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Stuart Grenville-Price
Stuart Grenville-Price
Technologie
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Non-Verbal Communication AS Level Communication & Culture Term 2
Defining Verbal & Non-Verbal ,[object Object]
Verbal Communication ,[object Object],[object Object]
Definition of Verbal ,[object Object],[object Object]
‘ Design Features’ of Language ,[object Object],[object Object],[object Object]
Definition of NVC ,[object Object],[object Object],[object Object],[object Object]
Forms ,[object Object],[object Object],[object Object],[object Object]
Relationship between NVC, Language & Culture ,[object Object],[object Object],[object Object],[object Object]
What emotions do these facial expressions portray?
NVC, Language & Culture ,[object Object],[object Object]
Your Approach to NVC ,[object Object],[object Object],[object Object]
Categorisation of NVC – Paralanguage ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Categorisation of NVC - Paralanguage ,[object Object],[object Object],[object Object],[object Object]
Accent & Paralanguage ,[object Object],[object Object],[object Object],[object Object]
Categorisation of NVC – Physical Appearance ,[object Object],[object Object]
What do you assume about these people?
Categorisation of NVC – Physical Appearance ,[object Object],[object Object]
Categorisation of NVC – Physical Appearance ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Categorisation of NVC – Physical Appearance ,[object Object],[object Object],[object Object]
 
Further Categories of NVC - Activity ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Body Movement - Kinesics ,[object Object],[object Object],[object Object],[object Object],[object Object]
Closeness - Proxemics ,[object Object],[object Object],[object Object],[object Object]
Touching - Haptics ,[object Object],[object Object],[object Object],[object Object]
Eye Movement - Occulesics ,[object Object],[object Object],[object Object]
Smell - Olfactics ,[object Object],[object Object],[object Object]
Complex Messages ,[object Object],[object Object],[object Object]
Communicative Competence ,[object Object],[object Object],[object Object],[object Object]
The Functions of NVC ,[object Object],[object Object],[object Object]
Communicating Feelings, Emotions and Attitudes ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
 
Communicating Power & Status ,[object Object],[object Object]
Peter Collett’s Handshake Theory ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Limp Handshake may seem the most likely to offer evidence of submissiveness, but this is not necessarily so, as Collett’s more detailed explanation reveals: “ A limp handshake occurs when someone offers a hand that is totally relaxed. It doesn’t exert any pressure on the other person’s hand and it doesn’t contribute to the mutual production of the handshake. A person who offers a limp handshake is someone who, in more senses than one, doesn’t connect with the other person. Like their hand, they remain passive and detached – they’re simply not focused on the person they’re greeting. This often happens with people who are self-important or who have to shake hands with a lot of people…Women who want to cultivate an impression of languid femininity often present a rather limp hand to the person they’re greeting. Strong people often do the same, but in their case it’s to emphasise their strength. It’s said that Mike Tyson offers a relaxed, almost tender hand when he greets people outside the boxing ring – the complete opposite to what happens inside the ring.” (Collett, 2003)
Replacing & Regulating Language ,[object Object],[object Object]
Replacing & Regulating Language ,[object Object],[object Object],[object Object]
Replacing & Regulating Language ,[object Object],[object Object],[object Object],[object Object],[object Object]
Other Functions ,[object Object],[object Object],[object Object],[object Object],[object Object]
Activity 1 ,[object Object],[object Object],[object Object],[object Object]
Activity 2 ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Nvc presentation

  • 1. Non-Verbal Communication AS Level Communication & Culture Term 2
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  • 9. What emotions do these facial expressions portray?
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  • 16. What do you assume about these people?
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  • 36. The Limp Handshake may seem the most likely to offer evidence of submissiveness, but this is not necessarily so, as Collett’s more detailed explanation reveals: “ A limp handshake occurs when someone offers a hand that is totally relaxed. It doesn’t exert any pressure on the other person’s hand and it doesn’t contribute to the mutual production of the handshake. A person who offers a limp handshake is someone who, in more senses than one, doesn’t connect with the other person. Like their hand, they remain passive and detached – they’re simply not focused on the person they’re greeting. This often happens with people who are self-important or who have to shake hands with a lot of people…Women who want to cultivate an impression of languid femininity often present a rather limp hand to the person they’re greeting. Strong people often do the same, but in their case it’s to emphasise their strength. It’s said that Mike Tyson offers a relaxed, almost tender hand when he greets people outside the boxing ring – the complete opposite to what happens inside the ring.” (Collett, 2003)
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