Radio news announcing

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

It is a planned and structured assemblage of news, which encompasses some forms like reports, package, interview, hard news, soft news (feature), etc.,[object Object]

It is signed off with the reporter’s name and affiliation (“This is Sandra Aguinaldo for News on Q.”),[object Object]

Hard News ,[object Object],[object Object],[object Object]

1. Broad Education ,[object Object]

Proper pronunciation of words and names is largely a result of formal and informal education.

An awareness of world events is important. ,[object Object]

2. Writing Skills ,[object Object]

You must develop the ability to write for the ear in broadcast style. ,[object Object]

3. Ad-Lib Skills ,[object Object],[object Object]

The ability to extract news requires finely honed interpersonal skills. ,[object Object]

5. News Sense ,[object Object]

This ability is developed largely through experience and guidance from other professionals. ,[object Object]

[object Object],[object Object],[object Object]

enhanced by forthright speech devoid of any artificial patterns

enhanced by a knowledge of news and current events,[object Object]

performer must be interested in the copy in the first place,[object Object]

convinces the audience that the newsperson knows what he or she is talking about,[object Object],[object Object],[object Object],[object Object]

Newsgathering can be done by: One person working with a telephone or recording device A staff of street reporters equipped with portable recording gears, covering special beats People in charge of editing and production

News Director: ,[object Object]

executive in charge of staff and budget

reports to the station general manager,[object Object]

oversees and puts together the entire newscast

introduces stories produced by field reporters,[object Object]

[object Object],Much of this responsibility is shouldered by the writer.

Painting Pictures with Words 1. Describe events with imagination. ,[object Object]

Your ability to describe can be dramatically improved with practice.,[object Object]

Never use sound effects records.,[object Object]

Don’t use the same pitch, pace, and rhythm for a report on a murder and for a story about starting a business. ,[object Object]

Do not touch important words too lightly.,[object Object]

Painting Pictures with Words 6. Develop a system for gauging time. ,[object Object]

Rate is faster in newscast than on a 30-sec. commercial. ,[object Object]

Too fast: readers might miss important story elements

Too slow: energy is lost; listener’s attention is likely to wander

A comfortable conversational rate is the most effective rate. ,[object Object]

Vary inflection enough so that patterns do not repeat, while guarding against inflections that do not fit the style of the copy. ,[object Object]

Male announcers hitting an unnaturally low pitch can be deadly as inappropriate pitch stresses the voice.

Find the correct pitch for your voice.,[object Object]

Of course, everyone stumbles at some point , in a format that demands continuous reading for several minutes.

But remember, there are no second takes in live on-air work. ,[object Object]

Listeners associate the credibility of a station with the news reader on the air.

If you mispronounce a name or a place, you bet someone listening knows you did. ,[object Object]

Radio news announcing

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Radio news announcing