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Johan Oomen  Netherlands Institute for Sound and Vision [email_address] Netherlands Institute for Sound and Vision:  how users help multimedia IR (and vice versa)
5 december 2009 5 december 2009 Nederlands Instituut voor  Beeld en Geluid
5 december 2009 5 december 2009
Images for the Future To optimize the availability of the audiovisual heritage. By developing innovative services and applications, education, the public and the creative sector will be offered a vast improvement in their possibility to profit from the various values of the audiovisual heritage Target groups ,[object Object],[object Object],[object Object]
Images for the Future Consortium
6 partners Mass digitisation ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
<1,5 petabyte annually
(import) metadata (import) content metadata (conversions) content (encoding) Digital Archive Digital Born 15.000 hours of video 40.000 hours of radio Legacy Asset management Education Exhibitions Public Web Acces User generated content and metadata Broadcast Professional
Educational media platform (www.ed-it.nu)
Open Images  (www.openimages.eu)
 
 
Video Active  (www.videoactive.eu)
 
Footage sales platform  (www.dutchfootage.com)
July 09, 09 5
Query Log Analyses ,[object Object],[object Object],[object Object],[object Object],[object Object],Bouke Huurnink, Laura Holling, Wietske van den Heuvel. The Search Behavior of Media Professionals at an Audiovisual Archive: A Transaction Log Analysis. Published in 2010 Netherlands Institute for  Sound and Vision
What do people search for? ,[object Object],[object Object],[object Object],Netherlands Institute for  Sound and Vision
21/09/09 What do people search for (cont.)? Netherlands Institute for  Sound and Vision
21/09/09 Types of ordes Netherlands Institute for  Sound and Vision
Some statistics In: Huurnink, Hollink, van Den Heuvel 2009 (submitted)
People are looking for fragmenrs ,[object Object],[object Object]
1. Speech to text
[object Object],21/09/09 2. Video Labeling Game
[object Object],[object Object],[object Object],Added value
[object Object],[object Object],[object Object],[object Object],Project partners
[object Object],[object Object],[object Object],Set-up
How does it work? Players can choose from four ‘channels’ that contain different programmes
How does it work? In the game channel players enter tags that decribe what they  see  and  hear
How does it work? ,[object Object],[object Object],[object Object]
Experiences ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Generating a constant flow of traffic is a  challenge !  But recently: great boost through  Farmer seeks a Wife  website
Waisda? Retieval interface ,[object Object]
3. Visual Concept detectors ,[object Object]
 
 
 
[object Object],[object Object]

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SAMT 2009 Johan Oomen

Hinweis der Redaktion

  1. Allereerst beginnen we met de drie collectiehoudende instellingen. Het Nederlands Instituut voor Beeld en Geluid beheert de grootste audiovisuele collectie van Nederland. Edwin van Huis is de vertegenwoordiger in het consortium. Het Filmmuseum beheert de belangrijkste cinematografische collectie in Nederland. Rien Hagen is …. Het Nationaal Archief beheert 1000 geschiedenis van Nederland. Hiertoe behoort ook een grote en belangrijke collectie fotomateriaal. Bert de Vries is …. Naast de collectiehouders maken de volgende distributie en ontwikkelpartners deel uit van het consortium: De Vereniging van Openbare Bibliotheken vertegenwoordigt de 450 Nederlandse bibliotheken. Het bereik van de VOB is enorm. Friso Visser ….. De Centrale Discotheek Rotterdam heeft een grote collectie muziek in beheer. De CDR heeft bijzondere expertise met het digitaal uitlenen van muziek. Michiel Laan ….. Stichting Nederland Kennisland is een denktank met veel ontwikkelkracht en met kennis van aanvullende vormen van auteursrecht in het digitale domein. Hans Westerhof ….
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