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Hidden Collections
                 
                     
                Mike Mertens, 
           Deputy Director, RLUK    
                        
RLUK Conference, Newcastle, 16 November, 2012
Can you guess the title…?	

“I went out of that gallery and into another and still larger one,
which at the first glance reminded me of a military chapel hung with
tattered flags. The brown and charred rags that hung from the
sides of it, I presently recognized as the decaying vestiges of books.
They had long since dropped to pieces, and every semblance of
print had left them. But here and there were warped boards and
cracked metallic clasps that told the tale well enough. Had I been a
literary man I might, perhaps, have moralized upon the futility of all
ambition. But as it was, the thing that struck me with keenest force
was the enormous waste of labour to which this sombre
wilderness of rotting paper testified.”
Themes	

•  Context, aims and impulse of Report	

•  What it covered	

•  Stand-out figures  findings	

•  Why retro again? (but what might have changed 
  how to keep Lorcan Dempsey happy)	

•  Where to start?	

•  National Research Collection – new boundaries?
Context #1	

•  1997 Making the most of our libraries - 548 libraries
   responded, 50 million records awaiting
   retroconversion, calls for a national programme with
   5 year target, through Library  Information
   Commission (merges into Re:source, later MLA)	

•  1999 Full Disclosure, national programme,10 years
   to complete 80% of the work, nominates MLA. 	

•  1999-2002 RSLP, £30 million for projects including
   retro 48 HEIs, 68% of these used funds for retro
   work
Context #2	

•    The beginnings of the Discovery Programme	

•    Community model of assessment not consultancy in
     austere times – idea from The London Library	

•    Creating public good as part of charitable aims	

•    Exploring new models of cross-sector engagement for
     RLUK	

•    Precursor to present Unique and Distinctive Collections
     strand	

•    Demise of MLA (which had been given task of overseeing
     national retrospective cataloguing strategy).
Aims	

•    Get evidence for further support  funding for
     retrospective cataloguing in the UK, across library sectors.	

•    Update and augment the evidence gathered in the 2007
     RIN survey. “Uncovering Hidden Resources” (95 libraries,
     50% collections still hidden).	

•    To make such snapshot reports redundant – sought views
     of librarians on establishing a National Register of
     retrospective cataloguing needs.	

•    Establishing potential demand for openly licensed RLUK
     open data
Impulse	

•  Dunia García-Ontiveros, The London Library.	

•  Assessment that its own retroconversion project
      would take 20 years, cover 400,000 volumes (i.e.
      about 40% of its collections awaiting cataloguing).	

•  What had been achieved (and what was left to do)
      just over a decade after Full Disclosure report
      called for a national strategy to ensure the
      retrospective cataloguing of collections across all
      our libraries?
What the survey covered #1	

•  The responder (job title)	

•  Their institution (including library sector). 	

•  Details of their collections (size, subject, formats,
   dates, visibility).	

•  Retrospective conversion/cataloguing needs (size,
   subject, formats, dates, visibility). 	

•  Record enhancement needs (size, subject, formats,
   dates, visibility).
What the survey covered #2	

•  Status, methods and funding of projects past,
  present and planned to carry out the work
  mentioned.	

•  Further comments and suggestions, including views
  on the online register.	

•  Extra questions from Copac and RLUK (for e.g.,
  demand for services based on holdings data:
  Collection analysis, Prioritizing digitisation,
  preservation activity)
Stand-out figures  findings #1	

•  77 responses were made to the survey
  (representing 75 separate institutions), including
  from 38 academic, seven public and 32 specialist
  libraries (including museums and subscription
  libraries, and the National Library of Scotland).	

•  Only 12 RLUK libraries gave figures (approximately
  one third of membership)
Stand-out figures  findings #2	

•  Over 13 m volumes uncatalogued in libraries that
   responded, 18.5% of total number of volumes held.	

•  Over 4 million more (in a smaller number of
   libraries) have unsatisfactory catalogue records.	

•  Museums, public libraries  independent libraries
   have a higher proportion of invisible collections	

•  HE libraries have better coverage of printed
   collections but hidden archival ones often very
   large
Stand-out figures  findings #3	

•  Modern material is being added to the backlogs. The
   presence of 21st century materials in backlogs
   suggests some libraries are unable to keep up even
   with current acquisitions.	

•  Foreign language material and formats which require
   particular skills and expertise (maps, music,
   archives) are heavily represented.	

•  There are serious problems in collating and
   comparing metrics for materials other than printed
   books.
Stand-out figures  findings #4	

•  Most special collections as such held in date range
   19-20th Centuries	

•  Most hidden collections are in the same date range	

•  53 (69%) respondents stated that special
   collections in their libraries were in want of
   retrospective cataloguing.	

•  Numbers of specific formats: 1.1 million maps (1   st

   place), 182,000 photographs (In 4th place).
Why retro again…?	

“The material culture of print was an exceptionally
important part of the history and culture of the 20th
century…We are already losing much material that
illuminates the 20th century because of the fragility of
our understanding and appreciation of the material
culture of print in the 20th century – provenance,
advertising, ephemera, use and re-use of materials –
this evidence is being lost as we dispose of copies and
rely on digital archives to provide access.”	

Richard Ovenden: Pixels, pointers, and pieces: the future of
collections, RRLM collections workshop, 2012.
•  Why a community-based, self-
   edited registry of hidden
   collections?	

•  A new lease of life for Collection
   Level Descriptions?
“Collection description metadata and searchable online
databases of collection information were developed in
response to several factors. Large-scale digitisation
(principally of texts and images) was often not matched by
resources to catalogue the newly created items, surveys
revealed that quantities of materials (often older and rarer
items) in traditional collections still had no records in online
public access catalogues and there was an increasing need to
improve the effectiveness of resource discovery techniques
for digital materials across archive, library and museum
collections. Describing materials at collection level provided a
new route for discovery.”	

Ann Chapman, Turning Off Tap Into Bath, Ariadne, January, 2011
But some are not happy…	

•  Lorcan ‫@‏‬lorcanD 12.11.12	

‘groan .... Create a national register of hidden
collections http://www.rluk.ac.uk/files/RLUK
%20Hidden%20Collections.pdf … #rluk….’	

‘@RLUK_Mike Given this report, RIN attention in
interim, and now this one - what has changed? What
hasn't?... An obvious question: why didn't stuff move
along since?’
The problem with (traditional)
                CLDs?	

“Individual libraries rarely use formal or standard
collection-level description methods, and often do not
recognise the coherence of various collection
attributes. As a result, collection-level metadata tends
to be scattered, missing, and generally incoherent
within a library; there are notable exceptions, usually
where a library has an extensive set of special or
named collections.”	

Gordon Dunsire, Use Case Collection-Level Description, 10 February 2011, http://www.w3.org/2005/
Incubator/lld/wiki/Use_Case_Collection-Level_Description
Full Disclosure like it’s 1999…	

•  Ch-ch-changes:	

•  Linked Data	

•  Digital Humanities	

•  Crowdsourcing	

•  Georeferencing
What a registry could do #1	

•  Standardize CLDs	

•  Provide the foundation for improved metrics	

•  Allow diachronically comparable data	

•  Help prioritize coordinated cataloguing, digitization
      and preservation effort above the institution.	

•  A CLD in the age of potential crowdsourcing is a
      sign you want to have in neon.
What a registry could do #2	

•  Encourage more linkages between HE researchers
   and non-HE collection holders	

•  Give a better overview  visibility of a truly
   national collection in waiting across sectors	

•  Help to target further #UKDiscovery work around
   describing new  augmenting extant aggregations	

•  Assist in collections integrity and security
Where to start?	


	


      Not collection mapping so much as map
                    collections
Thanks principally to	


•  Dunia Garcia-Ontiveros	

•  Alison Cullingford	

•  Melanie Cheung	

•  Lisa Jeskins	

•  Ann Chapman
Thank you!	

	

@RLUK_Mike	

	

(Literary conundrum: H.G. Wells, The Time Machine)

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Hidden Collections

  • 1. Hidden Collections Mike Mertens, Deputy Director, RLUK RLUK Conference, Newcastle, 16 November, 2012
  • 2. Can you guess the title…? “I went out of that gallery and into another and still larger one, which at the first glance reminded me of a military chapel hung with tattered flags. The brown and charred rags that hung from the sides of it, I presently recognized as the decaying vestiges of books. They had long since dropped to pieces, and every semblance of print had left them. But here and there were warped boards and cracked metallic clasps that told the tale well enough. Had I been a literary man I might, perhaps, have moralized upon the futility of all ambition. But as it was, the thing that struck me with keenest force was the enormous waste of labour to which this sombre wilderness of rotting paper testified.”
  • 3. Themes •  Context, aims and impulse of Report •  What it covered •  Stand-out figures findings •  Why retro again? (but what might have changed how to keep Lorcan Dempsey happy) •  Where to start? •  National Research Collection – new boundaries?
  • 4. Context #1 •  1997 Making the most of our libraries - 548 libraries responded, 50 million records awaiting retroconversion, calls for a national programme with 5 year target, through Library Information Commission (merges into Re:source, later MLA) •  1999 Full Disclosure, national programme,10 years to complete 80% of the work, nominates MLA. •  1999-2002 RSLP, £30 million for projects including retro 48 HEIs, 68% of these used funds for retro work
  • 5. Context #2 •  The beginnings of the Discovery Programme •  Community model of assessment not consultancy in austere times – idea from The London Library •  Creating public good as part of charitable aims •  Exploring new models of cross-sector engagement for RLUK •  Precursor to present Unique and Distinctive Collections strand •  Demise of MLA (which had been given task of overseeing national retrospective cataloguing strategy).
  • 6. Aims •  Get evidence for further support funding for retrospective cataloguing in the UK, across library sectors. •  Update and augment the evidence gathered in the 2007 RIN survey. “Uncovering Hidden Resources” (95 libraries, 50% collections still hidden). •  To make such snapshot reports redundant – sought views of librarians on establishing a National Register of retrospective cataloguing needs. •  Establishing potential demand for openly licensed RLUK open data
  • 7. Impulse •  Dunia García-Ontiveros, The London Library. •  Assessment that its own retroconversion project would take 20 years, cover 400,000 volumes (i.e. about 40% of its collections awaiting cataloguing). •  What had been achieved (and what was left to do) just over a decade after Full Disclosure report called for a national strategy to ensure the retrospective cataloguing of collections across all our libraries?
  • 8. What the survey covered #1 •  The responder (job title) •  Their institution (including library sector). •  Details of their collections (size, subject, formats, dates, visibility). •  Retrospective conversion/cataloguing needs (size, subject, formats, dates, visibility). •  Record enhancement needs (size, subject, formats, dates, visibility).
  • 9. What the survey covered #2 •  Status, methods and funding of projects past, present and planned to carry out the work mentioned. •  Further comments and suggestions, including views on the online register. •  Extra questions from Copac and RLUK (for e.g., demand for services based on holdings data: Collection analysis, Prioritizing digitisation, preservation activity)
  • 10. Stand-out figures findings #1 •  77 responses were made to the survey (representing 75 separate institutions), including from 38 academic, seven public and 32 specialist libraries (including museums and subscription libraries, and the National Library of Scotland). •  Only 12 RLUK libraries gave figures (approximately one third of membership)
  • 11. Stand-out figures findings #2 •  Over 13 m volumes uncatalogued in libraries that responded, 18.5% of total number of volumes held. •  Over 4 million more (in a smaller number of libraries) have unsatisfactory catalogue records. •  Museums, public libraries independent libraries have a higher proportion of invisible collections •  HE libraries have better coverage of printed collections but hidden archival ones often very large
  • 12. Stand-out figures findings #3 •  Modern material is being added to the backlogs. The presence of 21st century materials in backlogs suggests some libraries are unable to keep up even with current acquisitions. •  Foreign language material and formats which require particular skills and expertise (maps, music, archives) are heavily represented. •  There are serious problems in collating and comparing metrics for materials other than printed books.
  • 13. Stand-out figures findings #4 •  Most special collections as such held in date range 19-20th Centuries •  Most hidden collections are in the same date range •  53 (69%) respondents stated that special collections in their libraries were in want of retrospective cataloguing. •  Numbers of specific formats: 1.1 million maps (1 st place), 182,000 photographs (In 4th place).
  • 14. Why retro again…? “The material culture of print was an exceptionally important part of the history and culture of the 20th century…We are already losing much material that illuminates the 20th century because of the fragility of our understanding and appreciation of the material culture of print in the 20th century – provenance, advertising, ephemera, use and re-use of materials – this evidence is being lost as we dispose of copies and rely on digital archives to provide access.” Richard Ovenden: Pixels, pointers, and pieces: the future of collections, RRLM collections workshop, 2012.
  • 15. •  Why a community-based, self- edited registry of hidden collections? •  A new lease of life for Collection Level Descriptions?
  • 16. “Collection description metadata and searchable online databases of collection information were developed in response to several factors. Large-scale digitisation (principally of texts and images) was often not matched by resources to catalogue the newly created items, surveys revealed that quantities of materials (often older and rarer items) in traditional collections still had no records in online public access catalogues and there was an increasing need to improve the effectiveness of resource discovery techniques for digital materials across archive, library and museum collections. Describing materials at collection level provided a new route for discovery.” Ann Chapman, Turning Off Tap Into Bath, Ariadne, January, 2011
  • 17. But some are not happy… •  Lorcan ‫@‏‬lorcanD 12.11.12 ‘groan .... Create a national register of hidden collections http://www.rluk.ac.uk/files/RLUK %20Hidden%20Collections.pdf … #rluk….’ ‘@RLUK_Mike Given this report, RIN attention in interim, and now this one - what has changed? What hasn't?... An obvious question: why didn't stuff move along since?’
  • 18. The problem with (traditional) CLDs? “Individual libraries rarely use formal or standard collection-level description methods, and often do not recognise the coherence of various collection attributes. As a result, collection-level metadata tends to be scattered, missing, and generally incoherent within a library; there are notable exceptions, usually where a library has an extensive set of special or named collections.” Gordon Dunsire, Use Case Collection-Level Description, 10 February 2011, http://www.w3.org/2005/ Incubator/lld/wiki/Use_Case_Collection-Level_Description
  • 19. Full Disclosure like it’s 1999… •  Ch-ch-changes: •  Linked Data •  Digital Humanities •  Crowdsourcing •  Georeferencing
  • 20. What a registry could do #1 •  Standardize CLDs •  Provide the foundation for improved metrics •  Allow diachronically comparable data •  Help prioritize coordinated cataloguing, digitization and preservation effort above the institution. •  A CLD in the age of potential crowdsourcing is a sign you want to have in neon.
  • 21. What a registry could do #2 •  Encourage more linkages between HE researchers and non-HE collection holders •  Give a better overview visibility of a truly national collection in waiting across sectors •  Help to target further #UKDiscovery work around describing new augmenting extant aggregations •  Assist in collections integrity and security
  • 22. Where to start? Not collection mapping so much as map collections
  • 23. Thanks principally to •  Dunia Garcia-Ontiveros •  Alison Cullingford •  Melanie Cheung •  Lisa Jeskins •  Ann Chapman
  • 24. Thank you! @RLUK_Mike (Literary conundrum: H.G. Wells, The Time Machine)