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BENETTON KIDS
TODAY, THE BENETTON GROUP IS PRESENTED IN120 COUNTRIES AROUND THE WORLD
OPENING OF FABRICA TWO EYES WITH TWO DIFFERENT COLOURED PUPILS SYMBOLISE FABRICA’S LOOK TOWARDS THE   “ FUTURO PRESENTE”
THE  CYCLE  OF  REALITY
     VICTIMS THE BLOOD-STAINED T-SHIRT AND TROUSERS BELONGING TO THE SOLDIER MARINKO GAGRO, WHO WAS KILLED DURING THE WAR IN THE FORMER YUGOSLAVIA, BECOME A SYMBOL OF PEACE
M,,MFMD,SM,	 A SOLDIER GRIPPING A HUMAN THIGH BONE Represents a terrible vision that arouses anxious questions about colonialism, racism and cultural poverty
TO  OPPOSTION  AGAINST  THE  IRRUPTION  OF “DEATH” AS AN  ADVERTISING  SUBJECT, BENETTON  ANSWERED  WITH BIRTH, THE  FAMOUS  IMAGE  OF  A  NEWBORN  BABY  STILL ATTACHED  TO  THE  UMBILICAL  CORD
Toscani did no more than make visable this invisablestamp of discrimination, marginalisation and alienation
TOSCANI TURNS ITS ADVERTISING MACHINE AGAINST CAPITAL PUNISHMENT.  THE CAMPAIGN FEATURE IMAGES OF PRISONERS FROM DEATH ROWS IN THE USA
“ WE, ON DEATH ROW”
THE  CYCLE  OF  DIFFERENCE
THE PALESTINIAN                 AND       THE  ISRAELI AN  AMERICAN BOY KISSING A RUSSIAN BOY POLITICAL AND RELIGIOUS CONFLICT
A BLACK WOMAN BREASTFEEDING A WHITE BABY – WHICH REPRESENTS THE MOST – AWARDED IMAGE IN BENETTON’S ADVERTISING HISTORY
IN THE SPRING OF 1996, BILLBOARDS ALL OVER THE WORLD WERE INVADED BY AN IMAGE OF THREE HEARTS OVERPRINTED WITH THE WORDS “ WHITE, BLACK, YELLOW” – THE NEW ANTI-RACIST MESSAGE LAUNCHED BY UNITED COLORS OF BENETTON IN CONJUNCTION WITH SOS RACISME
PORTAYED MORAL CONFLICT THE  STEREOTYPES  OF  GOOD  AND EVIL,  SYMBOLIZED  BY  AN  ANGEL  AND THE DEVIL DEPICED RELIGIOUS CONFLICT A PRIEST KISSING A NUN THE AFFIRMATION OF PURE HUMAN SENTIMENT
REFLECTION ON A PRINCIPLE WE OFTEN FORGET; WHAT IS NATURAL IS NEVER VULGAR NATURAL   ACT
“ To capture consumer’s attention, advertising must become an artistic product in itself, like a play or a film. That has never happened because the only things that condition the industry are money and marketing managers, who are idiots. All they know to do is repeat what’s already been done.” Oliver  Toscani’s  Advertising Philosophy
WORLDWIDE interactive multimedia communication campaign- the first global online casting session- which will choose faces from around the world
U UNITED COLORS OF BENETTON ROZA SZYGENDA RASHA CHASIB TAMIR  ANTHONY BUTCHER MAGDA KOCHAOWICZ
SPECIAL THANKS TO: JOHN COCKSEDGE DAWIDKOCHANOWICZ CHRIS HUNTER & KIDS
Bibliography Bibliography Feyerick, D (2000), CNN archives, Victims' rights advocates denounce Benetton 'death row' ads  Benetton on death row,  http://archives.cnn.com/2000/ STYLE/fashion/01/18/benetton.ads., accessed 15/Feb/10 Mantle, J. (1999), Benetton: The Family, the Business and the Brand, London, Little, Brown and Company. Maguire M. (2003) United colors of Benetton: A company of colours and controversies, Germany, Grin Verlog Salvemini, L.P. (2000), United Colors: The Benetton Campaigns, London, Scriptum Editions Vignali, C. (1998) Branding and marketing Mix Examinated in a Benetton Franchise J. Text. Inst., Part 2 Benetton Group, Investors  http://www.investors.benettongroup.com, accessed 21/ Feb/10  Benetton Group social communication research centre Press Kits – Fabricahttp://press.benettongroup.com, accessed 16/Feb/10 Benetton’s advertising acquitted in Germany (2001) http://www.managingip.com/Article.aspx?ArticleID=1256567 , accessed 12/Feb/10 Brand Republic “ Brand Health Check “http://www.brandrepublic.com/News/466467/Brand-Health-Check-Benetton/, http://www.youtube.com/watch?v=fb-oBsji-Gc http://www.youtube.com/watch?v=TiZMcVGCh_E2005

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Benetton Presentation

  • 2.
  • 3. TODAY, THE BENETTON GROUP IS PRESENTED IN120 COUNTRIES AROUND THE WORLD
  • 4.
  • 5.
  • 6. OPENING OF FABRICA TWO EYES WITH TWO DIFFERENT COLOURED PUPILS SYMBOLISE FABRICA’S LOOK TOWARDS THE “ FUTURO PRESENTE”
  • 7.
  • 8. THE CYCLE OF REALITY
  • 9. VICTIMS THE BLOOD-STAINED T-SHIRT AND TROUSERS BELONGING TO THE SOLDIER MARINKO GAGRO, WHO WAS KILLED DURING THE WAR IN THE FORMER YUGOSLAVIA, BECOME A SYMBOL OF PEACE
  • 10.
  • 11. M,,MFMD,SM, A SOLDIER GRIPPING A HUMAN THIGH BONE Represents a terrible vision that arouses anxious questions about colonialism, racism and cultural poverty
  • 12. TO OPPOSTION AGAINST THE IRRUPTION OF “DEATH” AS AN ADVERTISING SUBJECT, BENETTON ANSWERED WITH BIRTH, THE FAMOUS IMAGE OF A NEWBORN BABY STILL ATTACHED TO THE UMBILICAL CORD
  • 13. Toscani did no more than make visable this invisablestamp of discrimination, marginalisation and alienation
  • 14. TOSCANI TURNS ITS ADVERTISING MACHINE AGAINST CAPITAL PUNISHMENT. THE CAMPAIGN FEATURE IMAGES OF PRISONERS FROM DEATH ROWS IN THE USA
  • 15. “ WE, ON DEATH ROW”
  • 16. THE CYCLE OF DIFFERENCE
  • 17. THE PALESTINIAN AND THE ISRAELI AN AMERICAN BOY KISSING A RUSSIAN BOY POLITICAL AND RELIGIOUS CONFLICT
  • 18. A BLACK WOMAN BREASTFEEDING A WHITE BABY – WHICH REPRESENTS THE MOST – AWARDED IMAGE IN BENETTON’S ADVERTISING HISTORY
  • 19. IN THE SPRING OF 1996, BILLBOARDS ALL OVER THE WORLD WERE INVADED BY AN IMAGE OF THREE HEARTS OVERPRINTED WITH THE WORDS “ WHITE, BLACK, YELLOW” – THE NEW ANTI-RACIST MESSAGE LAUNCHED BY UNITED COLORS OF BENETTON IN CONJUNCTION WITH SOS RACISME
  • 20. PORTAYED MORAL CONFLICT THE STEREOTYPES OF GOOD AND EVIL, SYMBOLIZED BY AN ANGEL AND THE DEVIL DEPICED RELIGIOUS CONFLICT A PRIEST KISSING A NUN THE AFFIRMATION OF PURE HUMAN SENTIMENT
  • 21. REFLECTION ON A PRINCIPLE WE OFTEN FORGET; WHAT IS NATURAL IS NEVER VULGAR NATURAL ACT
  • 22. “ To capture consumer’s attention, advertising must become an artistic product in itself, like a play or a film. That has never happened because the only things that condition the industry are money and marketing managers, who are idiots. All they know to do is repeat what’s already been done.” Oliver Toscani’s Advertising Philosophy
  • 23. WORLDWIDE interactive multimedia communication campaign- the first global online casting session- which will choose faces from around the world
  • 24. U UNITED COLORS OF BENETTON ROZA SZYGENDA RASHA CHASIB TAMIR ANTHONY BUTCHER MAGDA KOCHAOWICZ
  • 25. SPECIAL THANKS TO: JOHN COCKSEDGE DAWIDKOCHANOWICZ CHRIS HUNTER & KIDS
  • 26. Bibliography Bibliography Feyerick, D (2000), CNN archives, Victims' rights advocates denounce Benetton 'death row' ads Benetton on death row, http://archives.cnn.com/2000/ STYLE/fashion/01/18/benetton.ads., accessed 15/Feb/10 Mantle, J. (1999), Benetton: The Family, the Business and the Brand, London, Little, Brown and Company. Maguire M. (2003) United colors of Benetton: A company of colours and controversies, Germany, Grin Verlog Salvemini, L.P. (2000), United Colors: The Benetton Campaigns, London, Scriptum Editions Vignali, C. (1998) Branding and marketing Mix Examinated in a Benetton Franchise J. Text. Inst., Part 2 Benetton Group, Investors http://www.investors.benettongroup.com, accessed 21/ Feb/10 Benetton Group social communication research centre Press Kits – Fabricahttp://press.benettongroup.com, accessed 16/Feb/10 Benetton’s advertising acquitted in Germany (2001) http://www.managingip.com/Article.aspx?ArticleID=1256567 , accessed 12/Feb/10 Brand Republic “ Brand Health Check “http://www.brandrepublic.com/News/466467/Brand-Health-Check-Benetton/, http://www.youtube.com/watch?v=fb-oBsji-Gc http://www.youtube.com/watch?v=TiZMcVGCh_E2005