Corso di Estetica dei New Media, A.A. 2010-11 Prof. Federica Timeto 6

1. Dentro lo schermo Estetica dei nuovi media Prof. Federica Timeto , A.A. 2010-2011

2. Marcel Duchamp, Il grande vetro,1915-1923

4. Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage, 1946-66

6. Sitting on a Swiss train, http://liftlab.com/think/nova/2011/02/15/screen-multiplicity-in-a-swiss-train/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+NicolasNova+%28Pasta%26Vinegar%29&utm_content=Google+Reader - Interfacce - Immersività - Interattività

7. So rather than separate ways of seeing into media-specific theories of spectatorship, whether for art, film or television, I want to consider watching as the multi-media site-specific performance of everyday life. (WB, p. 31) Nicholas Mirzoeff, Intervisualità

8. Vernacular watching Watching is the wide variety of things we do and places we are when we watch television… vernacular watching tends to emphasize those moments of drift in which the attention is not fully engaged in gazing at visual media. .. Channel surfing, web-surfing, ambient media (media out of their proper place, such as art outside a gallery or television outside the home)… the transverse look or glance. (Ncholas Mirzoeff, Watching Babylon, p. 31) ..peripheral vision, covert look, averted glance

11. SAGE (Semi Automated Ground Environment) anni ’50-’60: mettere in relazione le installazioni radar per intercettare il nemico Radar, 1944

12. Dead Reckoning. Aerial Perception and the Social Construction of Targets, Caren Kaplan - Design by Raegan Kelly, 2007 http://vectorsjournal.org/issues/4/deadreckoning/

13. Ivan Sutherland, head mounted display called “the sword of Damocles”

15. Le finestre al computer e la GUI

18. Plot of 1 second of human brain (EEG) activity. this work is part of a project called Sounds Of Complexity , 2007 http://www.kinotek.org/soundsofcomplexity.html (video) via dataisnature