3. What is Music Publishing?
Music Publishing is the business of protecting and
exploiting musical copyrights.
Music Publishers make sure songwriters are
compensated - ‘exploiting’ in a good way.
4. What is a copyright?
• Songwriters are granted 6 exclusive rights
including rights to:
– Perform the work publicly
– Make copies (physical or digital)
• Songwriter has copyright when the song is in a
fixed and tangible form.
5. Publishing royalties: Performance
Radio Television Non-interactive
streams
Live performanceInteractive
streams
50%
50% Songwriters
Publishers
Where is music performed publicly?
Performing Rights Organizations (PROs): Track & collect performance royalties.
7. One-Stop Global Royalty Collection
We register songs and collect publishing royalties globally.
…and more
8. Forget music publishing, it’s all about CD Baby Pro
CD Baby Pro collects publishing royalties on behalf of songwriters.
Traditional Publisher CD Baby Pro
Royalty collection ✓ ✓
Song registration ✓ ✓
Creative services ✓ ✘
Legal services ✓ ✘
9. What % of publishing royalties are paid to the client?!
CD Baby Pro keeps only 15%
of publishing royalties collected.
CDB Client
CDB
85%15%
11. How much time?
…most societies are two quarters behind.
Songs Played
Publisher Paid
12. What are the terms of my agreement with CDB Pro?
13. Buzz Words: ISWC
• International Standard Musical Work Code
• 11-character code used to uniquely identify a
musical work
• ISWC : Song :: ISRC : Recording
14. Buzz Words: IPI
• Interested Parties Information
• Formerly known as CAE number (Composer,
Author, Publisher)
• These are like social security numbers for
songwriters and publishers
21. Can I join if I have a publishing deal?
Your agreement with CD Baby Pro gives us the
exclusive right to collect for you.
If you’re already in an exclusive
publishing agreement, then no dice.
23. Can I join if I am affiliated as a publisher?
YES! CD Baby will be listed as the administrator for
your publishing entity and will collect royalties on its
behalf.
25. What are song splits?
Based on their contribution, each songwriter will be
assigned an ownership percentage of a song.
Splits should be agreed upon
before registering songs and total 100%.
31. When should I expect first royalty payments?
The earliest you’ll see royalties is 6 - 9 months
after completion of affiliation process, but more
likely it will be 9-12 months from play.
33. How much will I earn from CD Baby Pro?
The amount of royalties you make will depend on a
multitude of factors (amount of use, if the PRO
detected the use, type of use…).
If your music is not being used meaningfully,
there will be nothing to collect.
37. How far back do you collect?
~2-3 years but it is up to each society.
Many societies move royalties into the black box
after 2 years.
We’ve seen as far back as 10 years but we don’t like
to promise.
39. Does CD Baby own any of my copyright?
No, you own 100% of your copyright and retain full
ownership and full creative control of your songs.
We are your publishing administrator.
41. Does CD Baby copyright my songs?
You have a copyright as soon as your make a fixed
and tangible copy of your song.
We DO NOT register songs with the US Copyright
Office, that is up to you and not necessary to collect
royalties.
49. Why are my songs not yet registered?
• We need to checking information, cross-checking
with PRO data
• (We are still faster than signing a traditional
publishing deal!)
• Don’t worry publishing is slow and the royalty
cycle is 2 quarters behind, you’re unlikely to miss
out on royalties even if your songs aren’t turned
in yet.
51. Where is my money?
• Missing publisher’s share – we pay out when we
receive (probably coming, publishing lags
songwriting)
• Missing performance royalties – contact
ASCAP/BMI/SESAC we are not in charge of
‘tracking’
• Missing mechanical royalties – contact HFA
• Hard data helps (sales data)
• Is your music charting?
• Streaming rates are very low (but growing,
CDBaby has good data and can even match for
smaller songs.)
Hinweis der Redaktion
Songwriters are those who write music – not artistsCopyright – when your music is put in a fixed and tangible form
Songwriters are those who write music – not artistsExplain what “fixed and tangible” means
Public Performance – name some examples!Non-interactive streams and interactive streams (mention YouTube)PROs collect license fees, and pay songwriters and publishersWe collect and pay out publishers share only
The word “mechanical"Mechanical licensing agencies collect mechanicals from those reproducing songsOnly one payment, no writer/publisher split
One stopWe’re going directBetter identification of rights holdersExplain where we are best equipped to collect right now
Focus on CD Baby Pro, not publishing as a whole
Writer’s share always goes to writer directly
Laggggggg…
US societies two behind, O/S up to 4 behindIn this example, the client wouldn’t actually receive royalties until April (one year from generated)
Stop me if you have questions, let me know what comes up most frequently.
SESAC is invitation only.
Split sheets
Explain how this works… incl wider PRO networks, not North Korea, places without democracy
Explain international and back royalties.
Is your music charting? Major releases? Major sales data?
We will make sure to register co-writer information properly so that they can receive their fair share.
Varies by society
Varies by society
You can register with US Copyright Office on your own if you want. Not necessary for collecting royalties.
