Part 8 - distrubution and exhibition

Part 8 Distribution and exhibition

The ratio of shorts that make money through more conventional channels of distribution and exhibition to those that don’t is diminutive. Why do you think this is? ,[object Object],[object Object],[object Object],[object Object]

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In what contexts have the following anthologies/collections of short films been created and how have they been put together? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

http://www.cinema16.org/home.php ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

http:// www.bfi.org.uk/education/teaching/movingshorts / ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

http:// www.futureshorts.com/htmlViewer.php?id =15 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

http:// www.raindance.co.uk/site/index.php?aid =720 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

http://shootingpeople.org/watch/47254/Best_v_Best_1 http://shootingpeople.org/watch/47255/Best_v_Best_2 ,[object Object]

Part 8 - distrubution and exhibition

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Part 8 - distrubution and exhibition