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Term "Abstract Expressionism" was first used in Germany in connection with Rusian artist Wassily Kandinsky in 1919 (referencing the German Expressionists with their anti-figurative aesthetic), but later became more commonly associated with Post-WWII American Art.
abstract expressionism
abstract expressionism
Meenal Mandil
This slideshow was created as an introduction to a Year 9 unit on Abstract Expressionism, it was designed as a starting point for further research into specific artists of the movement and its wider influences. It was also designed as a starting point into a practical exercise recreating the 'sentiment' of AE without necessarily reproducing the 'methods'. It needs editing.
Abstract expressionism
Abstract expressionism
Pearl Jankovsky
This presentation will let you know about the famous paintings during the time of Abstract Expressionism in brief with their details
Paintings of abstract expressionism
Paintings of abstract expressionism
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Lecture 6: The New York School comes of age with the mature work of Jackson Pollock, Mark Rothko, and Willem de Kooning. We also discuss the 'second generation' artists such as Joan Mitchell and Morriss Lewis. A strong focus on expressive brushwork, personal emotion and the underlying tenets of existentialist thought is on full display. Clement Greenberg's thoughts on the inherent flatness of the picture plane also exert a strong influence. The work should also be seen in the context of the Cold War and 'soft power'.
Abstract Expressionism
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Term "Abstract Expressionism" was first used in Germany in connection with Rusian artist Wassily Kandinsky in 1919 (referencing the German Expressionists with their anti-figurative aesthetic), but later became more commonly associated with Post-WWII American Art.
abstract expressionism
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Meenal Mandil
This slideshow was created as an introduction to a Year 9 unit on Abstract Expressionism, it was designed as a starting point for further research into specific artists of the movement and its wider influences. It was also designed as a starting point into a practical exercise recreating the 'sentiment' of AE without necessarily reproducing the 'methods'. It needs editing.
Abstract expressionism
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This presentation will let you know about the famous paintings during the time of Abstract Expressionism in brief with their details
Paintings of abstract expressionism
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sakshisingh3100
Abstract Expressionism
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Abstract expressionism power point
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joewaf
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Abstract expressionism final powerpoint
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Krunal1552
Lecture 6: The New York School comes of age with the mature work of Jackson Pollock, Mark Rothko, and Willem de Kooning. We also discuss the 'second generation' artists such as Joan Mitchell and Morriss Lewis. A strong focus on expressive brushwork, personal emotion and the underlying tenets of existentialist thought is on full display. Clement Greenberg's thoughts on the inherent flatness of the picture plane also exert a strong influence. The work should also be seen in the context of the Cold War and 'soft power'.
Abstract Expressionism
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This powerpoint presentation talks about the Art Movement: Abstract Expressionism. It also discusses about the history, definition and characteristics of Abstract Expressionism. It also discusses about the painters who are related in the period of Abstract Expressionism.
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Troy Buckner of Southampton, NY, studied art history at the University of Washington. Now a private art dealer, Troy Buckner collaborates with a variety of New York, NY, clients in their efforts to secure the pieces of art that interest them most, including works by Robert Rauschenberg.
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Answer all three of the following questions per work of art shown below. You should reference your book to aid you in answering these questions. Answers should be in essay format, be a minimum of three-five sentences each, and include at least three terms from the glossary for each work. “Painting” Who is the artist? Which event does this respond to and what statement does it make? What may have inspired the image of the male figure? “Flowers on Body” What issues did this artist address in her work? What series does this particular image belong to? What themes does this image address? “Backs” What materials did the artist use in her works? How is this representative of her work? What do the forms suggest in this work? you need to utilize at least three of these terms per assignment response. Please note that some terms are carried over from previous weeks as they apply. Still, you should review all terms each week. Abstract Expressionism Also known as the New York School. The first major American avant-garde movement, Abstract Expressionism emerged in New York City in the 1940s. The artists produced abstract paintings that expressed their state of mind and that they hoped would strike emotional chords in viewers. The movement developed along two lines: gestural abstraction and chromatic abstraction. Action painting Also called gestural abstraction. The kind of Abstract Expressionism practiced by Jackson Pollock, in which the emphasis was on the creation process, the artist's gesture in making art. Pollock poured liquid paint in linear webs on his canvases, which he laid out on the floor, thereby physically surrounding himself in the painting during its creation. Assemblage An artwork constructed from already existing objects. Chromatic abstraction A kind of Abstract Expressionism that focused on the emotional resonance of color, as exemplified by the work of Barnett Newman and Mark Rothko. Color field painting A variant of Post-Painterly Abstraction in which artists sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas, allowing these pigments to soak into the fabric, as exemplified by the work of Helen Frankenthaler and Morris Louis. Conceptual art An American avant-garde art movement of the 1960s that asserted that the "artfulness" of art lay in the artist's idea rather than its final expression. Deconstruction An analytical strategy developed in the late 20th century according to which all cultural "constructs" (art, architecture, and literature) are "texts." People can read these texts in a variety of ways, but they cannot arrive at fixed or uniform meanings. Any interpretation can be valid, and readings differ from time to time, place to place, and person to person. For those employing this approach, deconstruction means destabilizing established meanings and interpretations while encouraging subjectivity and individual differences. Earthworks An American art form that emerged in the 1960s. .
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Artwork Review Answer all three of the following questions per work of art shown below. You should reference your book to aid you in answering these questions. Answers should be in essay format, be a minimum of three-five sentences each, and include at least three terms from the glossary for each work. The following are glossary terms for the week to be used with your work this week. You do not need to utilize them all; however, you need to utilize at least three of these terms per assignment response. Please note that some terms are carried over from previous weeks as they apply. Still, you should review all terms each week. Abstract Expressionism Also known as the New York School. The first major American avant-garde movement, Abstract Expressionism emerged in New York City in the 1940s. The artists produced abstract paintings that expressed their state of mind and that they hoped would strike emotional chords in viewers. The movement developed along two lines: gestural abstraction and chromatic abstraction. Action painting Also called gestural abstraction. The kind of Abstract Expressionism practiced by Jackson Pollock, in which the emphasis was on the creation process, the artist's gesture in making art. Pollock poured liquid paint in linear webs on his canvases, which he laid out on the floor, thereby physically surrounding himself in the painting during its creation. Assemblage An artwork constructed from already existing objects. Chromatic abstraction A kind of Abstract Expressionism that focused on the emotional resonance of color, as exemplified by the work of Barnett Newman and Mark Rothko. Color field painting A variant of Post-Painterly Abstraction in which artists sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas, allowing these pigments to soak into the fabric, as exemplified by the work of Helen Frankenthaler and Morris Louis. Conceptual art An American avant-garde art movement of the 1960s that asserted that the "artfulness" of art lay in the artist's idea rather than its final expression. Deconstruction An analytical strategy developed in the late 20th century according to which all cultural "constructs" (art, architecture, and literature) are "texts." People can read these texts in a variety of ways, but they cannot arrive at fixed or uniform meanings. Any interpretation can be valid, and readings differ from time to time, place to place, and person to person. For those employing this approach, deconstruction means destabilizing established meanings and interpretations while encouraging subjectivity and individual differences. Earthworks An American art form that emerged in the 1960s. Often using the land itself as their material, Environmental artists construct monuments of great scale and minimal form. Permanent or impermanent, these works transform some section of the environment, calling attention both to the land itself and to the hand of the artist. Sometimes referred.
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Assignment Answer all three of the following questions per work of art shown below. Answers should be in essay format, be a minimum of three-five sentences each, and include at least three terms from the glossary for each work. 1. “Painting” 1. . Who is the artist? . Which event does this respond to and what statement does it make? . What may have inspired the image of the male figure? · “Flowers on Body” 1. . What issues did this artist address in her work? . What series does this particular image belong to? . What themes does this image address? · “Backs” · What materials did the artist use in her works? · How is this representative of her work? · What do the forms suggest in this work? Glossary Terms The following are glossary terms with which you need to become familiar and to utilize within your work this week. You do not need to utilize them all; however, you need to utilize at least three of these terms per assignment response. Please note that some terms are carried over from previous weeks as they apply. Still, you should review all terms each week. · Abstract Expressionism . Also known as the New York School. The first major American avant-garde movement, Abstract Expressionism emerged in New York City in the 1940s. The artists produced abstract paintings that expressed their state of mind and that they hoped would strike emotional chords in viewers. The movement developed along two lines: gestural abstraction and chromatic abstraction. · Action painting . Also called gestural abstraction. The kind of Abstract Expressionism practiced by Jackson Pollock, in which the emphasis was on the creation process, the artist's gesture in making art. Pollock poured liquid paint in linear webs on his canvases, which he laid out on the floor, thereby physically surrounding himself in the painting during its creation. · Assemblage . An artwork constructed from already existing objects. · Chromatic abstraction . A kind of Abstract Expressionism that focused on the emotional resonance of color, as exemplified by the work of Barnett Newman and Mark Rothko. · Color field painting . A variant of Post-Painterly Abstraction in which artists sought to reduce painting to its physical essence by pouring diluted paint onto unprimed canvas, allowing these pigments to soak into the fabric, as exemplified by the work of Helen Frankenthaler and Morris Louis. · Conceptual art . An American avant-garde art movement of the 1960s that asserted that the "artfulness" of art lay in the artist's idea rather than its final expression. · Deconstruction . An analytical strategy developed in the late 20th century according to which all cultural "constructs" (art, architecture, and literature) are "texts." People can read these texts in a variety of ways, but they cannot arrive at fixed or uniform meanings. Any interpretation can be valid, and readings differ from time to time, place to place, and person to person. For those employing this approach, deconstr ...
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