6. A Frame is “the definition of a
situation”,
“basic frameworks of
understanding in our society for
making sense out of events
(and) ... principles of organisations
which govern events ... our
subjective involvements in them
Erving Goffman
Frame Analysis (1974 FRAMING
7. h The Status
The Purchase The Query The Social Grap The Check-
In
The Interes
t Join-In
Update
Doing. What even
t
. What I'm
t Who I Am . What am ed
What I Bu
y
What I Wan w Whats's Where I Am in? am I engag
Who I Kno Iinterested
Happening with?
Amazon. Google. FaceBook. Foursquare Instagram Lanyrd
Twitter.
EBay. Yahoo. MySpace. Gowalla Pinterest Groupon
Facebook
Nectar Bing Google Loopt Delicious Twitter?
WHAT DO WE REVEAL?
Average UK users now spends 1 day in every month online
8. Aggregation services such as IFTTT
h The Status
The Purchase The Query The Social Grap The Check-
In
The Interes
t Join-In
Update
Doing. What even
t
. What I'm
t Who I Am . What am ed
What I Bu
y
What I Wan w Whats's Where I Am in? am I engag
Who I Kno Iinterested
Happening with?
Amazon. Google. FaceBook. Foursquare Instagram Lanyrd
Twitter.
EBay. Yahoo. MySpace. Gowalla Pinterest Groupon
Facebook
Nectar Bing Google Loopt Delicious Twitter?
WHAT DO WE REVEAL?
Average UK users now spends 1 day in every month online
9. SOCIAL CAPITAL Fresh Networks
The resources accumulated through the relationships
among people.
10. GROOMING AND GOSSIP
Dunbar speculated that as much as 42% of the group's time
would have to be devoted to social grooming.
11. GROOMING AND GOSSIP
Dunbar speculated that as much as 42% of the group's time
would have to be devoted to social grooming.
12.
13. Screen Space
Liminal Space
Viewer Space
AMBIGUITY
18. DVR V LIVE TV
85% of TV programmes are viewed at the time of broadcast.
Half of the other 15% watched on same day
19. SOCIAL TV
Social television is a general
term for technology that
supports communication and
social interaction in either
the context of watching
television, or related to TV
content
28. We
reserve the right at
all times (but will not
have an obligation) to
remove or refuse to distribute
any Content on the Services
and to terminate users or
reclaim
usernames.
The
Oatmeal
WHO OWNS YOUR
TWITTER DATA?
29. We
reserve the right at
all times (but will not
have an obligation) to
remove or refuse to distribute
any Content on the Services
and to terminate users or
reclaim
usernames.
Twitter are now
offering up to a years worth
of tweets to market
researchers for analysis
The
Oatmeal
WHO OWNS YOUR
TWITTER DATA?
69. Use of game
mechanics to
encourage
engagement in an
activity that
otherwise might be
considered a chore
or boring
GAMIFICATION ?
70. Use of game
Encouraging certain
mechanics to
user behaviour
encourage
using Games as a
engagement in an
Lens
activity that
otherwise might be
considered a chore
or boring
GAMIFICATION ?
- 1960’s traditional living room.\n- A TV in a living room is considered a shared experience.\n- Discussion around the TV are shared with everyone in the room.\n\nname of photo: Family watching television, c. 1958\nphoto by: Evert F. Baumgardner\nsource: National Archives and Records Administration.http://web.archive.org/web/20071226081329/teachpol.tcnj.edu/amer_pol_hist/thumbnail427.html\n
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- These discussions often take place in the work place, where people stand around the water cooler and discuss last nights TV entertainment. Termed ‘WaterCooler moments’.\n\nphoto from: protectedtomorrows.com\n
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- 88% of Americans are reported to multitask on their mobile devices whilst watching TV. The most common uses are:\n- searching for related information on a TV programme they are watching, \n- visit social network sites \n- browse products seen in TV ads\n
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- looks at the impact augmenting a mobile device as a second screen to embrace TV shows that present a more visual spectacle and examines whether this changes the influence on Twitter. \n- Twitter Streaming API\n- To monitor the hashtag for TV shows\n- these shows include...\n
- Announced at MWC 2011 by Dick Costello.\n- Notably this number is increasing year on year.\n
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by collecting we were able to:\nanalyse on-going discussions in which the audience creates their own narrative for the show.\nhighlight key points within the show.\nmake predictions based on the tweet data alone.\n\n- Categorising the sources of tweets into MOBILE, NON-MOBILE and MIXED (explain).\n- Although similarities were found within the Twitter stream and phone voting in the majority of cases, anomalies still occur suggesting there are differences between the online communities and those who are sat back watching the TV using their phones to vote. \n
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Monterosa is the UK’s leader in Second Screen Social television\n\nCome dine with me.... viewers get to score contestants and share discussions amongst one another.\n
The Code was a documentary about maths in the world around us.\n\nHidden in the show were clues to a treasure - you didnt have to watch the program to get the clues but you would have had to visit the shows website. The clues then allowed the viewer to crack the code (a competition that has been won by a guy from Bleckley Park). \n
Created by the BBC as a pilot to test second screen ‘companion apps’\n\nFrozen Planet\n\nA new and exciting way to experience documentaries\n
- guess the value of the antique items brought in by members of the public for valuation.\n- reveal the meta-stories that lie behind the items.\n- the companion app is being developed for multiple platforms including mobile devices, tablets, and desktop PCs. \n- there is also a version of the play along on BBC’s Red Button.\n