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THE FINE ART OF
PERSUASION
Advertising
OH, REALLY?
 Advertising is pure persuasion! No matter what the ad is selling—

politicians, food, toiletries, any product—the purpose is to
persuade the readers/viewers to vote, purchase a certain
product, or change their minds about a topic.
PROBLEMS!
 The problem with ads is that they are biased and do not always

represent the “facts.” Does one toothpaste really work better than
another? Do “lose weight quickly” products work? Could they
even be unhealthy? Is Politician A more honest and smarter than
Politician B?
 Another problem is that ads can reinforce negative stereotypes:

the characters in ads are stock and flat, meaning that because of
brevity (and other factors), they lack “personality.” Advertisers use
stereotypical characters so that the audience can identify with
them, but these characteristics are not always accurate.
EVOLUTION?
 The basic selling premise of ads has not changed, and ads still

use stock characters, but ads have changed.
 Because the success of an advertising campaign depends on

how well the audience “buys” into the concept, ads reflect and are
strongly influenced by the cultural aspects of an era—or even
what is popular in a given year.
 We can take a trip back in time to prove this hypothesis!
These ads demonstrate a
logical fallacy: just because
an “expert” says so does not
make “it” so!

These ads also beg the question of
reliability: who were the 20,679 doctors?
How did the advertisers get this info?
Regardless, ANY doctor who would
advocate smoking today would get drummed
out of the AMA.
Hmmm, I wonder what
type of criteria the “medical
specialists” were using?
What would make
Chesterfields better or less
harmful than other
cigarettes?

Notice, there is no mention
of cancer, emphysema, or
other serious health
problems related to
smoking.
Well, little girl, you won’t live to
be 100 if you follow your
doctor’s example?
This ad uses pathos (emotion)
to appeal to the audience: the
little girl and her mother are
intended to make the audience
feel “emotionally” reassured
that smoking is healthy. The
doctor also makes smoking
respectable.
Can you spot logical fallacies?
Dentists got in on
the act, as well.
Even poor old Santa was dragged into the arena.
IGNORANCE
 We might be able to say, “Well, back in the old days, no one

realized how bad smoking was for your health,” but we must ask
how much clout cigarette companies had and what the
“downplayed” to the public.
 Until 1969, cigarette ads proliferated on TV, but even magazine

and other types of advertising could no longer claim that smoking
was healthy. This fact was still downplayed in ads, and the
smoking companies turned to other tactics to draw in smokers—
especially new smokers.
Ignorance cannot be used
as an excuse for the Joe Camel
ads; cartoon characters are
supposed to impress whom?
The target audience was not
mature, responsible adults!
SEXISM
 Smoking ads still proliferate in printed media, usually depicting

good-looking people having a great time while puffing away. After
the “doctor” recommendations where no longer a viable selling
point, associating cigarettes with a glamorous lifestyle came to
the forefront.
 The benefits of smoking were not the only fallacies fed to the

American public. As mentioned earlier, stock characters and
stereotypes abounded (and still abound) in both printed and visual
media.
 In the good ol’ days, women were depicted as helpless, controlled

by men, and in other negative stereotypes.
 I looked for ads portraying negative stereotypes of men, but

couldn’t find any! I am sure that they exist—if you find some, let
me know.
This ad combined the “coolness” of
smoking and sexism, depicting
women as gullible creatures who
would blindly follow a cool guy
anywhere IF he only blew smoke in
her face.
Somehow, I don’t believe this was an
effective pick-up move!
Women needed to smoke before
dealing with their children!
Prior to the 1940s, women who
smoked were scandalous, but an ad
such as this made smoking
something that even mothers
could, and were encouraged, to do.
Does not feeling “oversmoked”
include lung cancer?
 Women couldn’t open ketchup

bottles by themselves.
Got a wife who tampers with your
coffee? Then treat her like a child.
This ad is most likely intended to be
light-hearted, as well, but even the
attire of the woman is indicative of
her status and place in the world.
Don’t all women thrive of
“cooking, cleaning, and dusting?
 Draw your own conclusions!
 And where did the loose

women get those diseases?
OTHER HEALTH ISSUES
 All babies need caffeine or

sugar laced drinks!
 Not only was Coca-Cola

named for its most important
ingredient, but cocaine was
an over-the-counter palliative
until 1914.
INTO THE NEW AGE
 Advertisers must consistently

find new ways to sell
products, but so many use
the same tactics that when
we see something truly fresh
and original, we remember it!
 And cute still sells.
 (Push the play button!)
FINIS
 I have cautioned you to seek reliable sources! While you might not

use an ad as a source to back up an argument, they nevertheless
show how popular ideas, theories, and societal norms change. In
addition, they also demonstrate how new discoveries change what
we know about certain issues, i.e. the dangers of smoking.
 In addition, commercials are rife with bias, inaccuracies, logical

fallacies, and stereotypes: so are printed and other media sources! It
behooves you, the researcher, to ferret out those aspects and
evaluate their accuracy and their timeliness. If you do not, a reader
that is uneducated about the topic might believe the inaccuracies, but
an analytical and/or educated reader will not—do not risk alienating
your readers with drivel or making them perceive YOU as illinformed; if this happens, your points/arguments are moot.

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Ads: The Ultimate Persuaders

  • 1. THE FINE ART OF PERSUASION Advertising
  • 2. OH, REALLY?  Advertising is pure persuasion! No matter what the ad is selling— politicians, food, toiletries, any product—the purpose is to persuade the readers/viewers to vote, purchase a certain product, or change their minds about a topic.
  • 3. PROBLEMS!  The problem with ads is that they are biased and do not always represent the “facts.” Does one toothpaste really work better than another? Do “lose weight quickly” products work? Could they even be unhealthy? Is Politician A more honest and smarter than Politician B?  Another problem is that ads can reinforce negative stereotypes: the characters in ads are stock and flat, meaning that because of brevity (and other factors), they lack “personality.” Advertisers use stereotypical characters so that the audience can identify with them, but these characteristics are not always accurate.
  • 4. EVOLUTION?  The basic selling premise of ads has not changed, and ads still use stock characters, but ads have changed.  Because the success of an advertising campaign depends on how well the audience “buys” into the concept, ads reflect and are strongly influenced by the cultural aspects of an era—or even what is popular in a given year.  We can take a trip back in time to prove this hypothesis!
  • 5. These ads demonstrate a logical fallacy: just because an “expert” says so does not make “it” so! These ads also beg the question of reliability: who were the 20,679 doctors? How did the advertisers get this info? Regardless, ANY doctor who would advocate smoking today would get drummed out of the AMA.
  • 6. Hmmm, I wonder what type of criteria the “medical specialists” were using? What would make Chesterfields better or less harmful than other cigarettes? Notice, there is no mention of cancer, emphysema, or other serious health problems related to smoking.
  • 7. Well, little girl, you won’t live to be 100 if you follow your doctor’s example? This ad uses pathos (emotion) to appeal to the audience: the little girl and her mother are intended to make the audience feel “emotionally” reassured that smoking is healthy. The doctor also makes smoking respectable. Can you spot logical fallacies?
  • 8. Dentists got in on the act, as well.
  • 9. Even poor old Santa was dragged into the arena.
  • 10. IGNORANCE  We might be able to say, “Well, back in the old days, no one realized how bad smoking was for your health,” but we must ask how much clout cigarette companies had and what the “downplayed” to the public.  Until 1969, cigarette ads proliferated on TV, but even magazine and other types of advertising could no longer claim that smoking was healthy. This fact was still downplayed in ads, and the smoking companies turned to other tactics to draw in smokers— especially new smokers.
  • 11. Ignorance cannot be used as an excuse for the Joe Camel ads; cartoon characters are supposed to impress whom? The target audience was not mature, responsible adults!
  • 12. SEXISM  Smoking ads still proliferate in printed media, usually depicting good-looking people having a great time while puffing away. After the “doctor” recommendations where no longer a viable selling point, associating cigarettes with a glamorous lifestyle came to the forefront.  The benefits of smoking were not the only fallacies fed to the American public. As mentioned earlier, stock characters and stereotypes abounded (and still abound) in both printed and visual media.  In the good ol’ days, women were depicted as helpless, controlled by men, and in other negative stereotypes.  I looked for ads portraying negative stereotypes of men, but couldn’t find any! I am sure that they exist—if you find some, let me know.
  • 13. This ad combined the “coolness” of smoking and sexism, depicting women as gullible creatures who would blindly follow a cool guy anywhere IF he only blew smoke in her face. Somehow, I don’t believe this was an effective pick-up move!
  • 14. Women needed to smoke before dealing with their children! Prior to the 1940s, women who smoked were scandalous, but an ad such as this made smoking something that even mothers could, and were encouraged, to do. Does not feeling “oversmoked” include lung cancer?
  • 15.  Women couldn’t open ketchup bottles by themselves.
  • 16. Got a wife who tampers with your coffee? Then treat her like a child.
  • 17. This ad is most likely intended to be light-hearted, as well, but even the attire of the woman is indicative of her status and place in the world. Don’t all women thrive of “cooking, cleaning, and dusting?
  • 18.  Draw your own conclusions!
  • 19.  And where did the loose women get those diseases?
  • 20. OTHER HEALTH ISSUES  All babies need caffeine or sugar laced drinks!
  • 21.  Not only was Coca-Cola named for its most important ingredient, but cocaine was an over-the-counter palliative until 1914.
  • 22. INTO THE NEW AGE  Advertisers must consistently find new ways to sell products, but so many use the same tactics that when we see something truly fresh and original, we remember it!
  • 23.  And cute still sells.  (Push the play button!)
  • 24. FINIS  I have cautioned you to seek reliable sources! While you might not use an ad as a source to back up an argument, they nevertheless show how popular ideas, theories, and societal norms change. In addition, they also demonstrate how new discoveries change what we know about certain issues, i.e. the dangers of smoking.  In addition, commercials are rife with bias, inaccuracies, logical fallacies, and stereotypes: so are printed and other media sources! It behooves you, the researcher, to ferret out those aspects and evaluate their accuracy and their timeliness. If you do not, a reader that is uneducated about the topic might believe the inaccuracies, but an analytical and/or educated reader will not—do not risk alienating your readers with drivel or making them perceive YOU as illinformed; if this happens, your points/arguments are moot.