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The Dark Knight Rises
Case Study
Technical Aspects of The Dark Knight Rises

   Release date: 20th July 2012 (UK Cinema), December 4th 2012 (UK DVD)

   Genre: Action/Crime/Drama

   Running time: 165 minutes

   Main distribution companies: Warner Bros. Pictures

   Budget: $250-$300 million

   Worldwide gross: $1,081,041,287

   Directors: Christopher Nolan

   Producers: Christopher Nolan, Emma Thomas, Charles Roven

   Main actors: Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman, Michael Caine
Structure of the companies in The Dark
Knight Rises

 Distribution – Warner Bros. Pictures         Owned by Time Warner


                    Warner Bros. has
                    production deals
                    with

 Legendary Pictures/Syncopy Films/DC comics
                                             DC Comics owns



                                        Batman
The production side of The Dark
Knight Rises
   Producers: Christopher Nolan/Emma Thomas/Charles Roven

   Music: Hans Zimmer

   Costume Design: Lindy Hemming

   The cultural industry theory applies to The Dark Knight Rises, it is similar to other
    movies of it’s genre (superhero movies) in the fact that it is the simple “hero beats
    villain” story, with a couple of extra twists. However, this film and it’s respective
    trilogy tries to do something different, the film is a lot darker than most other
    superhero films released and The Dark Knight Rises was heavily praised for that.

   Synergy was also used a lot during production of The Dark Knight Rises, Nolan used
    the IMAX corporations “IMAX” cameras to film The Dark Knight Rises, as he does
    not believe in 3D but still wanted the film to be of a high quality. Other companies
    sets were used, most notably the American football team “Pittsburg Steelers”
    playing field was used, along with them themselves. This is an example of
    horizontal synergy.
Promotion of The Dark Knight Rises

   “The official website launched in May 2011 introducing a viral marketing campaign similar to the one
    used to promote The Dark Knight. The website streamed an encrypted audio file described by users as
    chanting. Users decrypted the audio to the Twitter hashtag, "#TheFireRises". Warner Bros. removed a pixel
    from the webpage for every tweet using the hashtag. The website revealed the first official image of
    Bane.” This is an example of New Media Technologies being used to promote a film.
    (http://en.wikipedia.org/wiki/The_Dark_Knight_Rises)

   The teaser trailer to the film was advertised with Harry Potter and the Deathly Hallows – Part 2, and the
    theatrical trailer was released with Sherlock Holmes: A Game of Shadows. The Dark Knight Rises theatrical
    trailer was shown again with the release of The Avengers.

   marketing campaigns for the film continued as magazine companies Empire and Wired received “CIA
    documents” which revealed plot elements of the six-minute prologue of the film screened at the Mission
    Impossible: Ghost Protocol premiere.

   Before the films release, At the American International Toy Fair, Mattel unveiled figures for Batman, Bane,
    and Catwoman, and Batman’s flying vehicle, The bat.
    (http://usatoday30.usatoday.com/life/comics/story/2012-02-01/Dark-Knight-Rises-Batman-movie-toys/52906568/1)

   The Cultural Industry theory would apply here, because a lot of “high-end” superhero films will advertise
    themselves with films of a similar genre, this is a proven method and was used with The Dark Knight, and
    The Dark Knight Rises respectively.
The Distribution Methods of The Dark Knight
Rises

 On July 6th 2012, a special screening of The Dark Knight Rises for more
  than 100 critics and reporters was planned, but had to be delayed for
  one day due to technical problems.

 The film later premiered on July 16th 2012 at the AMC Lincoln Square
  Theater in New York City, New York, followed by a European premiere
  on July 18th 2012 at Leicester Square in London, England. The film was
  released in Australia and New Zealand on July 19th 2012, and was later
  released in North America and the United Kingdom on July 20th 2012.

 The Dark Knight Rises was released on November 28th 2012 in Hong
  Kong and New Zealand, on December 3rd 2012 in the UK and on
  December 4th 2012 in the United States. It was available for purchase on
  DVD, Blu-Ray, as well as on a digital download. Websites and
  programmes such as Netflix were also releasing the film to the public for
  viewing. A box set showcasing the trilogy of The Dark Knight films was
  also released, coinciding with the release of The Dark Knight Rises.
The Dark Knight Rises methods of
consumption

 The Dark Knight Rises was, at first, consumed in the cinema.
  It had a typical cinema run, releasing in cinemas across the
  globe, IMAX or not.

 Around 5-6 months after its cinema release, it was released
  and able to be consumed via Blu-Ray, DVD and digital
  download. It is also available on the internet, unfortunately
  piracy viewings come into play as well.

 The encoding/decoding theory could loosely be applied
  here, with the preferred reading seeing the film legally, be it
  via the cinema, DVD, Blu-Ray and digital download, and the
  oppositional reading being viewing the movie in a way that
  breaks the law. Whether that is online without paying for the
  film, or buying a pirated DVD.
The Dark Knight Rises Merchandise and
Synergy

 Warner Bros. partnered with Mountain Dew to do a cross-
  promotion that included a special paint scheme on the No.
  88 Chevrolet Impala owned by Hendrick Motorsports and
  driven by Dale Earnhardt, Jr. in the NASCAR Sprint Cup
  Series. On June 17, 2012, the car won the 2012 Quicken
  Loans 400 at Michigan International Speedway. On July
  4, 2012, the studio signed a deal with Formula One team
  Lotus F1 to have the films logos appear on the Lotus E20s
  driven by Kimi Raikkonen and Romain Grosjean at the 2012
  British Grand Prix. Raikkonen and Grosjean went on to finish
  the race in fifth and sixth place respectively. Warner Bros.
  had previously followed a similar promotion in the 2008 British
  Grand Prix, when the now-defunct Toyota F1 carried a livery
  to promote The Dark Knight. (http://www.itv-f1.com/news_article.aspx?id=43173)
The Woman in Black
Case Study
Technical Aspects of The Woman in Black

   Release date: 10th February 2012 (UK Cinema), 18th June 2012 (UK DVD)

   Genre: Drama/Horror/Thriller

   Running time: 95 minutes

   Main distribution companies: Momentum Pictures (UK)

   Budget: $15 million

   Worldwide gross: $127,730,736

   Directors: James Watkins

   Producers: Brian Oliver, Richard Jackson, Simon Oakes

   Main actors: Daniel Radcliffe, Janet McTeer, Ciarån Hinds
Structure of the companies in The Woman
in Black

 Distribution – Momentum Pictures and Hammer Film Productions
                      Owned by




           Alliance films
                                              Independent company




 Who distributed the film in Canada
The production side of The Woman in
Black
   Producer: Tobin Armbrust

   Music: Marco Beltrami

   Cinematography: Tim Maurice-Jones

   “For its British release, several changes were made in order to qualify for a 12A
    certificate: Momentum Theatrical, the distributor, arranged to have six seconds cut and
    for changes to other shots, with some scenes darkened and the sound level reduced on
    some others. The cuts were never released to audiences, but comparing the US and UK
    cuts were never revealed to audiences, but comparing the US and UK cuts of the film
    reveals that the scenes where the woman hangs from the nursery ceiling and when Lucy
    Jerome sets herself on fire were cut short in the UK version. This could have been
    because one of their target audiences when producing this film was Harry Potter
    fans, who have a lot of fans that are under the age of 12.

   Although a somewhat loose link, synergy was used in the fact that this film was filmed in
    the United Kingdom, this in turn advertises the United Kingdom and would generate
    tourist income, similar to how New Zealand generates income from the Lord of Rings
    films.
Promotion of The Woman in Black

 The Woman in Black was promoting their film constantly
  on social networking sites such as Facebook. They had
  their own “group” on the site and were releasing
  information about the film periodically to a wide
  audience.

 Advertisements could also be seen all over the
  internet, appearing as banners, trailers, etc. on web
  pages.

 There were 3 main audiences targeted whilst promoting
  The Woman in Black, Harry Potter/Radcliffe fans first and
  foremost, horror fans and fans of the play/book.
Promotion of The Woman in Black

 Large posters were used to advertise
  the film throughout the world, whether
  that be on billboards like seen here 
  or on bus shelters.

 Advertisements could also be seen in
  newspapers worldwide

 Social networking sites such as YouTube
  were also used via a competition
  designed for the target audience, and
  allowing them a chance to win multiple
  prizes, providing they submit a “ghost
  story”. This would entice people to enter
  the competition and subsequently
  make them interested in the film.
Distribution of The Woman in Black

 The Woman in Black was available on all of the typical
  platforms, allowing for the widest possible audience to
  view the film.

 These platforms were blu-ray, dvd, digital
  download, online (via piracy), online subcription (such as
  lovefilm, or netflix).

 The film was originally released in cinemas across the
  globe, and had a successful cinema run, like The Dark
  Knight Rises.
The Woman in Black’s methods of
consumption

 Like I stated above, the film is available on all of the
  regular platforms and just not try to steer away from the
  norm.

 “The encoding/decoding theory could loosely be
  applied here, with the preferred reading seeing the film
  legally, be it via the cinema, DVD, Blu-Ray and digital
  download, and the oppositional reading being viewing
  the movie in a way that breaks the law. Whether that is
  online without paying for the film, or buying a pirated
  DVD.”
The Woman in Black Merchandise

 Although not as heavy on the
  merchandise as The Dark Knight
  Rises, most likely due to it being a much
  more serious genre and having a more
  mature target audience, it still has some.

 T-shirts, mugs and cups and flash lights
  could all be purchased and would bring
  in some extra money for the company.

 The mugs and cups and the t-shirts are
  all very typical of films, however the
  flashlight could be referring to the scary
  nature of the film, and cashing in on the
  whole “darkness is scary” thing.
Secondary Notes

 The Hobbit: An Unexpected Journey
    Press Conferences
      Allows audiences to receive information about the film from the actors
         and directors themselves  more reliable
    CGI
      Used for some of the characters and settings entirely, such as the multiple
         goblins
    Motion Capture
      Used for the dwarves, as well as gollum, and other characters.
    Advertising
      Airplanes
      Airports
      Banners
      Billboards
      Public Sets

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The dark knight rises and the woman in black case study

  • 1. The Dark Knight Rises Case Study
  • 2. Technical Aspects of The Dark Knight Rises  Release date: 20th July 2012 (UK Cinema), December 4th 2012 (UK DVD)  Genre: Action/Crime/Drama  Running time: 165 minutes  Main distribution companies: Warner Bros. Pictures  Budget: $250-$300 million  Worldwide gross: $1,081,041,287  Directors: Christopher Nolan  Producers: Christopher Nolan, Emma Thomas, Charles Roven  Main actors: Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman, Michael Caine
  • 3. Structure of the companies in The Dark Knight Rises  Distribution – Warner Bros. Pictures Owned by Time Warner Warner Bros. has production deals with  Legendary Pictures/Syncopy Films/DC comics DC Comics owns  Batman
  • 4. The production side of The Dark Knight Rises  Producers: Christopher Nolan/Emma Thomas/Charles Roven  Music: Hans Zimmer  Costume Design: Lindy Hemming  The cultural industry theory applies to The Dark Knight Rises, it is similar to other movies of it’s genre (superhero movies) in the fact that it is the simple “hero beats villain” story, with a couple of extra twists. However, this film and it’s respective trilogy tries to do something different, the film is a lot darker than most other superhero films released and The Dark Knight Rises was heavily praised for that.  Synergy was also used a lot during production of The Dark Knight Rises, Nolan used the IMAX corporations “IMAX” cameras to film The Dark Knight Rises, as he does not believe in 3D but still wanted the film to be of a high quality. Other companies sets were used, most notably the American football team “Pittsburg Steelers” playing field was used, along with them themselves. This is an example of horizontal synergy.
  • 5. Promotion of The Dark Knight Rises  “The official website launched in May 2011 introducing a viral marketing campaign similar to the one used to promote The Dark Knight. The website streamed an encrypted audio file described by users as chanting. Users decrypted the audio to the Twitter hashtag, "#TheFireRises". Warner Bros. removed a pixel from the webpage for every tweet using the hashtag. The website revealed the first official image of Bane.” This is an example of New Media Technologies being used to promote a film. (http://en.wikipedia.org/wiki/The_Dark_Knight_Rises)  The teaser trailer to the film was advertised with Harry Potter and the Deathly Hallows – Part 2, and the theatrical trailer was released with Sherlock Holmes: A Game of Shadows. The Dark Knight Rises theatrical trailer was shown again with the release of The Avengers.  marketing campaigns for the film continued as magazine companies Empire and Wired received “CIA documents” which revealed plot elements of the six-minute prologue of the film screened at the Mission Impossible: Ghost Protocol premiere.  Before the films release, At the American International Toy Fair, Mattel unveiled figures for Batman, Bane, and Catwoman, and Batman’s flying vehicle, The bat. (http://usatoday30.usatoday.com/life/comics/story/2012-02-01/Dark-Knight-Rises-Batman-movie-toys/52906568/1)  The Cultural Industry theory would apply here, because a lot of “high-end” superhero films will advertise themselves with films of a similar genre, this is a proven method and was used with The Dark Knight, and The Dark Knight Rises respectively.
  • 6. The Distribution Methods of The Dark Knight Rises  On July 6th 2012, a special screening of The Dark Knight Rises for more than 100 critics and reporters was planned, but had to be delayed for one day due to technical problems.  The film later premiered on July 16th 2012 at the AMC Lincoln Square Theater in New York City, New York, followed by a European premiere on July 18th 2012 at Leicester Square in London, England. The film was released in Australia and New Zealand on July 19th 2012, and was later released in North America and the United Kingdom on July 20th 2012.  The Dark Knight Rises was released on November 28th 2012 in Hong Kong and New Zealand, on December 3rd 2012 in the UK and on December 4th 2012 in the United States. It was available for purchase on DVD, Blu-Ray, as well as on a digital download. Websites and programmes such as Netflix were also releasing the film to the public for viewing. A box set showcasing the trilogy of The Dark Knight films was also released, coinciding with the release of The Dark Knight Rises.
  • 7. The Dark Knight Rises methods of consumption  The Dark Knight Rises was, at first, consumed in the cinema. It had a typical cinema run, releasing in cinemas across the globe, IMAX or not.  Around 5-6 months after its cinema release, it was released and able to be consumed via Blu-Ray, DVD and digital download. It is also available on the internet, unfortunately piracy viewings come into play as well.  The encoding/decoding theory could loosely be applied here, with the preferred reading seeing the film legally, be it via the cinema, DVD, Blu-Ray and digital download, and the oppositional reading being viewing the movie in a way that breaks the law. Whether that is online without paying for the film, or buying a pirated DVD.
  • 8. The Dark Knight Rises Merchandise and Synergy  Warner Bros. partnered with Mountain Dew to do a cross- promotion that included a special paint scheme on the No. 88 Chevrolet Impala owned by Hendrick Motorsports and driven by Dale Earnhardt, Jr. in the NASCAR Sprint Cup Series. On June 17, 2012, the car won the 2012 Quicken Loans 400 at Michigan International Speedway. On July 4, 2012, the studio signed a deal with Formula One team Lotus F1 to have the films logos appear on the Lotus E20s driven by Kimi Raikkonen and Romain Grosjean at the 2012 British Grand Prix. Raikkonen and Grosjean went on to finish the race in fifth and sixth place respectively. Warner Bros. had previously followed a similar promotion in the 2008 British Grand Prix, when the now-defunct Toyota F1 carried a livery to promote The Dark Knight. (http://www.itv-f1.com/news_article.aspx?id=43173)
  • 9. The Woman in Black Case Study
  • 10. Technical Aspects of The Woman in Black  Release date: 10th February 2012 (UK Cinema), 18th June 2012 (UK DVD)  Genre: Drama/Horror/Thriller  Running time: 95 minutes  Main distribution companies: Momentum Pictures (UK)  Budget: $15 million  Worldwide gross: $127,730,736  Directors: James Watkins  Producers: Brian Oliver, Richard Jackson, Simon Oakes  Main actors: Daniel Radcliffe, Janet McTeer, Ciarån Hinds
  • 11. Structure of the companies in The Woman in Black  Distribution – Momentum Pictures and Hammer Film Productions Owned by  Alliance films Independent company  Who distributed the film in Canada
  • 12. The production side of The Woman in Black  Producer: Tobin Armbrust  Music: Marco Beltrami  Cinematography: Tim Maurice-Jones  “For its British release, several changes were made in order to qualify for a 12A certificate: Momentum Theatrical, the distributor, arranged to have six seconds cut and for changes to other shots, with some scenes darkened and the sound level reduced on some others. The cuts were never released to audiences, but comparing the US and UK cuts were never revealed to audiences, but comparing the US and UK cuts of the film reveals that the scenes where the woman hangs from the nursery ceiling and when Lucy Jerome sets herself on fire were cut short in the UK version. This could have been because one of their target audiences when producing this film was Harry Potter fans, who have a lot of fans that are under the age of 12.  Although a somewhat loose link, synergy was used in the fact that this film was filmed in the United Kingdom, this in turn advertises the United Kingdom and would generate tourist income, similar to how New Zealand generates income from the Lord of Rings films.
  • 13. Promotion of The Woman in Black  The Woman in Black was promoting their film constantly on social networking sites such as Facebook. They had their own “group” on the site and were releasing information about the film periodically to a wide audience.  Advertisements could also be seen all over the internet, appearing as banners, trailers, etc. on web pages.  There were 3 main audiences targeted whilst promoting The Woman in Black, Harry Potter/Radcliffe fans first and foremost, horror fans and fans of the play/book.
  • 14. Promotion of The Woman in Black  Large posters were used to advertise the film throughout the world, whether that be on billboards like seen here  or on bus shelters.  Advertisements could also be seen in newspapers worldwide  Social networking sites such as YouTube were also used via a competition designed for the target audience, and allowing them a chance to win multiple prizes, providing they submit a “ghost story”. This would entice people to enter the competition and subsequently make them interested in the film.
  • 15. Distribution of The Woman in Black  The Woman in Black was available on all of the typical platforms, allowing for the widest possible audience to view the film.  These platforms were blu-ray, dvd, digital download, online (via piracy), online subcription (such as lovefilm, or netflix).  The film was originally released in cinemas across the globe, and had a successful cinema run, like The Dark Knight Rises.
  • 16. The Woman in Black’s methods of consumption  Like I stated above, the film is available on all of the regular platforms and just not try to steer away from the norm.  “The encoding/decoding theory could loosely be applied here, with the preferred reading seeing the film legally, be it via the cinema, DVD, Blu-Ray and digital download, and the oppositional reading being viewing the movie in a way that breaks the law. Whether that is online without paying for the film, or buying a pirated DVD.”
  • 17. The Woman in Black Merchandise  Although not as heavy on the merchandise as The Dark Knight Rises, most likely due to it being a much more serious genre and having a more mature target audience, it still has some.  T-shirts, mugs and cups and flash lights could all be purchased and would bring in some extra money for the company.  The mugs and cups and the t-shirts are all very typical of films, however the flashlight could be referring to the scary nature of the film, and cashing in on the whole “darkness is scary” thing.
  • 18. Secondary Notes  The Hobbit: An Unexpected Journey  Press Conferences  Allows audiences to receive information about the film from the actors and directors themselves  more reliable  CGI  Used for some of the characters and settings entirely, such as the multiple goblins  Motion Capture  Used for the dwarves, as well as gollum, and other characters.  Advertising  Airplanes  Airports  Banners  Billboards  Public Sets