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MATRIMANDIR 
soul of the city 
AUROVILLE 
SUBMITTED BY:- 
MEGHA TYAGI 
RAMANPREET KAUR 
MOHD.FAHEEM
CONTENTS: 
1. About the architect. 
2. Introduction. 
3. Location. 
4. Construction phases. 
5. Internal details. 
6. History. 
7.Planning. 
8. Structural details. 
9. Technical details.
ARCHITECT:-Mirra Alfassa 
Mirra Alfassa (21 February 1878 – 17 
November 1973), also known as The Mother, 
was the spiritual collaborator of sri 
Aurobindo. Her full name at birth was 
Blanche Rachel Miriam Alfassa. The name 
"Mirra" (or "Mira") was a nickname she 
preferred to her birthname "Miriam."In the 
1960s, it was Mother's dream to create a place 
where humanity could seek the Divine 
without having to dredge for food and 
shelter.She named this 
place Auroville or City of Dawn. The "Soul of 
Auroville" is the Matrimandir. It is 
constructed as a futuristic-looking sphere 
that houses in its center a Chamber, all white 
with a transculent globe at the centre lit by 
single ray of sunlight.
MATRIMANDIR 
The Matrimandir (Temple of The Mother) is an edifice of 
spiritual significance for practitioners of Integral yoga, 
situated at the center of Auroville initiated by The Mother 
of the Sri Aurobindo Ashram. It is called soul of the city 
and is situated in a large open space called Peace from 
where the future township will radiate outwards. 
Matrimandir, does not belong to any particular religion 
or sect. 'Mother' concept stands for the great evolutionary, 
conscious and intelligent principle of Life, the Universal 
Mother, - which seeks to help humanity move beyond its 
present limitations into the next step of its evolutionary 
adventure, the supramental consciousness.
LOCATION 
At the centre of Aurovill e. 
CONSTRUCTION PHASES 
1. 1970-1971 
2. 1992 
MATRI MANDIR DIVIDED INTO TWO PARTS- 
1. Inner chamber 
2.Outer chamber 
Inner chamber has 12 meditation rooms and the main 
hall of matri mandir 
Outer chamber has 12 gardens ,amphitheatre,banyan 
tree ,inner park and the future lake .
BRIEF HISTORY OF THE MATRI MANDIR ‘S 
CONCEPTION: 
In June 1965, the Mother, Sri Aurobindo Ashram, started 
speaking of her intention to build, north of Pondicherry, a 
“universal town where men and women of all countries are able to 
live in peace and progressive harmony, above all creeds, all politics 
and all nationalities. The purpose of Auroville is to realise human 
unity.” 
From the outset she explained that, at the centre of her town, there 
would be a “Park of Unity” and that, in this park, there would be 
something she called at first a “Pavilion of Truth”, or “Pavilion of 
[Divine] Love”, or “Pavilion of the Mother”. Eventually she named 
this Pavilion “Matrimandir”, which she translated in English as 
“The Mother’s Shrine”. She added that the “Park of Unity” would 
consist of twelve gardens representing the “twelve attributes of the 
Mother” and that eventually the Matrimandir and its Park of 
Unity would be surrounded by a Lake.
PLAN OF THE MATRI MANDIR
INNER CHAMBER 
The spacious Inner Chamber in the upper hemisphere of the 
structure is completely white, with white marble walls and 
white carpeting. In the centre a pure crystal-glass globe 
suffuses a ray of electronically guided sunlight which falls on 
it through an opening at the apex of the sphere. 
"The most important thing is this: the play of the sun on the 
centre. Because that becomes the symbol, the symbol of future 
realisations." 
There are no images, no organised meditations, no flowers, no 
incense, no religion or religious forms.
INNER PILLARS 
Name Symbolism 
Maheshwari (south pillar) 
"...her personality of calm wideness and comprehending wisdom 
and tranquil benignity and inexhaustible compassion and 
sovereign and surpassing majesty and all-ruling greatness". 
Mahakali (north pillar) 
"...her power of splendid strength and irresistible passion, her 
warrior mood, her overwhelming will, her impetuous swiftness and 
world-shaking force". 
Mahalakshmi (east pillar) 
"...vivid and sweet and wonderful with her deep secret of beauty 
and harmony and fine rhythm, her intricate and subtle opulence, 
her compelling attraction and captivating grace". 
Mahasaraswati (west 
pillar) 
"...equipped with her close and profound capacity of intimate 
knowledge and careful flawless work and quiet and exact 
perfection in all things".
THE MOTHER‘S SYMBOL AND PETALS 
The meditation rooms inside the twelve stone-clad 'petals' 
surrounding the Matrimandir carry the names and colours 
of the 'petals' in the Mother's symbol: 
Sincerity - light blue 
Peace - deep blue 
Equality - blue violet 
Generosity- pure violet 
Goodness- reddish violet 
Courage - red 
Progress - orange red 
Receptivity- orange 
Aspiration- orange yellow 
Perseverance - pale yellow 
Gratitude - pale green 
Humility - deep green
Meaning of colours 
In March 1934, Sri Aurobindo indicated through the (above 
placed) colour chart of the twelve petals pertaining to the 
symbol: 
Center and four powers, white; 
The twelve all different colors 
in three groups: 
• top group red, passing to orange towards yellow; 
• next group, yellow passing through green towards blue; 
• and third group, blue passing through violet towards red. 
• If white is not convenient, the center may be gold (powder).
OUTER CHAMBER 
The “Park of Unity” would consist of twelve gardens 
representing the “twelve attributes of the Mother” and that 
eventually the Matrimandir and its Park of Unity would be 
surrounded by a Lake. A lone Banyan tree is the geographical 
centre of the town. In 1968 Auroville’s inauguration ceremony 
took place around a white Urn, shaped like a 
lotus bud, which now stands at the focus of a large 
amphitheatre .
STRUCTURAL DETAILS : 
The principal load carrying members of 
superstructure are the four pair of sickle – 
shaped,38m high reinforced concrete piers. Every 
other component is supported by these piers. Each 
pair of piers is 2.1m .Their thickness is 40m above 
ground level and various from 40cm to 70cm below.
The construction crane, erected in 1980, was 
required to lift the prefabricated concrete beams 
into place, each weighting half a ton. The ‘nodes’ 
which join six beams together were cast in situ 
using lost ferrocement shuttering . The outer shell 
consist of ferrocement triangles, which were 
prefabricated in a workshop, liftrd in place and 
then grouted.
TECHNICAL DETAILS 
The columns 
The columns arrived at 
Matrimandir in the beginning 
of January 1990.They were 24- 
inch diameter, galvanised, 
seamless steel pipes, 8.65 mtr 
long, weighing 830 kg each. 
There are an average of 15 coats 
of paint on each column with 
finer and finer sanding 
between coats after which the 
final polishing was done.
The gold discs 
Disc frame: - Stainless steel tubes 
Disc material: - stainless steel sheet 
Gold leaf: - 28 gm of gold per 1000 leaves 
Leaf size: - 85 x 85 mm 
Total number of discs: - 1415 
Small convex discs: - 954 
Large concave discs: - 461 
Average diam. (large 
discs): 
- 2.3 meter 
Average diam. (small 
discs): 
- 1.5 meter
The crystal globe 
The crystal for the Matrimandir arrived in 
Auroville on 26-4-91 at 10.15 p.m. It was 
moved into the Matrimandir's Inner 
Chamber the very next day at 09.45 a.m. 
The size of 70 cm diameter was marked 
on the original plan that Mother had 
drawn for the central object in the 
Chamber.These firms proposed the type of 
crystal - optically perfect glass - with the 
name of Bohr Kron 7. 
The casting at Schott's in Mainz lasted 
15 hours, and was done in a special form 
of refractory stone, held together by seven 
metal bands, which was placed on top of a 
platform built of iron and steel. During 
the casting process the glass in the form 
was kept at a constant temperature.
The heliostat and lens 
The heliostat is controlled by a computer 
program, which moves a mirror across the 
sun's path every day. This mirror projects 
sunlight into a lens, that projects the single 
sun ray down on the crystal. To make sure 
that the ray strikes the crystal exactly in the 
centre, a photo sensor is installed in the path of 
the ray itself and relays the data on the ray's 
position to the computer, which in turn will 
adjust the ray to the correct position if 
necessary. 
Focal length, first 
lens: 
- 30 m, diam, 45 cm 
Focal length, second 
lens: 
- 5 m, diam. 25 cm 
Diameter of sun-spot 
on the globe: 
- 180 mm
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  • 1. MATRIMANDIR soul of the city AUROVILLE SUBMITTED BY:- MEGHA TYAGI RAMANPREET KAUR MOHD.FAHEEM
  • 2. CONTENTS: 1. About the architect. 2. Introduction. 3. Location. 4. Construction phases. 5. Internal details. 6. History. 7.Planning. 8. Structural details. 9. Technical details.
  • 3. ARCHITECT:-Mirra Alfassa Mirra Alfassa (21 February 1878 – 17 November 1973), also known as The Mother, was the spiritual collaborator of sri Aurobindo. Her full name at birth was Blanche Rachel Miriam Alfassa. The name "Mirra" (or "Mira") was a nickname she preferred to her birthname "Miriam."In the 1960s, it was Mother's dream to create a place where humanity could seek the Divine without having to dredge for food and shelter.She named this place Auroville or City of Dawn. The "Soul of Auroville" is the Matrimandir. It is constructed as a futuristic-looking sphere that houses in its center a Chamber, all white with a transculent globe at the centre lit by single ray of sunlight.
  • 4. MATRIMANDIR The Matrimandir (Temple of The Mother) is an edifice of spiritual significance for practitioners of Integral yoga, situated at the center of Auroville initiated by The Mother of the Sri Aurobindo Ashram. It is called soul of the city and is situated in a large open space called Peace from where the future township will radiate outwards. Matrimandir, does not belong to any particular religion or sect. 'Mother' concept stands for the great evolutionary, conscious and intelligent principle of Life, the Universal Mother, - which seeks to help humanity move beyond its present limitations into the next step of its evolutionary adventure, the supramental consciousness.
  • 5. LOCATION At the centre of Aurovill e. CONSTRUCTION PHASES 1. 1970-1971 2. 1992 MATRI MANDIR DIVIDED INTO TWO PARTS- 1. Inner chamber 2.Outer chamber Inner chamber has 12 meditation rooms and the main hall of matri mandir Outer chamber has 12 gardens ,amphitheatre,banyan tree ,inner park and the future lake .
  • 6. BRIEF HISTORY OF THE MATRI MANDIR ‘S CONCEPTION: In June 1965, the Mother, Sri Aurobindo Ashram, started speaking of her intention to build, north of Pondicherry, a “universal town where men and women of all countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities. The purpose of Auroville is to realise human unity.” From the outset she explained that, at the centre of her town, there would be a “Park of Unity” and that, in this park, there would be something she called at first a “Pavilion of Truth”, or “Pavilion of [Divine] Love”, or “Pavilion of the Mother”. Eventually she named this Pavilion “Matrimandir”, which she translated in English as “The Mother’s Shrine”. She added that the “Park of Unity” would consist of twelve gardens representing the “twelve attributes of the Mother” and that eventually the Matrimandir and its Park of Unity would be surrounded by a Lake.
  • 7. PLAN OF THE MATRI MANDIR
  • 8. INNER CHAMBER The spacious Inner Chamber in the upper hemisphere of the structure is completely white, with white marble walls and white carpeting. In the centre a pure crystal-glass globe suffuses a ray of electronically guided sunlight which falls on it through an opening at the apex of the sphere. "The most important thing is this: the play of the sun on the centre. Because that becomes the symbol, the symbol of future realisations." There are no images, no organised meditations, no flowers, no incense, no religion or religious forms.
  • 9. INNER PILLARS Name Symbolism Maheshwari (south pillar) "...her personality of calm wideness and comprehending wisdom and tranquil benignity and inexhaustible compassion and sovereign and surpassing majesty and all-ruling greatness". Mahakali (north pillar) "...her power of splendid strength and irresistible passion, her warrior mood, her overwhelming will, her impetuous swiftness and world-shaking force". Mahalakshmi (east pillar) "...vivid and sweet and wonderful with her deep secret of beauty and harmony and fine rhythm, her intricate and subtle opulence, her compelling attraction and captivating grace". Mahasaraswati (west pillar) "...equipped with her close and profound capacity of intimate knowledge and careful flawless work and quiet and exact perfection in all things".
  • 10. THE MOTHER‘S SYMBOL AND PETALS The meditation rooms inside the twelve stone-clad 'petals' surrounding the Matrimandir carry the names and colours of the 'petals' in the Mother's symbol: Sincerity - light blue Peace - deep blue Equality - blue violet Generosity- pure violet Goodness- reddish violet Courage - red Progress - orange red Receptivity- orange Aspiration- orange yellow Perseverance - pale yellow Gratitude - pale green Humility - deep green
  • 11. Meaning of colours In March 1934, Sri Aurobindo indicated through the (above placed) colour chart of the twelve petals pertaining to the symbol: Center and four powers, white; The twelve all different colors in three groups: • top group red, passing to orange towards yellow; • next group, yellow passing through green towards blue; • and third group, blue passing through violet towards red. • If white is not convenient, the center may be gold (powder).
  • 12. OUTER CHAMBER The “Park of Unity” would consist of twelve gardens representing the “twelve attributes of the Mother” and that eventually the Matrimandir and its Park of Unity would be surrounded by a Lake. A lone Banyan tree is the geographical centre of the town. In 1968 Auroville’s inauguration ceremony took place around a white Urn, shaped like a lotus bud, which now stands at the focus of a large amphitheatre .
  • 13. STRUCTURAL DETAILS : The principal load carrying members of superstructure are the four pair of sickle – shaped,38m high reinforced concrete piers. Every other component is supported by these piers. Each pair of piers is 2.1m .Their thickness is 40m above ground level and various from 40cm to 70cm below.
  • 14. The construction crane, erected in 1980, was required to lift the prefabricated concrete beams into place, each weighting half a ton. The ‘nodes’ which join six beams together were cast in situ using lost ferrocement shuttering . The outer shell consist of ferrocement triangles, which were prefabricated in a workshop, liftrd in place and then grouted.
  • 15. TECHNICAL DETAILS The columns The columns arrived at Matrimandir in the beginning of January 1990.They were 24- inch diameter, galvanised, seamless steel pipes, 8.65 mtr long, weighing 830 kg each. There are an average of 15 coats of paint on each column with finer and finer sanding between coats after which the final polishing was done.
  • 16. The gold discs Disc frame: - Stainless steel tubes Disc material: - stainless steel sheet Gold leaf: - 28 gm of gold per 1000 leaves Leaf size: - 85 x 85 mm Total number of discs: - 1415 Small convex discs: - 954 Large concave discs: - 461 Average diam. (large discs): - 2.3 meter Average diam. (small discs): - 1.5 meter
  • 17. The crystal globe The crystal for the Matrimandir arrived in Auroville on 26-4-91 at 10.15 p.m. It was moved into the Matrimandir's Inner Chamber the very next day at 09.45 a.m. The size of 70 cm diameter was marked on the original plan that Mother had drawn for the central object in the Chamber.These firms proposed the type of crystal - optically perfect glass - with the name of Bohr Kron 7. The casting at Schott's in Mainz lasted 15 hours, and was done in a special form of refractory stone, held together by seven metal bands, which was placed on top of a platform built of iron and steel. During the casting process the glass in the form was kept at a constant temperature.
  • 18. The heliostat and lens The heliostat is controlled by a computer program, which moves a mirror across the sun's path every day. This mirror projects sunlight into a lens, that projects the single sun ray down on the crystal. To make sure that the ray strikes the crystal exactly in the centre, a photo sensor is installed in the path of the ray itself and relays the data on the ray's position to the computer, which in turn will adjust the ray to the correct position if necessary. Focal length, first lens: - 30 m, diam, 45 cm Focal length, second lens: - 5 m, diam. 25 cm Diameter of sun-spot on the globe: - 180 mm