This presentation slide is all about zaha hadid´s work and her ideas toward it .These slides mostly focuses on her design pattern .

1. ZAHA
HADID
There are 360 degrees, so why
stick to one?”

2. INSTITUTE F ENGINEERING
DEPARTMENT OF ARCHITECTURE
SUBMITTED BY
SANSKRITI LAMSAL
SRIJAN GAUTAM
UMESHA MAINALI
THAPATHALI CAMPUS,THAPATHALI

3. CONTENT
INTRODUCTION
APPROACH TO DESIGN
FORM PATTERN
DESIGN TECHNIQUE
MATERIALS
AWARDS
CONCLUSION

4. Full name: Dame zaha Mohammad Hadid
Born: October 31, 1950, Baghdada, Iraq
known for her radical deconstructivist designs
Gained international recognition with her
competition-winning entry for The Peak,
INTRODUCTION
first woman to be awarded the Pritzker
Architecture Prize,
also designed furniture, jewelry, footwear,
bags, interior spaces such as restaurants

5. APPROACH TO DESIGN
Zaha hadid's design approach involved thorough research of the site and project
functions, followed by form exploration, design techniques, circulation, natural
lightning, contextual integration, and interior design.
SITE
The form ideas
were influenced
by the land-form,
skyline,
neighborhoods,
roads, city history,
and political
events.
NATURE
Form inspirations
were taken from
topography,
contours, sand
dunes, sea
creatures, living
organisms, etc.
ART
creative ideas
were taken from
suprematism,
Arabic
calligraphy,
Chinese painting,
Integration to
landscape.
ARCHITECTURE
Influenced by the
works of Yakov
Cherinkov, Mies
Van der Rohe, F.
L. Wright ,Oscar
Niemeyer,
Chinese
traditional
Architecture,etc
PROGRAMS
Developed
parametric forms
for flexibility,
emphasizing the
manipulation of
light and
exposed
concrete
TOPOGRAPHIC

6. 01
SUPREMATIST
02 03 04
TOPOGRAPHIC FLUID ORGANIC
05
PARAMETRIC
FORM PATTERNS

7. THE PEAK (1982-83)
HONGKONK
VITRA FIRE STATION (1990-94)
GERMANY
CARDIFF BAY OPERA HOUSE
(1994-96)
SUPREMATIST
Early works stand on the radical notions of avant-garde Russian art
presents painting in an abstract way using fundamental geometric
forms
Ideas of fragmentation and deconstruction to architecture creating her
unique, deconstructivist style
Depicting flight forms in painting ignoring the factor of gravity
Geometries collision
Defying gravity and
fragmentation
pure geometric forms,

8. LANDESGARTENSCHAU
1999 (1996-99)
GERMANY
Inspired from contour
lines of the site.
Inspired from adjacent sand
dunes of Dubai topography as a
desert
HEYDAR ALIYEV
CULTURE CENTRE
(2007-12)
BAKU AZERBAIJAN
withdrawing landscape of
the site into four
topographically formed
slices
Inspires project’s shape notion from the line formation
of earth’s surfaces such as contours, ridges, dunes,
floodplain, and cliff with considering site inclinations
and directions.
To create a harmony with the surrounding landscape
TOPOGRAPHIC
DUBAI OPERA HOUSE
(2006)
DUBAI, UAE

9. “An ever-changing
event space”; kinetic
space
Inspired from the fluid movement of Nile
Form idea is basically
generated by Hadid fluid
smooth sketches
FLUID FORM
water architecture-symbolic similarity in the dynamic qualities and features
such as smooth, outflowing, shapeless, and continuously seamless.
inspired this type from the fluid and curvy lines of Arabic calligraphy
Fluid and curvy architecture could offer a better view to the surrounding
neighborhoods; it also allows light to come into the building in a better way
rather than the cubic designs
GUGGENHEIM MUSEUM TAICHUNG
(2003)
CAIRO EXPO CITY (2009)
JAPAN NATIONAL STADIUM (2012)

10. ORGANIC
Forms are inspired from natural things particularly sea creatures
Majority of them have irregular surfaces and often asymmetrical
Emulates forms of tiny details in biological morphology like cells,an example
of that is abu dhabi performing art centre
REGIUM WATERFRONT MUESUM (2007)
REGGIO, ITALY
ABU DHABI PERFORMING ARTS CENTRE MARITIME TERMINAL (2000-12)
SALERNO, ITALY
Inspired from the physical
form of starfish
takes form of a giant aquatic
creature with a design
depiciting a growing organism
Simulates the strong shell of
the oyster

11. SUNRISE TOWER (2009)
KUALA LUMPUR, MALAYSIA
KARTAL-PENDIK MASTER PLAN
(2006) ISTANBUL, TURKEY
PROPOSED MUSEUM OF VILNIUS
(2007) . . VILNIUS, LITHUANIA
PARAMETRIC
style could be recognized by its melted, beautifully distorted, and non-
purified geometric forms
projects have fluid torsional and melted forms.
forms are parametrically flexible which differentiates progressively to
meet all the requirements of successfull architecture.

12. DESIGN TECHNIQUES
01 02 03 04 05
ABSTRACTION AND
FRAGMENTATION
GROUND AND
GRAVITY
LANDSCAPING LAYERING SEAMLESSNESS AND
FLUIDITY

13. MATERIALS
Concrete
Steel
Alumunium
Glass
Cadding
plastics
GFRC(Glass Fiber
Reinforced Concrete)

14. AWARDS
2004: Pritzker Prize
2005: Austrian Decoration for Science and Art
2005: RIBA European Award for BMW Central Building
2006: RIBA European Award for Phaeno Science Centre
2010: RIBA European Award for MAXXI
2012:jane drew prize for her outstanding contribution to status of women in
architecture.

15. CONCLUSION
More than just aesthetic expressions of her personal style, but rather
were purposeful and pragmatic responses
Means to solve real-world problems and create innovative solutions
that would meet the needs of modern society
Addressing the challenges and opportunities of the 21st century
through her designs.