city”. Referring to our people, the Athenians of the center and of the periphery we provoke them to explore the possibilities of Athens. Exploring this possibilities, we believe that they will create a new perception about their city and gradually they will be much more involved to the project, not only through volunteering actions but participate with the completion of them, either working, either promoting the identity or proposing further actions. Referring to the global community, we invite them to explore the possibilities of Athens, to observe the changes, to understand that the city is open to opportunities for creation, for investments, for delight. Rome, Istanbul, Berlin and Barcelona are great places but Athens is something more. Anything could happen in this city.

A LEAN START UP COMMUNICATIVE MODEL FOR BRANDING ATHENS

Panteion University of Social and Political Sciences

Apop digital media_for_the_classroom

reisa101

Wunderkammer Prototype

Silvia Aguilera

Europeana Network Association AGM 2016 - 8 November - Cheftable matchfunding

Europeana

Visuals

Lorena Hevia

Part of the MuseWeb Foundation’s larger "Be Here" initiative, "Be Here: Main Street" is partnership with the Smithsonian Institution and its Museum on Main Street program, which brings Smithsonian traveling exhibitions to small towns across the United States and its territories. The goals of "Be Here: Main Street" are not only to collect rich stories about America’s towns and waterways but also to connect people, businesses, communities, and cultural institutions through storytelling.

Be Here: Main Street Project

MuseWeb Foundation

H2 h

LiviaDavid

The (Urban) Landscape As An Exhibition Space

Frank Kresin

Ähnlich wie Stolpersteine 2.0 by Sacha Bertram and Martina Bachmann from pARTcours (20)

Overview Of Current Museum Presence In Social Media

Networks Blessingorcurse

Making Things Public

7scenes - The (Urban) Landscape as an Exhibition Space

Mobile strategy for the Abu Dhabi Authority for Culture and Heritage (ADACH)

Mobile is social media: In the museum as distributed network

[Young Marketers Elite Program] Assignment 15.1 - Phương Vi_Vũ Phúc

MW2010: N. Proctor, The Museum Is Mobile: Cross-platform content design for a...

Kulturplanner Impulse- North American Trends in Cultural Marketing: Building ...

Digital Storytelling & Interactive Media

The Wonderful World of Social Media

ERASMUS+ CLICHE TRANSMEDIA STORYTELLING I.pptx

A LEAN START UP COMMUNICATIVE MODEL FOR BRANDING ATHENS

Apop digital media_for_the_classroom

Wunderkammer Prototype

Europeana Network Association AGM 2016 - 8 November - Cheftable matchfunding

Visuals

Be Here: Main Street Project

H2 h

The (Urban) Landscape As An Exhibition Space

Mehr von WeAreMuseums

SURF ON THE WAVES OF MEMORY - Cristina Alga, Living Museum of the Sea (Italy)

WeAreMuseums

A HANDS-ON EXPERIENCE OF HISTORY - Michael Geithner, DDR Museum (Germany)

WeAreMuseums

MEANING MAKING - Danielle Kuijten, Imagine IC (The Netherlands)

WeAreMuseums

You do You: Don’t worry about the next big thing,  do your thing

WeAreMuseums

How to make an icon visible again? – Anna Balandina, Latvian National Museum ...

WeAreMuseums

A Museum made with people – Ulla Teräs, Helsinki City Museum (FI)

WeAreMuseums

New perspectives on user experience: the SCHIRN Kunsthalle Frankfurt as a pla...

WeAreMuseums

Inclusion and impact – from women’s history to gender culture – Julie Rokkjær...

WeAreMuseums

Out Loud, the inclusive audioguide of the Andy Warhol Museum – Desi Gonzalez,...

WeAreMuseums

Talking to strangers, Rosie Stanbury, Head of Live Programmes, Wellcome Colle...

WeAreMuseums

Curating your Brand - Laura Ristea and Alin Tamasan, Hye Studio (RO)

WeAreMuseums

Publishing the Collections of 14 Museums on One Website Philippe Rivière, Pa...

WeAreMuseums

How Much Technology We Show and Use in Romanian Museums - Raluca Neamu,Collab...

WeAreMuseums

The Social Movement - Transforming Users into Collaborators - Jonas Heide Smi...

WeAreMuseums

Meet Vincent Van Gogh Axel Rüger, Director, Van Gogh Museum (NL)

WeAreMuseums

We Are Museums presents the #wamfest

WeAreMuseums

A TRANSVERSE DIGITAL STRATEGY AT THE JEWISH MUSEUM BERLIN by Mirjam Wenzel (D...

WeAreMuseums

3D printing of museum artefacts will be the next challenge of collection accessibility in the coming years. In this workshop we’ll look into the roadmap of 3D printable content publishing and discuss opportunities to make such projects sustainable in the long run. We’ll evaluate how content licensing, cross department collaboration, content development, enabling technologies and monetisation strategies can help develop a methodology toolkit for sustainable projects.

GETTING READY FOR 3D PRINTING, A FEW THINGS TO CONSIDER by Nikolaos Maniatis ...

WeAreMuseums

IBEACONS: A FIRST STEP TO CONNECT PHYSICAL & DIGITAL EXPOSITIONS by Kaspars A...

WeAreMuseums

PIONEERING WECHAT BY THE PALACE OF VERSAILLES by Elise Albenque

WeAreMuseums

Mehr von WeAreMuseums (20)