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BUTCH CASSIDY AND
THE SUNDANCE KID
GEORGE ROY HILL, 1969
CINEMATOGRAPHER
• Conrad Hall (who also shot American Beauty and
Road to Perdition)
• Utilizes flat space in most of his films
• Movement in the first scene takes place on the axis
of the tripod: pans, tilts, zooms
• Most of the movement in Rules of the Game—
physically moves through space: dolly, crane, track
• Create a look of deep space
OPENING
SCENE:
Flat space
Montage style of editing
Tight shots making up the
scene rather than deep space
(like Rules of the Game)
The series of tight shots also
give a sense of claustrophobia
Also makes a reference to
jail—something Butch is afraid
of as an outlaw
SECOND SCENE
Moves from tight
framing to loose framing
Extremely long take at
the beginning of the
scene
Increases tension and
introduces conflict

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Butchcassidy

  • 1. BUTCH CASSIDY AND THE SUNDANCE KID GEORGE ROY HILL, 1969
  • 2. CINEMATOGRAPHER • Conrad Hall (who also shot American Beauty and Road to Perdition) • Utilizes flat space in most of his films • Movement in the first scene takes place on the axis of the tripod: pans, tilts, zooms • Most of the movement in Rules of the Game— physically moves through space: dolly, crane, track • Create a look of deep space
  • 3. OPENING SCENE: Flat space Montage style of editing Tight shots making up the scene rather than deep space (like Rules of the Game) The series of tight shots also give a sense of claustrophobia Also makes a reference to jail—something Butch is afraid of as an outlaw
  • 4. SECOND SCENE Moves from tight framing to loose framing Extremely long take at the beginning of the scene Increases tension and introduces conflict