1. S E AT T L E S H A K E S P E A R E C O M PA N YS t e p h a n i e S h i n e , A r t i s t i c D i r e c t o r | J o h n B r a d s h a w , M a n a g i n g D i r e c t o r
2007-2008 Season
pericles CHAMBER julius caesar swansong the miser all’s well that ends well
October 25 – November 18 January 3 – 27, 2008 January 7 – 23, 2008 March 13 – April 6, 2008 June 5 – 29, 2008
all’s well
that ends wellby william shakespeare | directed by stephanie shine
june 5 – 29, 2008
center house theatre • seattle center
june 5 – 29, 2008
center house theatre • seattle center
Pictured:LeticiaJaramillo,HeatherRoberts,SarahHarlett,MarianneOwen,andTristaDuvall.PhotobyErikStuhaug.

2. S E AT T L E S H A K E S P E A R E C O M PA N Y
Welcome From the Managing Director
A few years ago, George Mount asked me,“What does
it mean to be Seattle Shakespeare?” It’s a matter that
I’ve turned over and over in my head. The question can
be looked at two different ways: “What does it mean to
be Seattle Shakespeare the organization?” and“What
does it mean to produce Shakespeare in Seattle that
reflects the city and region’s distinctiveness?” Both are
good questions, especially now as this Shakespeare-
focused company faces the challenges of change.
It’s been a big year. This past April, Seattle Shakespeare
Company and Wooden O Theatre merged two
burgeoning organizations that both share a deep
commitment to Shakespeare and our community. With
the energy and resources of two outstanding companies,
we will now produce Shakespeare and classics in all
seasons – indoors and outdoors – expanding our
service to the community and increasing access. The
merger is a rare and exciting event, but there’s more.
Last spring, we launched a new touring program guided
by the vision of having every student in our state
experience a professional production of Shakespeare.
An ambitious goal, but one we think is so very worth it.
Our tour of Romeo and Juliet has crisscrossed the state
from Sunnyside to Port Angles, from Omak to Moses
Lake, from Wenatchee to Morton and many places in
between. It’s an honor to serve as informal ambassadors
for Seattle. In all, our touring Romeo and Juliet has
had more than 40 performances to more than 10,000
people. We’re on our way to reaching that goal.
And there’s been even more change. With the addition
of Swansong to this season, we increased our main stage
offering to five plays. Within the past four years our
operating budget has more than doubled. Our board of
directors has increased by nearly 100%. We will serve
more than 30,000 people this season, up from 18,000
four years ago. Next year we will hire 200 actors,
designers, directors, teaching artists, and other theatre
professionals – doubling the amount from four years
ago. It’s been so much in such a short time!
Which leads back to the touchstone question:“What
does it mean to be Seattle Shakespeare?” For me
it means staying true to the company’s values while
weathering the white water of change. It means
continuing to create intimate productions that bring
an audience closer to the genius behind the words. It
means being true to the text of these plays while being
innovative in our approach. It means always searching
for new ways people can enter into these wonderful
works. And most of all it means valuing and respecting
artists and audiences, students and teachers, staff and
volunteers – we all play a part in this living art.
I know Seattle Shakespeare Company will continue to
evolve as every growing and living thing should, and
I hope that you’ll continue to live the great questions
with us for some time to come.
Enjoy the show.
John Bradshaw,
Managing Director
John Bradshaw.
Photo: John Ulman

3. S E AT T L E S H A K E S P E A R E C O M PA N Y
all’s well that ends wella romantic comedy
by william shakespeare | directed by stephanie shine**
Stephanie Shine - Artistic Director • John Bradshaw - Managing Director
DESIGN TEAM
Scenic Designer Kurt Walls
Costume Designer Tiana Colovos
Lighting Designer Tim Wratten
Dance Choreographer Jen Havlin
Music Director Sean Patrick Taylor
Voice and Text Director Kimberly White
CAST
in alphabetical order
Marianne Trista Duval
Helena Sarah Harlett*
Widow Leticia Jaramillo
Lafew James Lapan
Ensemble Joseph Luckhurst
Lord G. Dumaine Chris Maslen
Lord E. Dumaine Taylor Maxwell
Countess of Rossillion Marianne Owen*
King of France Michael Patten*
Diana Heather Roberts
Lavatch Alexander Samuels
Parolles Paul Morgan Stetler*
Musician Sean Patrick Taylor
Bertram Connor Toms*
Renaldo/Interpreter John Ulman
Stage Manager Miller Freeman IV*
production staff
There will be one 15-minute intermission.
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited.
Sponsors media sponsor
Nesholm Family
Foundation
Master Electrician Lynne Ellis
Technical Direction & Properties Design Seattle Scenic Studios
Wardrobe Supervisor Ayako Yamada
Production Assistant Mary E. Cannon
Costume Assistant Melanie Burgess
Stitchers Janessa Styck
Heather Culver
Assistant to the Director Faren McCrehin
**

4. S E AT T L E S H A K E S P E A R E C O M PA N Y
O love is the crooked thing,
There is nobody wise enough
To find out all that is in it,
For he would be thinking of love
Till the stars had run away
And the shadows eaten the moon.
WB Yeats
These lines of poetry have resounded with me for years, haunting me with the notion that there is no
one wise enough to find out all that is in love.
Does that mean we settle for less? Or that we give up on love too easily? Do we abandon
relationships that push us out of our comfort zone, even when the comfort zone has not served us in
the past, and only by pushing through to whatever is on the other side, will we be able to arrive at a
transcendent love?
When we do release love- where does that love go? What happens to lost love? When love was
new, first found and first acknowledged, it certainly had matter. Palpable matter. How can it just
disappear?
I do not think I am wise, but I am sure there is more in love– I feel it–and I want to be challenged and
nurtured to arrive at the discovery. I am certain my growth will be eternally stunted until I arrive at
the other side of the love journey. I promise myself to be fearless in my pursuit – because always, for
me, it is fear that has prevented me from finding out all that is in love.
Unlike Helena in All’s Well That Ends Well…who is fearless.
Helena – in the face of great adversity, in the face of searing rejection, will continue to love through to
the other side. She will be the wise one who Yeats declares does not exist. And through her service
of love, to love, and the active choice to manifest love in all responses, she will perform miracles and
elevate everyone she touches.
Shakespeare titles this play All’s Well That End’s Well. It seems to dismiss the trial of the journey,
but maybe it reveals to us the greatest discovery of love: That love accepts, forgives, fortifies, and
transforms. It meets all challenges. It faces the fear. It embraces the“we.”
In the arms of each other, we learn how to be. In the arms of each other, is grace.
Stephanie Shine,
Director
All’s Well That Ends WEll - Director’s Note
Stephanie Shine.
Photo: John Ulman

5. Jumpstart into All’s Well That Ends Well
A quick way to get you up to speed on the play, but not give too much away.
S E AT T L E S H A K E S P E A R E C O M PA N Y
Helena, the orphaned daughter of a physician, has been adopted by the Countess of
Rossillion and is secretly in love with the Countess’ son, Bertram. After his father’s
death, Bertram departs Rossillion for the French court, where the King is gravely ill.
Wishing to follow Bertram, Helena journeys to Paris. While at court Helena cures
the King of a painful fistula with one of her father’s old remedies.
Grateful for the relief from his illness, the King rewards Helena with her choice of
a husband from all the Lords at court. She asks for Bertram, who is outraged at
being commanded to marry a woman he sees as little better than a servant. They
proceed with the wedding ceremony, but Bertram leaves immediately for the
Italian wars. He vows that he will not accept Helena as his wife until she has
conceived his child and obtained from him a ring - two seemingly impossible
conditions.
Bertram travels to Florence, where he is quickly promoted through the
ranks. While in Italy he meets, falls for and plans to seduce Diana, a
widow’s daughter. With faith that her heart has chosen well, Helena,
disguised as a pilgrim, also travels to Florence where she also meets
Diana...
Phone Numbers
Ticket office: (206) 733-8222
Administrative offices: (206) 733-8228
Fax: (206) 733-8202
Ticket Office Hours
Tuesday-Friday: 1PM–6PM
(and one hour before curtain)
Saturday & Sunday: One hour before
curtain
Mailing Address
Seattle Shakespeare Company
PO Box 19595
Seattle, WA 98109
www.seattleshakespeare.org
For Seattle Shakespeare Company Patrons
While in the Lobby
Show-themed cocktails, wine and beer are available at our lobby bar and concession stand before
the show and at intermission. Coffee, tea, and assorted soft drinks, candy and fresh baked goods
are available before the performance and at intermission.
For Everyone’s Enjoyment
• Cell phone and pagers are disruptive to actors and audience members. Please turn them off
or leave them with the house manager before the performance.
• If you have candies or lozenges with wrappers, please unwrap them before the performance.
• Sound and video recordings are prohibited during the performance.
• No Late Seating – Due to the intimate nature of our theatre, there is no late seating.
• There is no smoking in the theatre or lobby. Washington State law prohibits smoking in
areas within 25 feet from entrances, exits, windows that open, and ventilation intakes. If
you wish to smoke, you may do so within the parameters outlined above.
• Because of the nature of our productions and the intimacy of our theatre, we recommended
that you not bring children under 12. Please, NO babes in arms.
Safety
• Exits – to ensure your safety in case of fire or other emergency, please familiarize yourself
with the exit route nearest your seat.

6. S E AT T L E S H A K E S P E A R E C O M PA N Y
Cast Biographies
Trista Duval
(Marianne)
Trista is delighted to be appearing in her
first production with Seattle Shakespeare
Company. She recently moved to the area
after working with the Orlando Shake-
speare Festival during their 2006-2007
Season.Trista graduated magna cum laude
from Elon University in North Carolina,
having earned her BFA in Music Theatre
andaminorinDance.Favoriteproductions
include Into the Woods, The Sound of Music,
Jekyll & Hyde, The Gingerbread Lady, and
The Fantasticks.
Sarah Harlett
(Helena)
Sarah Harlett is delighted to be performing
with Seattle Shakespeare Company again.
She last performed here in The Two Gentle-
men of Verona. A performer in Seattle for
the past 15 years, Sarah has worked at Se-
attle Children’s Theatre, On The Boards,
New City Theater, Seattle Repertory The-
atre, Intiman Theatre, Empty Space The-
atre and with her own performance group
in the late 90’s, The Compound. Most
recently Sarah was seen in The Neverend-
ing Story and The Hundred Dresses, both at
Seattle Children’s Theater. Favorite roles
include Neely O’Hara in The Valley of the
Dolls, Joan in Far Away, and Hermione in
The Winter’s Tale. That production with
Freehold went to Purdy Women’s Prison
and Monroe Men’s Prison, performances
that brought Sarah two of the most in-
tense, present and receptive audiences of
Shakespeare she has ever experienced. The
experience reinforced, once again, how
much these works still resonate.
Leticia Jaramillo
(Widow)
Leticia is happy to be making her debut
with Seattle Shakespeare Company. She
most recently appeared locally as Flor-
ence in Book-It Repertory Theatre’s pro-
duction of The Highest Tide and as Nana
in The House of the Spirits. After training
and performing at American Conserva-
tory Theatre in San Francisco, she worked
and taught at Pacific Conservatory for the
Performing Arts in California and at the
Denver Center Theatre Company, appear-
ing in over 60 productions. She has also
performed at the Pacific Theatre Ensemble
in Los Angeles, The Ensemble Theatre in
Santa Barbara, The Hippodrome Theatre
in Gainesville, Florida and many others.
She has been seen in twelve productions of
the beloved Bard’s plays, including Kate in
The Taming of the Shrew, Queen Elizabeth
in Richard III, and Helena and the Count-
ess Rossillion in prior productions of All’s
Well That Ends Well. In 1992-98, Leticia
was the co-owner and founder, as well as
Executive Producer of UPN-65, WRBW-
TVinOrlando,Floridawhichcontinuesto
flourish.
James Lapan
(Lafew)
Jim is delighted to return to Seattle Shake-
speare Company. Previous credits here
include The Merchant of Venice, Richard
III, Blood & Iron, and a long-touring four-
person Romeo and Juliet. He also directed
Richard II and Richard III for the Short
Shakes program. Elsewhere, Jim has acted
at Theater Schmeater,Wooden O Theatre,
Village Theatre, and Book-It Repertory
Theatre, among others. He’s a proud dad
and a graduate of Bates College and the
University of Washington PATP.
Joseph Luckhurst
(Ensemble)
Joseph Luckhurst is a graduate of Cornish
College of theArts and is happy to be mak-
ing his first appearance with Seattle Shake-
speare Company. Joseph most recently
appeared in Book-It Repertory Theatre’s
production of Persuasion.Past roles include
Andre in Five Flights, Peer Gynt in Peer
Gynt: Part 2, and Matt of the Mint in The
Beggar’s Opera. He thanks his family for
their unwavering tolerance and support.
Chris Maslen
(Lord G. Dumaine)
Chris is “pretty darn jazzed” to be on the
Seattle Shakespeare Company stage for the
first time. He recently finished co-writing,
producing,and starring in the play Heaven-
lySpirits,directedbyGavinMcLean.Before
that,hegarneredsomeprettydecentcritical
praise for the two-man show Santaland Di-
aries withtheBroadwayCenter,directedby
Russ Banham. Chris appeared in Wooden
O Theatre’s productions of Love’s Labours
Lost, Hamlet, and The Merchant of Venice,
playing Berowne, Laertes, and Bassanio
respectively. He’s worked with the Oregon
Shakespeare Festival in their productions
of Richard III and Twelfth Night, and Faus-
tus and The Rubicon Theatre Company’s
Hamlet in California. He holds a BFA in
Original Works from Cornish College of
the Arts (‘04). Chris is a writer and pops
up every once in awhile in the stand-up
comedy scene.He also played a surly waiter
in the film Conversations with God (20th
Century Fox).
Taylor Maxwell
(Lord E. Dumaine)
Taylor Maxwell is happy to be performing
at Seattle Shakespeare Company. A recent
graduate of Cornish College of the Arts,
Leticia
Jaramillo
Sarah
Harlett
Trista
Duval
James
Lapan
Joseph
Luckhurst
Chris
Maslen

7. S E AT T L E S H A K E S P E A R E C O M PA N Y
Taylor
Maxwell
Marianne
Owen
Taylor got straight to work around the
city taking the role of Malcolm in Seattle
ShakespeareCompany’sChamberMacbeth,
Mercutio in the company’s touring produc-
tion of Romeo and Juliet,and Murphy in the
The House of Epicureanism’s The Indian
Wants the Bronx. He will continue to tack-
le acting, directing, and producing projects
around town.
Marianne Owen
(Countess of Rossillion)
Marianne’s work in Seattle includes many
shows at ACT (most recently The Women
andStuffHappens),6showsatSeattleChil-
drens’ Theatre (most recently The Hundred
Dresses), shows at Intiman Theatre, Empty
Space Theatre, Village Theatre, and 9
seasons with Dan Sullivan as a company
member at Seattle Repertory Theatre. A
founding member of the American Reper-
tory Theatre, she toured with them in the
U.S.,Europe,IsraelandtotheInternational
Chekhov Festival at the Moscow Art The-
atre.Ms.Owen has also worked atArizona
Theatre Co., Yale Rep., La Jolla Playhouse,
Guthrie Theater, Actors’ Theatre of Louis-
ville, New York Shakespeare Festival, Rep-
ertory Theatre of St. Louis, Playwrights’
Horizons, the Goodman Theatre, and has
toured nationally in The Real Thing byTom
Stoppard. Marianne holds an MFA from
the Yale School of Drama.
Michael Patten
(King of France)
Recent Seattle stage credits include Neil
LaBute’s Autobahn at Re-bar, Oberman
and The Chain Letter in The Water Engine
for Strawberry Theatre Workshop, An-
tonio (Merchant of Venice) and Claudius
(Hamlet) for Wooden O Theatre and Ag-
amemnon in Seattle Opera’s Iphigenia in
Tauris, directed by Stephen Wadsworth.
Some local favorites include Freddie Fel-
lowesinNoisesOffandMaryZimmerman’s
The Odyssey at Seattle Repertory Theatre,
Hector in Heartbreak House at Intiman,
and Mellors in Lady Chatterley’s Lover
with Book-It Repertory Theatre. Michael
is a co-founding member of New Century
Theatre Company and will be appearing in
theensemble’sinauguralproduction,Elmer
Rice’s 1923 expressionist masterpiece The
Adding Machine, this coming November at
ACT Theatre along with fellow co-found-
ing member Paul Stetler. Mr. Patten is
proud to be a member of AEA, SAG, and
AFTRA and thanks Seattle Shakespeare
Company for providing Union opportuni-
ties to working actors.
Heather Roberts
(Diana)
Heather is thrilled to be a part of her first
production with the Seattle Shakespeare
Company. She recently received her BFA
from Cornish College of the Arts. Her fa-
vorite Cornish roles include: Peer in Peer
Gynt directed by Sheila Daniels and Jane in
Five Flights directed by Katjana Vadebon-
coeur.She was last seen as Pegeen in Mame
at The 5th Avenue Theatre.
Alexander Samuels
(Lavatch)
Alexander Samuels is so pleased to be back
with Seattle Shakespeare having previ-
ously played Oliver in As You Like It. He
has acted with many local companies.Most
recently, he played Jerry in Edward Albee’s
The Zoo Story and was in Next Stage The-
atre’sinnauguralproductionofDemonology.
Behind the scenes he is the assistant to the
Managing Director of Theater Schmeater
and is on the steering committee for 14/48:
The World’s Quickest Theater Festival.
Michael
Patten
Alexander
Samuels
Paul Morgan
Stetler
Heather
Roberts
Paul Morgan Stetler
(Parolles)
Paul is thrilled to be back for this his 6th
show at Seattle Shakespeare Company
and is grateful to Stephanie Shine for her
continued faith and support. Paul has ap-
peared in leading roles on most of Seattle’s
stages and numerous regional houses
around the country.Most recently,Paul has
banded together with some fellow Seattle
artists (many of them Seattle Shakespeare
Company regulars) to create the New Cen-
tury Theatre Company, Seattle’s newest
professional theater. Please join them for
their inaugural production of Elmer Rice’s
The Adding Machine this November, per-
formed at ACT Theatre’s beautiful Falls
Theatre Space.
Sean Patrick Taylor
(Musician and Music Director)
Sean Patrick Taylor is pleased to be back
with Seattle Shakespeare Company where
he was last seen performing several parts
in Cyrano de Bergerac, which he translated
for the company.Other recent roles include
Montague in Balagan Theatre’s Romeo
and Juliet, Polonius in Ghostlight’s Rosen-
crantz and Guildenstern Are Dead,Tubal in
Wooden O Theatre’s The Merchant of Ven-
ice and Maxim in Annex Theatre’s produc-
tion of The Secret Recordings of Lenin.
Connor Toms
(Bertram)
Connor is thrilled to be working at Seattle
Shakespeare Company for the third time
where previously he appeared in Cyrano de
Bergerac and the chamber series produc-
tion of Richard III. Other regional credits
include the Intiman Theatre (The Diary of
Anne Frank, The Grapes of Wrath,andRich-
ard III), Seattle Repertory Theatre (The
Chosen), Shakespeare Santa Cruz (The

8. S E AT T L E S H A K E S P E A R E C O M PA N Y
Production Team
Biographies
Stephanie Shine
(Director)
Stephanie is completing her 10th season
as Artistic Director of Seattle Shakespeare
Company where she has directed The Com-
edy of Errors, Swansong by Patrick Page,
Cyrano de Bergerac, the lauded all-male
Taming of the Shrew, Measure For Measure,
Richard II, Wild Oats, Hamlet, Henry V,
Romeo and Juliet, A Midsummer Night’s
Dream, and Henry IV, pt 1. Her other di-
rectorial credits include, The Comedy of
Errors for Colorado Shakespeare Festival,
I Am of Ireland (which she also conceived
and adapted), and A Christmas Memory
for Book-It Repertory Theatre, Love’s La-
bors Lost for Cornish College of the Arts,
A Christmas Carol (also adapted) for Bain-
bridge Performing Arts, and the award-
winning one-woman Marilyn Monroe
Biopic, Marilyn: Forever Blonde, which is
currently touring across the nation.A well-
known actress in the Northwest, she has
performed for Seattle Repertory Theatre,
ACT, Empty Space Theatre, Seattle Chil-
dren’s Theatre, Book-It Repertory Theatre,
and Tacoma Actors Guild, as well as sever-
al theatres across the nation including both
the Oregon and New Jersey Shakespeare
Festivals. Her Shakespearean roles include
Juliet, Rosalind, Lady Macbeth, Beatrice,
Regan, Feste, Kate, Bianca, Dionyza, The
Princess of France, Hero, and Perdita.
Stephanie is a graduate of the University
of Washington’s Professional Actor Train-
ing Program and the very proud mother of
Conor and Cahilan Shine.
Merry Wives of Windsor and Coriolanus)
and Seattle Children’s Theatre, where he
appeared in The Big Friendly Giant, The
GreenSheep,andrecentlystarredasHamlet
in Rita Giomi’s five actor adaptation of the
play. Connor is a graduate of Cornish Col-
lege of the Arts.He would like to thank his
great cast and crew, his wonderful director,
and beautiful girlfriend, and he dedicates
this show to his father – now 100% cancer
free…way to go, Pops.
John Ulman
(Renaldo/Interpreter)
John is thrilled to be back onstage at Seattle
Shakespeare Company where he was previ-
ously seen as Demetrius in A Midsummer
Night’s Dream and several characters in
Cyrano de Bergerac. John is originally from
Bakersfield,California,where he performed
intwoseasonsof theKernShakespeareFes-
tival. He went on from there to receive his
B.A.degree in drama from UC Irvine.John
has performed at the Edinburgh Fringe
Festival in Scotland. He also has toured
nationally in several productions with Cali-
forniaTheatreCenter.Locally,Johnhasalso
been seen in the Capitol Hill Arts Center’s
God’s Country, Book-It Repertory Theatre’s
Bud, Not Buddy andRhoda: A Life in Stories,
and several Book-It-All-Over touring pro-
ductions. When John’s not acting,he works
as a photographer.
Kurt Walls
(Scenic Designer)
Kurt is very happy to make his Seattle
Shakespeare Company debut designing
scenery for Stephanie, having worked with
her 25 years ago at the Williamstown The-
atre Festival. Kurt is an Associate Profes-
sor and Director of Theatre Production at
the University of Puget Sound, where his
favorite designs includes A Midsummer’s
Night Dream, Tartuffe, Angels in America
and the premier of Rosalind Bell’s The New
Orleans Monologues.Inadditiontoteaching
technical theatre and design, he mentors
the Senior Theatre Festival. He also has
designed scenery for over 25 productions
of the Seattle Men’s and Seattle Women’s
Choruses. Prior to UPS, Kurt was the
General Manager and founder of Pacific
Studio, a design and fabrication firm that
specializes in the entertainment and mu-
seum industries. After earning his MFA in
Scene Design and Stage Technology from
the University of Washington, Kurt was
the Assistant Technical Director at Seattle
Repertory Theatre.
Tiana Colovos
(Costume Designer)
Tiana has designed, co-designed and as-
sisted on other Shakespeare plays includ-
ing a buffoons version of The Tempest at
New Holly and Deus X Machina, an 80’s
remix of The Two Gentleman of Verona at
Tacoma Actors Guild and the magically
staged The Winter’s Tale at Seattle Shake-
speare Company.She often assists costume
designer extraordinaire Melanie Burgess in
the quest for the perfect pieces.
Connor
Toms
John
Ulman
Sean Patrick
Taylor
Don Darryl Rivera, Alexandra Tavares, and Caety Sagoian
in The Comedy of Errors. Photo John Ulman

9. S E AT T L E S H A K E S P E A R E C O M PA N Y
Tim Wratten
(Lighting Designer)
Timlovestoplaywithlightandisdelighted
to return to Seattle Shakespeare Company
to light these shows after having worked in
British rep theatres (Bristol Old Vic, Man-
chester Library, Coventry Belgrade) for
manyyears.In1996,Timandfamilydecid-
ed to come and play in Seattle (the weather
is the same). Since then he has completed
over forty shows, including designs for The
Empty Space Theatre, New City Theatre,
Seattle University,and theAlliance Theatre
Atlanta.
Jen Havlin
(Dance Choreographer)
Jen received a degree in Dance and Cho-
reography while taking her pre-med class-
es. She’s choreographed and performed
nationally and locally. Her past Seattle
Shakespeare Company productions in-
clude Much Ado About Nothing, and As
You Like It. She volunteers for Seattle area
high schools, choreographing their musi-
cals and modern dance productions. She
is engaged to former Seattle Shakespeare
Company board president, Steven Wells.
She and Steph Shine have been friends for
16 years.
Kimberly White
(Vocal/Text Director)
This begins Kimberly’s fifth season with
Seattle Shakespeare Company. She has
worked with Shakespeare’s plays for the
past 20 years as coach, teacher, director,
producer and actor. Other credits include
University of Washington, Freehold Stu-
dio, University of British Columbia, Ot-
terbein College (Columbus,OH),Harvard
University, Korean University of the Arts,
Shakespeare & Company, Seattle Chil-
dren’s Theatre, Lake Tahoe Shakespeare
Festival, and Sun Valley Shakespeare
Festival (Co-Founder & Artistic Direc-
tor, 2000-2004). In November Kimberly
worked with Maryland Shakespeare on a
workshop production of Richard III. She
is a graduate of California Institute of the
Arts and a Designated Linklater Voice
Teacher.Love always to her daughter Han-
nah, a junior at UCSC.
Miller Freeman IV
(Stage Manager)
Miller is honored to return as stage manag-
er for All’s Well That Ends Well, in addition
to his responsibilities as Production Man-
ager for Seattle Shakespeare Company this
season. Other Seattle Shakespeare pro-
ductions for which he has served as stage
manager include The Miser, Pericles, The
School for Scandal, Chamber Macbeth, Much
Ado About Nothing, and Romeo and Juliet.
Miller has also worked as stage manager
for a host of shows in Seattle, including
Cinderella, A Love Story with the Sound of
Motown, Summer Rhapsody: The Reunion,
and Uncle Willy’s Chocolate Factory pro-
ducedbytheLangstonHughesPerforming
Arts Center at Seattle Repertory Theatre,
Rebecca and Waxwings with Book-it Rep-
ertory Theatre, and a number of shows at
Theater Schmeater and the University of
Washington, including the graduate acting
program’sPATPshowcasetour.Miller’sin-
terest in theatre began as a student at Johns
Hopkins University. While there, he acted
in several shows and then served as direc-
tor for the production of The Taming of the
Shrew after which he decided that his true
interest in theatre lay backstage.
Seattle Scenic Studios
(Technical Direction)
Seattle Scenic Studios’ mission is to serve
the region’s non-profit arts and cultural
organizations and introduce, inspire and
train the next generation of technical the-
atre artists. Their clients include Seattle
PublicTheater,ReAct,YouthTheatreNW,
Civic Light Opera, Wing Luke Asian Mu-
seum,Book-It Repertory Theatre,Eastside
Musical Theatre, Centerstage, BrownBox,
Broadway Bound, Spectrum Dance The-
ater, Studio East, Bainbridge KidiMu, Ta-
coma Children’s Museum, The Bruce Lee
Exhibit for Inter*Im and Bellevue Opera
to name a few. Their education program
currently works with the Bush School,
Summit, Roosevelt High School, Bothell
High School, Olympic View, and North-
west School. Seattle Scenic’s education and
production programs are supported in gen-
erous part by 4Culture, Mayor’s Office of
Arts and Culture Affairs, and The Boeing
Company.
All’s Well That Ends Well
Special Thanks
Karen Lane, John Merner, Seattle Center, Theatre Puget Sound, Dan McCleary
Jennifer Sue Johnson and Todd Jefferson Moore in The Miser.
Photo John Ulman.

10. S E AT T L E S H A K E S P E A R E C O M PA N Y
Biographies
Stephanie Shine, Artistic Director
See Production biographies
John Bradshaw, Managing Director
Now in his fifth season with Seattle
Shakespeare Company, John is a gradu-
ate of the University of Washington and
has spent nearly his entire career as part
of the Seattle theatre community. Prior
to joining Seattle Shakespeare Company,
he was Managing Director at The Empty
Space Theatre; Director of Endowment
and Planned Giving at Seattle Reper-
tory Theatre; and General Manager and
Development Director for Kirkland Per-
formance Center. He currently serves as
Treasurer of the Board of Directors for
the Washington State Arts Alliance/
Foundation. As a student stage manager
at UW, he had the pleasure of working
with a very talented young actress named
Stephanie Shine on several productions,
including Shakespeare’s The Taming of
the Shrew.
Michelle Traverso, Education
Director
As Education Director at Seattle Shake-
speare Company, Michelle supervises
matinees, workshops, in-school per-
formances, Short Shakes, Camp Bill,
residencies, and professional develop-
ment through Bringing Theatre into the
Classroom (BTiC) with partners Seattle
Repertory Theatre, Book-It Repertory
Theatre, and Seattle Children’s Theatre.
Michelle is an Equity stage manager, a
Washington State certificated teacher,
and Mom to two teenage sons.
Key Staff
Gordon Carpenter and Hana Lass in
Chamber Julius Caesar.
Photo John Ulman
SEATTLE SHAKESPEARE COMPANY
henry iv
Anepiccomingofagefeaturingthegreatstagecomic-Falstaff
October 23 – November 16, 2008
the servant of
two masters
Acollisioncourseofclowningwiththewise-crackingTruffaldino
January 8 – February 1, 2009
the turn
of the screw
AneeriestageadaptationofHenryJames’chillingghoststory
January 13 – 28, 2009*
the merchant
of venice
Athrillingdramaofpassion,cunningandvengeance
March 12 – April 5, 2009
the tempest
Loveisthemostpotentmagicofall
June 4 – 28, 2009
206-733-8222 • seattleshakespeare.org
*Running in repertory with The Servant of Two Masters. All titles
and dates subject to change.
Photos: Richard Ziman, Hans Altweis and Jennifer Sue Johnson,
Todd Jefferson Moore and Leslie Law.
2008-2009 season
Subscribe Today

11. S E AT T L E S H A K E S P E A R E C O M PA N Y
And a special THANKS to all the companies and individuals that donated items to our auction.
O
n April 21st, over 200 guests joined us for our annual Bill’s Birthday Bash. As part of the evening, attendees were asked
to “bid” in support of actor’s salaries for the current season. Much to our delight, the following donors answered the call
by stepping forward to contribute more than $30,000.
Thanks to everyone who helped to make this year’s
BILL’S BIRTHDAY BASH a HUGE success!
Anonymous (2)
Kay Abramson
David and Gay Allais
Bruce and Joanne Amundson
Hank Balson
John Bodoia
Charles and Shirley Bollinger
John Bradshaw
Marianna Clark
Janet, Don and Anne Conte
Debra Cotter
Kate Cudney and Jeff Kenknight
Pierre De Vries and Susan Tonkin
Dan Drais and Jane Mills
Pete and Lisa Dufour
Joyce Erickson and Kenneth Brown
Emily Evans and Kevin Wilson
Josh Gaul and Holly Vance
Robert and Roberta Greenwood
Lisa Hager
Jerry and Michelle Hahn
John and Wendy Hardman
Holly Harris
Jennifer Havlin
Heather Hawkins-Weinland and
Jay Weinland
Kate Hokanson
Harry Hosey and Judith Shulman
Lani Jacobsen and Peter Kahle
Lisa Jaret
Terry Johnson and Joe Maio
Richard Jones
Steve and Carole Kelley
Jim Kelly
Rita and Robert Kotler
Kyrsten Laboda
Teri Lazzara
Tom and Megan Luce
Pamela Malkson
Brad Mathews
Phil and Carol Miller
Thomas and Meridith O’Kelley
Douglas Paasch
John and Margaret Pageler
Meg Pageler Mourning and
Dr. David Mourning
David and Pam Peters
Bill O’Donnell and Barbara Peterson
Thanks to our FUND AN ACTOR donors!
Candace and Woody Pidcock
Grace Reamer and Kevin Bose
Owen Richards and Tania Westby
Nicole and Tim Rothrock
Paula Russell
Kathleen Scurlock
Michael Shurgot
Laurie A. Smiley and George
Bennett
Christopher and Marcie Taylor
Robert and Anne Van Cleve
Leslie and Tom Vogl
Pat and Charlie Walker
Judith and Morton Weisman
Juda Youngstrom and Peter Covell
Christianna Zaremba
The 5 Spot
Abeja Winery
Acorn Media
Adriatic Grill Italian Cuisine & Wine Bar
Afterglow
David and Gay Allais
Eric Allais
Allstar Fitness
Hans Altwies
Animal Talk
Arden Forest Inn
Arnies Restaurants NW Inc.
Artists Gardens
ArtsWest Playhouse and Gallery
Russ Banham
Bard on the Beach
Laurie Barnoski
Basel Cellars Estate Winery
Bellevue Art Museum
Annie and Rossi Bennett
John Bodoia
Boeing Tours
John Bogar
Book-It Repertory Theatre
Maya Borhani
John Bradshaw
BrightWorks Coaching
Jeanette Brynn at Salon Opulence
Buchanan Chocolates Inc.
Bungie Studios
Trey Busch
Buty Winery
Carol Cahill
Gordon Carpenter
Chapters Photography
David Clemons
Columbia Winery
Consider Yourself Skincare
Janet and Don Conte
DaMa Wines
DanceExperts
Shelia Daniels
Karan Dannenberg Clothier
Dee Vine Wines
Alban Dennis
Dick’s Drive-In Restaurants
George Divoky
Robert Doggett
Duke’s Chowder House
Dunham Cellars
Edmonds Center for the Arts
The Elias Family and Adam Woog
Ellentuck Interiors
Emily Evans and Kevin Wilson
Facere Jewelry Art Gallery
Anne Fennessy and David Moseley
Deb Fialkow
Jeff Fickes
Foundry Vineyards
Bonnie and Jessica Frederick
Frenchy’s Day Spa
Molly Frothingham
Frye Art Museum
Future of Flight Aviation Center and
Boeing Tour
Jim Gall
Great Harvest Bread Company
GreenStage
Robert and Roberta Greenwood
Emily Grogan
Holly Harris
Henry Art Gallery
Highline Athletic Club
John Hinds
Harry Hosey and Judith Shulman
Intiman Theatre
Isenhower Cellars
Charles and Kristin Jazdzewski
Jenny Sue Johnson
Terry Anne Johnson and Joseph Maio
Kathleen Cain and Charles McAleese
KCTS Public Television
Steve Kelley
Darragh Kennan
Kimmi
Kirkland Arts Center
Kirkland Performance Center
Bob and M.J. Koenig
Lake Chelan Winery
Annie Lareau
Suzanne Lederer & Joshua Freilich
Lisa Hager
Lynnwood Ice Center
Brad Mathews
Taylor Maxwell
McCarthy and Schiering Wine
Merchants
McCaw Hall at Seattle Center
Andrew McGinn
Dan McLeary
Medieval Women’s Choir
Phil and Carol Miller
Mind/Body Associates International
George Mount
Meg Pageler Mourning and Dr. David
Mourning
The Moyer Foundation and Debra Cotter
Jayne Muirhead / Enerjewels
Marty Mukhalian
Museum of History and Industry
Erica Neils
Netstar Communications, Inc.
Northstar Winery
Northwest Boychoir / Vocal Point
Northwest Film Forum
Peter Dylan O’Connor
Olympic Music Festival
On the Boards
One Reel
Oregon Shakespeare Festival
Original Basket Boutique
Pacific Northwest Ballet
Jack and Margaret Pageler
Michael Patten
Pepper Bridge Winery
Barbara Peterson
Brandon Petty
Rod Pilloud
Pork Filled Players
Rebecca Price
Jim Purcell and Jackie Miller
Qwest
ReAct Theatre
Red Balloon Company
Anne Repass
Mike Repass
Restaurants Unlimited Inc.
Lucy Richman
Robert Leonard Salon & Day Spa
Nicole Rothrock D’Acquisto
Paula Russell
Caety Sagoian
Santa Fe Café
Cynthia Saver
Judi Schimke
Seastar Restaurant and Raw Bar
Seattle Aquarium Society
Seattle Children’s Theatre
Seattle Children’s Theatre Drama
School
Seattle International Children’s Festival
Seattle International Film Festival
Seattle Public Theater
Seattle Repertory Theatre
Seattle Tours
Seven Hills Winery
Shakespeare’s Den
Stephanie Shine
Stacya Silverman
SIS Productions
Laurie Smiley and George Bennett
Spectrum Dance Theater
Chef John Howie’s Sport Restaurant
and Bar
Spring Valley Vineyard
St. Clouds Restaurant and Catering
Paul Morgan Stetler
Studio East, Training for the Performing
Arts
Erik Stuhaug / Iconographics
Tom and Sarah Sweeney
David and Sheila Taft
Taproot Theatre Company
Tara Gimmer Photography
Sean Patrick Taylor
Teacup
Theater Schmeater
Amy Thone
Tillicum Village & Tours
Time of Your Life Tours
Susan Tonkin
Dan and Joanna Trefethen
John Ulman Photography
Underground Tours
Utah Shakespearean Festival
Sharon Vanderslice
Laura Vida
Village Theatre
Leslie and Tom Vogl
Doug Walker
Catherine Walker and David Fuqua
Walla Walla Inns
Walla Walla Vintners
Washington Ensemble Theatre
Rebecca Wellington / Aria Salon
Kimberly White
Devan White / Bowie Salon
Whoopemup Hollow Café
Mandi Wickline / Earth, Wine and Wire
Wing-It Productions
Jeanne Wintz
Woodhouse Family Cellars
Woodward Canyon Winery
Wuhoo Fitness
Richard Ziman

12. S E AT T L E S H A K E S P E A R E C O M PA N Y
Take It Outside By George Mount
whether you’ve been a fan of Seattle Shakespeare
Company or Wooden O, or both! You’ll recognize
actors like Kelly Kitchens, Jim Gall, David Quicksall,
Hana Lass, David Goldstein and many more.
I’ll be directing Romeo and Juliet with a very
modern take, as we examine the classic love story from
across battle lines forged by political and national
conflict, not just feuding families. For A Midsummer
Night’s Dream, Wooden O favorite Vanessa Miller gives
a psychedelic casino twist on her Las Vegas inspired
production. Very groovy!
The Wooden O series of free outdoor productions
will play Mercer Island’s Luther Burbank Park
Amphitheater and numerous other parks, starting
July 10. A complete schedule with map directions
is available at the website, www.woodeno.org. All
productions are free (donations accepted) and picnics
are encouraged. After a long eight months spent
watching great Shakespeare inside our Center House
theatre, it’s time to take it outside!
“Now is the winter of our discontent
Changed to glorious summer…”
Summer is coming, so get outside and a see a play!
Seattle Shakespeare Company, the region’s best indoor
Shakespeare company, has merged with Wooden O, the
premier outdoor Shakespeare company. Wooden O is
a theatre I started in 1994 as a way to bring the highest
quality classical theatre to as many people in our region
as possible, in a setting as accessible as it is entertaining.
2008 marks our fifteenth annual free Shakespeare in
the parks season, and we’re bringing our shows to a
park near you!
Wooden O’s fifteenth season is, in essence, a gift to
our audiences. We’re bringing to life Shakespeare’s best
loved and most popular plays: Romeo and Juliet and A
Midsummer Night’s Dream. These are two timeless and
time-tested tales of love and the pitfalls of being in love.
It really will be a“summer of love.” We’ve also brought
together some of your favorite artists for these shows,
This summer, after we’ve finished touring the King
county parks, we’re packing up our sets and costumes
and heading to Walla Walla, Washington. The Wooden
O production of A Midsummer Night’s Dream will play
at the Fort Walla Walla Amphitheater August 6-10 at
8PM thanks to a unique venture entitled Shakespeare
Uncorked.
Shakespeare Uncorked in Walla Walla aims to present
outdoor professional productions of Shakespeare’s work
and other classical plays for the people and visitors in
the Southeast Washington region. We’re thrilled to be
able perform for our new friends on the other side of
the state, and, if you’re in the area this summer (or want
to make a special trip out!), we hope to see you at the
show.
Shakespeare Uncorked Contributors
Walla Walla Foundry, Inc.
Mark and Patty Anderson
Brian Hearden
Harry Hosey and Judith Shulman
Charlie and Catherine Konen
Dennis and Donna Ledford
Heading Out of Town for Shakespeare Uncorked
George Mount.
Photo: John Ulman

13. S E AT T L E S H A K E S P E A R E C O M PA N Y
DIY Shakespeare at Camp Bill
Getting Our Act Together And Taking It On the Road
Up at the theatre by 5AM to load the set and head out to
another part of state. That’s what it’s been like for Seattle
Shakespeare Company’s troupe of touring players who
have been on the road with Romeo and Juliet more or less
since last October. In April, in addition to all the miles
they’ve logged in the van, the 5-actor group passed the
10K mark (10,000 audience members, that is) and they
still had plenty of towns and schools to visit in their trek
across the state.
“Thank you for coming to Port Angeles, WA!”
wrote Suzanne Keegan, a 2nd grade teacher at Franklin
Elementary. “We just watched 90 minutes of constant
action. My class had a wonderful time and we would do
it all over again. Those actors were working the whole
time to keep our students engaged and enthralled. Some
of our students had never seen a professional production
and couldn't get enough. Again, thank you.” Seattle
Shakespeare Company’s tour of Romeo and Juliet is
supported through a grant from the National Endowment
for the Arts Shakespeare in American Communities
initiative that helped to fund free performances in Port
Angeles, Wenatchee, and Morton.
And it’s not just schools that the troupe has toured to
but local performing arts centers as well,“I just got a call
from the principal from Paschal Sherman Indian School
to say thank you, it was wonderful, and the kids were
GLUED to their seats,” wrote Kate Jones from Methow
Valley Arts. “This is huge, especially for a school where
many of the kids are struggling with very complicated
lives and have had little to no experience with this type
of performance. I also received a call from a teacher from
another school to say thank you, and was stopped on the
street by the principal of the local school to say the same.
Bringing this performance to our rural communities is a
real treat for us, and provides an opportunity for kids to
experience Shakespeare in a truly engaging manner.”
The tour of Romeo and Juliet wraps up with a few
more engagements in the fall. In spring of 2009 Seattle
Shakespeare Company will launch a 6-actor Othello that
will tour through spring 2010. To bring one of Seattle
Shakespeare Company’s touring productions to your area,
contact George Mount at (206) 733-8228 ext. 212.
Leilani Aileene Saper and
Brandon Petty in Romeo and Juliet.
Photo Ken Holmes
Join Seattle Shakespeare Company for a summer
experience like no other - a summer spent with
Shakespeare. Camp Bill is an immersion into the world
of Shakespeare performance. It isn’t just about learning
the plays; it’s about living the plays. “It was by far the
best acting experience I have so far ever had,” one recent
camper told us. “Because of Camp Bill, I want to act more,
not just with my school, like I have before, but in a more
intense experience.”
Camp Bill is for teenagers who really want a“Do-It-
Yourself ” experience of Shakespeare. No matter what a
teenager’s exposure to the Bard has been, Camp Bill has a
level to match it.
Camp Bill Basics instructs beginning or younger
acting students in the skills needed for the Advance
Production Intensive. It’s a great chance to get your
feet wet as an actor, focus on a specific play, and build
your skills with voice and text work, scene study, and
Elizabethan dance and movement.
Last year’s Camp Bill Production Intensive students
produced and performed A Midsummer Night’s Dream.
Everyone who signed up got a role, but they also built
and painted sets, found props, sewed costumes and more.
On stage and backstage, Camp Bill Production Intensive
exposes campers to all aspects of stagecraft.
This year Camp Bill starts in June with a one week
session (June 23-27), a two-week session (July 7-18), and
the three week intensive (July 21-Aug 8). To sign up or
get more information go to www.seattleshakespeare.org or
call (206) 733-8228 ext 212.

14. S E AT T L E S H A K E S P E A R E C O M PA N Y
Board of Directors
Emily Evans - President
Harry P.Hosey,P.E.- Vice President
Meg Pageler Mourning - Vice President
Susan Tonkin - Treasurer
Phillip S.Miller - Secretary
Board Members
David C.Allais
John Bodoia
Robert Doggett
Francisco A. Duarte
Edwin Green
Jerry Hahn
Maria C. Mackey
Brad Mathews
Barbara Peterson
Pamela Ottaviano Rhodes
Paula Russell
Dr. David Taft
Deborah Taglialavore
Dan Tierney
Leslie M. Vogl
Jeanne C.Wintz, Ph.D.
Advisory Board
Kenneth Alhadeff
Cecile Delafield
Dan Drais
Donald Frothingham
Slade Gorton
Gaelynn McGavick
Sarah Merner
Jane Mills
Richard Rhodes
Pat Walker
Doug Walker
Steven M.Wells
ARTISTIC STAFF
Neil Freeman - Text Consultant
John Langs - Associate Artist
George Mount - Director of Outdoor and
Touring Performances
Amy Thone - Casting Director
EDUCATION
Michelle Traverso - Education Director
PRODUCTION
Miller Freeman,IV - Production Manager
Pete Rush - Costume Shop Manager
MARKETING
Jeff Fickes - Director of Marketing
FRONT OF HOUSE
Katjana Vadeboncoeur-Audience
Services/House Manager
BOX OFFICE
Rebecca Price - Box Office Manager
Melinda Beck - Box Office Associate
Elaine Huber - Box Office Associate
Caitlin Walraven - Box Office Associate
DEVELOPMENT
Jeff Fickes - Director of Organizational
Development
John Osebold - Development Director
Rebecca Olson - Development Manager,
Wooden O
Consulting doctor
Dr. Mary Weiss - Swedish Physicians
Providence Clinic
OPERATIONS
Bernie McIlroy - Technology Overlord
Kathy Hsieh - Bookkeeper
Sara Lachman - Technology Projects
Assistant
Staff
Stephanie Shine - Artistic Director • John Bradshaw - Managing Director
Teaching Artists (2006-07)
Michael Acquino
Geof Alm
Hans Altwies
Cara Anderson
John Bogar
Susanna Burney
Colin Byrne
Gordon Carpenter
Anne Conte
Eveline Darroch
Austin Farwell
Deb Fialkow
Troy Fischnaller
David Goldstein
Heather Hawkins
Evan Hernandez
Ryan Higgins
Ken Holmes
Karen Kennedy
Kelly Kitchens
Leslie Law
Taylor Maxwell
Vanessa Miller
George Mount
Brandon Petty
Don Darryl Rivera
Leilani Saper
Stephanie Shine
M. J. Sieber
Ryan Spickard
Paul Morgan Stetler
Sean Patrick Taylor
Amy Thone
Michelle Traverso
Katjana Vadeboncoeur
Actors’Equity Association (AEA), founded in 1913, represents more than 45-thousand actors and stage managers in the United States. Equity seeks to advance, pro-
mote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits,
including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions.The Equity
emblem is our mark of excellence. www.actorsequity.org
Tim Gouran and Brandon Whitehead in Swansong.
Photo John Ulman.

15. S E AT T L E S H A K E S P E A R E C O M PA N Y
$75,000 and over
Paul G. Allen Family Foundation
$25,000 to $74,999
National Endowment for the Arts/Arts Midwest/Shakespeare in American Communities
10,000 to $24,999
CORPORATIONS/GOVERNMENT/
FOUNDATIONS
ArtsFund
KUOW 94.9
Nesholm Family Foundation
Qwest Foundation
The Norcliffe Foundation
The Seattle Foundation
INDIVIDUALS
Sarah Merner and Craig McKibben
Doug and Maggie Walker
$5,000 to $9,999
CORPORATIONS/GOVERNMENT/
FOUNDATIONS
4Culture
Fox Bowman Duarte, PLLC
Glaser Foundation
North American Coffee Partnership
Mayor’s Office of Arts & Cultural
Affairs
Washington State Arts Commission
INDIVIDUALS
Emily Evans and Kevin Wilson
Heather Hawkins-Weinland and Jay
Weinland
Harry Hosey and Judith Shulman
Dennis and Donna Ledford
Bernie McIlroy
Phil and Carol Miller
Meg Pageler Mourning and Dr.
David Mourning
Pat and Charlie Walker
Steven Wells
$2,500 to $4,999
CORPORATIONS/GOVERNMENT/
FOUNDATIONS
Bus No. 8
Canonicus Fund
Colymbus Foundation
K&L Gates
Microsoft Matching Gifts Program
Pacific International Engineering,
PLLC
Pepsico Foundation Matching Gifts
PONCHO
Tuxedos andTennis Shoes
WallaWalla Foundry, Inc.
INDIVIDUALS
Anonymous (2)
David and Gay Allais
John Bodoia
John Bradshaw
Pierre DeVries and SusanTonkin
Dan Drais and Jane Mills
Donald and Ann Frothingham
Susan Little
Maria Mackey
Carl and Makiko Pirscher
DavidA. and Sheila B.Taft
$1,000 to 2,499
CORPORTIONS/GOVERNMENT/
FOUNDATIONS
Dorsey &Whitney Foundation
Fales FoundationTrust
John BrooksWilliams and John H.
Bauer Endowment forTheatre
U. M. R. Foundation Inc.
Wachovia Foundation Matching Gifts
Program
INDIVIDUALS
Anonymous
Mark and Patty Anderson
Cecile and J. D. Delafield
Jane & Robert Doggett
Lauren Dudley
Anne Fennessy and David Moseley
John andWendy Hardman
Holly Harris
Brian Hearden
Kristin and Charles Jazdzewski
Terry Johnson and Joe Maio
Charlie and Catherine Konen
Teri Lazzara
Sue Livingstone and Donald Padelford
Brad Mathews
Gaelynn and Mike McGavick
Mardi Newman
Eleanor and Charles Pollnow Jr.
Victoria Quinn
Jeanne and JimWintz
$500 TO $999
CORPORATIONS/ GOVERNMENT/
FOUNDATIONS
Boeing Gift Matching Program
English Speaking Union -
Shakespeare Committee
First Data Foundation
We extend our heart-felt thanks to the following contributors for their generous support.
Contributors Contributions from 5/01/07 through 5/08/08
Double your support to Seattle Shakespeare Company!
EMPLOYEE MATCHING GIFTS
When donating to Seattle Shakespeare Company, your gift can go much farther. Many employers will match your gift to non-profit
organizations on a one-to-one basis.It’s an easy way to increase your impact at Seattle Shakespeare Company.All you have to do is:
• Get a gift matching from from your Personnel Office (some companies will skip the form,making it even easier).
• Fill out the employee part of the form.
• Mail the form to Seattle Shakespeare Company,PO Box 19595,Seattle,WA 98109,and we’ll do the rest.
If you aren’t sure whether your company has a matching gift program, please check with your Personnel or Human Resources Manager.

16. S E AT T L E S H A K E S P E A R E C O M PA N Y
Contributors (Continued from previous page) Contributions from 5/01/07 through 5/08/08
Teri Lazarra/Moccasin Lake Foundation
Wells Fargo Cultural Education
Enhancement Fund
INDIVIDUALS
Anonymous (3)
Janet, Don & Anne Conte
Larry and Gabi Copeland
Rick and Terry Edwards
Barbara Feasey & Bill Bryant
Slade and Sally Gorton
Corrie Greene and Matt Segal
Robert and Roberta Greenwood
Lawrence & Hylton Hard
Megan Moholt
Bill O’Donnell and Barbara Peterson
Robert Papsdorf and Jonetta Taylor
Kevin Phaup and Cathy Wissink
Anne Repass
Paula Russell
Cynthia Saver
Laurie Stusser-McNeil and KC McNeil
Leslie and Tom Vogl
$250 to $499
CORPORATIONS/GOVERNMENT/
FOUNDATIONS
Palomino Restaurant
UBS Matching Gifts
INDIVIDUALS
Anonymous (2)
Bruce and Joanne Amundson
Lenore Bensinger
Chris Beron
Jeff Brown and Anne Watanabe
Sara and Victor Craig
Raney, Grace, Bob Cumbow
Mary Dickinson
Sue Drais
William and Roberta Duvall
Elizabeth L. Flexer
James and Patricia Frits
Rick and Marjorie Goldfarb
Fred Grimm
Jon Highum
Tom and Janice Huseby
Deirdre Katt
Lynn Manley and Lex Lindsey
Barry Martin and Allison Kramer
Vicki McMullin
John and Margaret Pageler
Candace and Woody Pidcock
Larry and Michell Pihl
Linda Reichenbach
Steven and Fredrica Rice
Owen Richards and Tania Westby
Catherine and Thurston Roach
Chris Schenck
Shelley Schermer
Ann Richel Schuh
Michael Shurgot
Peter and Marcia Joslyn Sill
Laurie A. Smiley and George Bennett
Carey Smith
James L. and Sara Gehart Snell
Kenneth and Debra Stangland
Nancy Talley
Don Theiler and Janet Price
Robert and Anne Van Cleve
David and Beth Whitehead
Juda Youngstrom and Peter Covell
$100 to $249
CORPORATIONS/GOVERNMENT/
FOUNDATIONS
Adams Financial Concepts LLC
Bill & Melinda Gates Foundation
Matching Gifts Program
INDIVIDUALS
Anonymous (5)
Shawn Aebi
Eric, Lynette and Nicole Allais
Kathy Alm
Janet Angell Frink and Lloyd D. Frink
Richard Asia
Julie Beckman and Paul Lippert
Steven Billeau
Charles and Shirley Bollinger
Elaine Bongiorno
Pirkko Borland
Harry Carstens
Terese Cateriano
Mark Chamberlain
Marianna Clark
Tom Clein and Helen Kyte
Lynne Cohee and Matt Smith
Shaun and Reed Corry
Debra Cotter
Sam Dachs
Keith Dahlgren
Cam and Bobbie De Vore
Todd and Megan Elliott
Joyce Erickson Kenneth Brown
Walt Evans and Becki Berg
Miller Freeman III
Stephen Friend
Josh Gaul Holly Vance
Gerald Ginader and Karen Elledge
Rita Giomi
Lisa Hager and Karl Divoky
Jerry and Michelle Hahn
Eric and Jean Harrington
Jennifer Havlin
Randy and Barbara Hieronymus
Kate Hokanson
Sharelle Howard
Lani Jacobsen and Peter Kahle
Gwendolyn Grim Johnson
Charles Kaplan
Steve and Carole Kelley
Rita and Robert Kotler
Kyrsten Laboda
Ellen Lackermann and Neal Stephenson
Tom and Megan Luce
Rob Jansen and Kate Czajkowski in Pericles.
Photo: Erik Stuhaug

17. S E AT T L E S H A K E S P E A R E C O M PA N Y
David E. and Nancy C. Lundsgaard
K.A. and Marlene S. Luther
Pamela Malkson
Heidi Mathisen and Klaus Brauer
Sean and Debbie McDonald
Christine Mellinger and Thomas
Greenwood
John Merner
Phoebe Ann Moore
Coe Tug Morgan
Diane M. Morrison and Joel C. Bradbury
Colette Ogle
Thomas and Meridith O’Kelley
Douglas Paasch
Donald Padelford and Sue Livingstone
Eric and Carla Pryne
Grace Reamer Kevin Bose
Karen Reed
Michael Repass
Michael Richards
Jayne Ross George Matsuda
Nicole and Tim Rothrock
Elizabeth Russell
Anne Senter
Rob and Kris Shanafelt
Debbie Taglialavore
Christopher and MarcieTaylor
Elizabeth Thorson
Juanita Todd
Robert Townsend
Bruno & Yvonne Vogele
Kathryn Volk
Richard Wakefield
Judith and Morton Weisman
Myron and Jo Ella Weybright
Jerry and Karen White
$25 to $99
CORPORATIONS/GOVERNMENT/
FOUNDATIONS
Amgen Foundation Matching Gifts
Safeco Insurance Corporate Matching
The Fulton Company
INDIVIDUALS
Anonymous (3)
Kay Abramson
William and Beverly Allen
Russell and Jennifer Sue Banham
Robert and Laura Barnoski
Shawn Baz
Barbara Beaver
Katherine Stelter Belisle and Rick Belisle
Edward J. Boone, Jr.
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John Farrage, Elena Wright, and Jack Greenman in The Winter’s Tale. Photo John Ulman.