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A Seminar in Applied Linguistics


    Creativity in TEFL
               Outlining

              Presenter
         Qamra’ Saud Al-Otabibi

              Presented to
        Professor Mahmoud Saleh

          Presented on Monday
           Thulhijjah 19, 1427
Introduction
   Human creativity is a very unique and powerful
 characteristic that lies at the heart of what it means
to be human (Rise, 2006). Creativity seems to be one
of those ill-defined terms. While users often combine
    more than one meaning, nowhere do we find a
    negative view of creativity. Every one likes it.
        Hurrah for creativity (Gibson, 2005).
Creativity
1.   What is creativity?
     Guilford (1950) was among the first to put forward a list of cognitive
     processes involved in creativity. However, as Guilford (1959)
     subsequently developed a comprehensive model of human intellect
     (Albert, A. & Kormos, 2004).

What is involved in the creative process of the individual?
     According to Guilford's model of creativity (1959), creativity is viewed
    as a :
     a. producing lots of ideas (fluency)
    b. producing ideas of various types (flexibility)
    c. building and embellishing existing ideas (elaboration)
    d. producing clever and original ideas (originality)

      (Constantinides, 2003c)
Definition
      The definition of creativity offered by the landmark report
of the National Advisory Committee on Creative and Cultural
Education (NACCCE) in 1999 as ‘‘imaginative activity,
fashioned so as to produce outcomes that are original and of
value’’ (Craft, 2006). The present investigation will focus on
creative potential, that is, the cognitive underpinnings of the
creative working of the mind (Albert, A. & Kormos, 2004).

Creative teaching or teaching for creativity?
                                             A challenge in any
discussion of creativity, which could be thought of as a
‘limitation’ to the concept, is the difficulty of terminology. The
distinction between teaching for creativity and creative teaching
was made by the NACCCE report which acknowledged that
teaching for creativity may or may not involve creative teaching
(Craft, 2003).
2. Why creativity in teaching?

In the absence of creative thinking, teachers may become more
and more dependent on the input and ideas of others. This often
results in teachers adopting techniques and activities without
thinking (Constantinides, 2003c).

Much of the teacher's success depends upon his/her imaginative
power (Abdo, n.d.).

A solution to the scarcity of effective materials is the
implementation of creative classroom activities that move beyond
reliance on textbooks (Darla, 1991).

As Brazil (2003) noted, creative experience initiated long-term
developments in teachers' thinking, both professionally and
personally.
3. Why some teachers lack creativity
     In answering the question why we are unable to think
   creatively, Psychologists and educators both believe that
   some creative potential exists in all human beings, although
   it may be dormant or "blocked". These blocks are of various
   kinds:

A. Blocks created by the social environment

A. B. Blocks created by the individual
                                  a. Strategy Blocks
                                                       b. Values
    Blocks
    c. Perception Blocks
    d. Self-image Blocks

(Constantinides, 2003c)
4. Misconceptions about creativity in teaching

      There are many misrepresentations about creativity and the
     creative individual. These are two of them::

1.   Creativity is not the reserve of the creative elite industries
     such as the arts, music, design or technology businesses, it is
     a natural and unique human attribute that occurs as a function
     of our intelligence and, can happen in any activity in which
     the human intelligence is actively engaged.

2.    Some have believed that you can't teach creativity, i.e. you
     are either creative or you are not. This is a common
     misconception and, as stated earlier, creativity is a natural
     human attribute that we all possess to a lesser or greater
     extent and thus should be recognized and promoted in all.

(Rise, 2006)
Suggested Activities for Boosting
Creativity in TEFL
1. Using Creative play:
Games:
Examples of these games:
Snap and Palindromes

2. Using songs
Cloze Procedure activity

3. Body Language and communication
Facial Messages
Techniques of facial expressions

4. Using Technology
Internet

Computer programmes (PowerPoint Presentation )
Final Thoughts

Implementing creative teaching will require serious,
long-term investment in professional development of
teachers and administers, and basic improvement in
    ).preservice teacher education (Sawyer, 2004
END 

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Creativity in tefl

  • 1. A Seminar in Applied Linguistics Creativity in TEFL Outlining Presenter Qamra’ Saud Al-Otabibi Presented to Professor Mahmoud Saleh Presented on Monday Thulhijjah 19, 1427
  • 2. Introduction Human creativity is a very unique and powerful characteristic that lies at the heart of what it means to be human (Rise, 2006). Creativity seems to be one of those ill-defined terms. While users often combine more than one meaning, nowhere do we find a negative view of creativity. Every one likes it. Hurrah for creativity (Gibson, 2005).
  • 3. Creativity 1. What is creativity? Guilford (1950) was among the first to put forward a list of cognitive processes involved in creativity. However, as Guilford (1959) subsequently developed a comprehensive model of human intellect (Albert, A. & Kormos, 2004). What is involved in the creative process of the individual? According to Guilford's model of creativity (1959), creativity is viewed as a : a. producing lots of ideas (fluency) b. producing ideas of various types (flexibility) c. building and embellishing existing ideas (elaboration) d. producing clever and original ideas (originality) (Constantinides, 2003c)
  • 4. Definition The definition of creativity offered by the landmark report of the National Advisory Committee on Creative and Cultural Education (NACCCE) in 1999 as ‘‘imaginative activity, fashioned so as to produce outcomes that are original and of value’’ (Craft, 2006). The present investigation will focus on creative potential, that is, the cognitive underpinnings of the creative working of the mind (Albert, A. & Kormos, 2004). Creative teaching or teaching for creativity? A challenge in any discussion of creativity, which could be thought of as a ‘limitation’ to the concept, is the difficulty of terminology. The distinction between teaching for creativity and creative teaching was made by the NACCCE report which acknowledged that teaching for creativity may or may not involve creative teaching (Craft, 2003).
  • 5. 2. Why creativity in teaching? In the absence of creative thinking, teachers may become more and more dependent on the input and ideas of others. This often results in teachers adopting techniques and activities without thinking (Constantinides, 2003c). Much of the teacher's success depends upon his/her imaginative power (Abdo, n.d.). A solution to the scarcity of effective materials is the implementation of creative classroom activities that move beyond reliance on textbooks (Darla, 1991). As Brazil (2003) noted, creative experience initiated long-term developments in teachers' thinking, both professionally and personally.
  • 6. 3. Why some teachers lack creativity In answering the question why we are unable to think creatively, Psychologists and educators both believe that some creative potential exists in all human beings, although it may be dormant or "blocked". These blocks are of various kinds: A. Blocks created by the social environment A. B. Blocks created by the individual a. Strategy Blocks b. Values Blocks c. Perception Blocks d. Self-image Blocks (Constantinides, 2003c)
  • 7. 4. Misconceptions about creativity in teaching There are many misrepresentations about creativity and the creative individual. These are two of them:: 1. Creativity is not the reserve of the creative elite industries such as the arts, music, design or technology businesses, it is a natural and unique human attribute that occurs as a function of our intelligence and, can happen in any activity in which the human intelligence is actively engaged. 2. Some have believed that you can't teach creativity, i.e. you are either creative or you are not. This is a common misconception and, as stated earlier, creativity is a natural human attribute that we all possess to a lesser or greater extent and thus should be recognized and promoted in all. (Rise, 2006)
  • 8. Suggested Activities for Boosting Creativity in TEFL 1. Using Creative play: Games: Examples of these games: Snap and Palindromes 2. Using songs Cloze Procedure activity 3. Body Language and communication Facial Messages Techniques of facial expressions 4. Using Technology Internet Computer programmes (PowerPoint Presentation )
  • 9. Final Thoughts Implementing creative teaching will require serious, long-term investment in professional development of teachers and administers, and basic improvement in ).preservice teacher education (Sawyer, 2004