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Name : Jitendra Sumra

                   Victorian Poets
Sem : 02c
Year : 2011-12
Roll No - 17
Paper : Victorian Literature
Department Of English
Bhavnagar University
Introduction
• The Victorian age is especially remarkable
  because of its rapid progress in all the arts and
  science and in Mechanical inventions.
• Victorian as is also known for the age of the
  Newspapers, the Magazine, and the modern
  novel.
• The first two being the story of the worlds daily life and
  the last our pleasantest form of literary entertainment
  as well as our most successful method of presenting
  modern problems and modern ideas.
•                                                 Cont…
• Victorian age is emphatically an age of realism
  rather than of romance not the realism of Zola
  and Ibson but a deeper realism which strives
  to tell the whole truth, showing moral and
  physical diseases as they are , but holding up
  health and hope as the normal condition of
  humanity. The two main poet are Alfred
  Tennyson and Robert Browning.
•                                         Cont…
Alfred Tennyson
• His Life
• Tennyson       was born in the Rectory of
  Somersby, Lincolnshire, in 1809. He was one of
  the twelve children’s of the Rue. George Clayton
  Tennyson, a Scholarly clergyman, and his wife
  Elizabeth fitches a gentle, lovable women.
• Tennyson wrote with his Brothers and first efforts
  appeared in a little volume called “ Poems by
  two Brothers” in 1827.
•                                         Cont…
• Among its treasures are still read with delight [1] The
  Lotus,
• [2] Palace of art,
• [3] A dream of fair women,
• [4] The millers daughters, and
• [5] The Lady of Shallot.
• Tennyson was plunged into a period of gloom and
  sorrow. The sorrow may be read in the exquisite little
  poem beginning “Break ,break, break, on thy cold gray
  stones , o sea!”
• Which was his first published Elegy for his friend.
•                                                Cont…
• Tennyson's life is a remarkable one in this
  respect, that from beginning to end he seems
  to have been dominated by a single
  impulse, the impulse of poetry.
• Tennyson            was                 naturally
  shy, retiring, indifferent to men , hating noise
  and publicity, loving to be alone with nature.
•                                          cont…
• Tennyson was not only a man and a poet , he was a
  voice, the voice of a whole people , expressing in
  exquisite melody their doubts and their faith, their
  grief's and their triumphs.
• In the wonderful variety of his verse he suggests all
  the qualities of England's greed's poets the dreaminess
  of spenser. The majesty of Milton, Wordsworth, the
  fantasy of Black and Coleridge ,the Melody of Keats
  , and Shelly. The narrative vigor of Scott and Byron.
• All these striking qualities are evident on successive
  pages of Tennyson's poetry.
•                                                    Cont…
• Tennyson's Immature work, like that of the
  minor poets, is sometimes in a doubtful of
  despairing strain but his in memoriam is like
  the rainbow after storm, and Browning seems
  better to express the spirit of his age in the
  strong manly faith of “ Rabbi Ben Ezra”. And in
  the courageous optimism of all his poetry.
•                                          Cont…
His Works
• Tennyson's Works it may be well to record two
  things, by way to suggestion ,
• First , Tennyson's poetry is not so much to be studied
  as to be read and appreciated; he is a poet to have
  open on ones table , and to enjoy ‘ as one enjoys his
  daily exercise. And
• Second we should by all means begins to get
  acquainted , with Tennyson in get days of our youth.
•                                                Cont…
• Tennyson had publishing poetry .since 1827, his first poems
  appearing almost simultaneously with the last work of
  Byron, Shelly and Keats.
• In 1842- The Princes and Maud,
• In 1847- The Princess, a medley, [ A long poem of over
  there thousand lines of blank verse.]
• “Tears, Idle, tears” , “Bugle song” and “ sweet and law”.
• In 1855- Maud ; this is called in literature a
  monodrama, telling the story of a lover who passes from
  morridness to ecstasy , then to anger and murder, followed
  by insanity and recovery.
•                                                      Cont…
• The most loved of all Tennyson's works is “in
  Memoriam”.
• “The Idylls of the king” is among the greatest of
  Tennyson’s later works.
• His another collection of poems called “English
  Idylls” in 1842, In this collection there [1]
  Dora, [2] The Gardeners Daughter, [3] Ulysses
  , [4] Locksley and [5] Sir Galahad. One of the
  most famous of this series is “Enoch Arden”
  [1864].
•                                          Cont…
• Tennyson's later volumes, like the “Ballads”
  [1864] and “Demeter” [1880]
• Other poems like “The change of the light
  Brigade”
• “wages “ and “The Higher pantheism”.
•                                      Cont…
Robert Browning (1812 – 1889)

 We find that it has many sources:


i.    The poet’s thought is often obscure or else so extremely subtle that
     language expresses it imperfectly.

Ii   Browning is led from one thing to another by his own mental associations
     and forgets that readers associations may be an entirely different kind.

Iii   Browning is careless in his English and frequently clips in his
speech, giving us a series of ejaculation.


He does not like so many other an entertaining poet, one cannot read him
after dinner or whom settled in a comfortable easy-chair, one must sit up and
think and be alert when he reads Browning.
His Life:
He was birn in Camberwell, on the outskirts of London, in
1882, from his first home and from his first school, at
Packhome, he could see London.

Like Tennyson this boy found his work very early, and for fifty
years hardly a week passed that he did not write poetry. He
began at prodycee verse.

His first known work, Pauline(1833)

Two years later appeared, ‘Paracelsus’ and than his tragedy
straffored was put upon the stage

Browning’s symbolic name for ‘Poetry and thought’ or ‘Singing
and sermonizing’
His Works:
        Drametic Lyric(1842)
        Drametic Romances and lyrics(1845)
        Man and Women(1855)
        Drametic Persones(1864)

   His range is enormous and brings all sorts and conditions of man under analysis.
The musician in ‘Abt Vogler’, the artist in ‘Andrea del sarto’ , the early christian in ‘A
death in the desert’.

   All these and a hundred more histories of the soul show Browning’s marvelous
versatility.

                        Periods of his works:
First period(1841-1868)
o    Pauline (1833)
o    Paracelsus(1835)
o    Sordello(1840)
Second Period(1841-1846)
o   Bells and Pomegranits series
o    Pippas Passes
o    Colombes Birthday
o    In Balcony(1855)
o    The Ring(1868)

Third Period:
o    Five at the fair
o    Red cotton night
o    The inn album
o    Jocoseria
Conclusion:
       In the end we can say that Browning’s place in our literature
will be better appreciated by comparison with his friend Tennyson.
Whom we just studied in one respect, especially in their methods
of approaching the truth, the two man are the exact opposites
Tennyson is the first artist and than the teacher, but with Browning
the message is always the important thing, and he is careless, too
careless, of the form in which it is expressed.
Victorian Poet: Alfred Tennyson and Robert Browning

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Victorian Poet: Alfred Tennyson and Robert Browning

  • 1. Name : Jitendra Sumra Victorian Poets Sem : 02c Year : 2011-12 Roll No - 17 Paper : Victorian Literature Department Of English Bhavnagar University
  • 2. Introduction • The Victorian age is especially remarkable because of its rapid progress in all the arts and science and in Mechanical inventions. • Victorian as is also known for the age of the Newspapers, the Magazine, and the modern novel. • The first two being the story of the worlds daily life and the last our pleasantest form of literary entertainment as well as our most successful method of presenting modern problems and modern ideas. • Cont…
  • 3. • Victorian age is emphatically an age of realism rather than of romance not the realism of Zola and Ibson but a deeper realism which strives to tell the whole truth, showing moral and physical diseases as they are , but holding up health and hope as the normal condition of humanity. The two main poet are Alfred Tennyson and Robert Browning. • Cont…
  • 4. Alfred Tennyson • His Life • Tennyson was born in the Rectory of Somersby, Lincolnshire, in 1809. He was one of the twelve children’s of the Rue. George Clayton Tennyson, a Scholarly clergyman, and his wife Elizabeth fitches a gentle, lovable women. • Tennyson wrote with his Brothers and first efforts appeared in a little volume called “ Poems by two Brothers” in 1827. • Cont…
  • 5. • Among its treasures are still read with delight [1] The Lotus, • [2] Palace of art, • [3] A dream of fair women, • [4] The millers daughters, and • [5] The Lady of Shallot. • Tennyson was plunged into a period of gloom and sorrow. The sorrow may be read in the exquisite little poem beginning “Break ,break, break, on thy cold gray stones , o sea!” • Which was his first published Elegy for his friend. • Cont…
  • 6. • Tennyson's life is a remarkable one in this respect, that from beginning to end he seems to have been dominated by a single impulse, the impulse of poetry. • Tennyson was naturally shy, retiring, indifferent to men , hating noise and publicity, loving to be alone with nature. • cont…
  • 7. • Tennyson was not only a man and a poet , he was a voice, the voice of a whole people , expressing in exquisite melody their doubts and their faith, their grief's and their triumphs. • In the wonderful variety of his verse he suggests all the qualities of England's greed's poets the dreaminess of spenser. The majesty of Milton, Wordsworth, the fantasy of Black and Coleridge ,the Melody of Keats , and Shelly. The narrative vigor of Scott and Byron. • All these striking qualities are evident on successive pages of Tennyson's poetry. • Cont…
  • 8. • Tennyson's Immature work, like that of the minor poets, is sometimes in a doubtful of despairing strain but his in memoriam is like the rainbow after storm, and Browning seems better to express the spirit of his age in the strong manly faith of “ Rabbi Ben Ezra”. And in the courageous optimism of all his poetry. • Cont…
  • 9. His Works • Tennyson's Works it may be well to record two things, by way to suggestion , • First , Tennyson's poetry is not so much to be studied as to be read and appreciated; he is a poet to have open on ones table , and to enjoy ‘ as one enjoys his daily exercise. And • Second we should by all means begins to get acquainted , with Tennyson in get days of our youth. • Cont…
  • 10. • Tennyson had publishing poetry .since 1827, his first poems appearing almost simultaneously with the last work of Byron, Shelly and Keats. • In 1842- The Princes and Maud, • In 1847- The Princess, a medley, [ A long poem of over there thousand lines of blank verse.] • “Tears, Idle, tears” , “Bugle song” and “ sweet and law”. • In 1855- Maud ; this is called in literature a monodrama, telling the story of a lover who passes from morridness to ecstasy , then to anger and murder, followed by insanity and recovery. • Cont…
  • 11. • The most loved of all Tennyson's works is “in Memoriam”. • “The Idylls of the king” is among the greatest of Tennyson’s later works. • His another collection of poems called “English Idylls” in 1842, In this collection there [1] Dora, [2] The Gardeners Daughter, [3] Ulysses , [4] Locksley and [5] Sir Galahad. One of the most famous of this series is “Enoch Arden” [1864]. • Cont…
  • 12. • Tennyson's later volumes, like the “Ballads” [1864] and “Demeter” [1880] • Other poems like “The change of the light Brigade” • “wages “ and “The Higher pantheism”. • Cont…
  • 13. Robert Browning (1812 – 1889)  We find that it has many sources: i. The poet’s thought is often obscure or else so extremely subtle that language expresses it imperfectly. Ii Browning is led from one thing to another by his own mental associations and forgets that readers associations may be an entirely different kind. Iii Browning is careless in his English and frequently clips in his speech, giving us a series of ejaculation. He does not like so many other an entertaining poet, one cannot read him after dinner or whom settled in a comfortable easy-chair, one must sit up and think and be alert when he reads Browning.
  • 14. His Life: He was birn in Camberwell, on the outskirts of London, in 1882, from his first home and from his first school, at Packhome, he could see London. Like Tennyson this boy found his work very early, and for fifty years hardly a week passed that he did not write poetry. He began at prodycee verse. His first known work, Pauline(1833) Two years later appeared, ‘Paracelsus’ and than his tragedy straffored was put upon the stage Browning’s symbolic name for ‘Poetry and thought’ or ‘Singing and sermonizing’
  • 15. His Works:  Drametic Lyric(1842)  Drametic Romances and lyrics(1845)  Man and Women(1855)  Drametic Persones(1864) His range is enormous and brings all sorts and conditions of man under analysis. The musician in ‘Abt Vogler’, the artist in ‘Andrea del sarto’ , the early christian in ‘A death in the desert’. All these and a hundred more histories of the soul show Browning’s marvelous versatility. Periods of his works: First period(1841-1868) o Pauline (1833) o Paracelsus(1835) o Sordello(1840)
  • 16. Second Period(1841-1846) o Bells and Pomegranits series o Pippas Passes o Colombes Birthday o In Balcony(1855) o The Ring(1868) Third Period: o Five at the fair o Red cotton night o The inn album o Jocoseria
  • 17. Conclusion: In the end we can say that Browning’s place in our literature will be better appreciated by comparison with his friend Tennyson. Whom we just studied in one respect, especially in their methods of approaching the truth, the two man are the exact opposites Tennyson is the first artist and than the teacher, but with Browning the message is always the important thing, and he is careless, too careless, of the form in which it is expressed.