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Modern Indian Architecture
RMA Architects
1
Kumar Harsh – 15110010
Ramachandra Reddy – 15110012
Rishi Tiwari - 15110023
“ARCHITECTURE IS PHYSICAL MANIFESTATION OF ASPIRATIONS
OF SOCIETY.”
—RAHUL MEHROTRA
2
Professor of Urban Design
and Planning and Chair of
the Department of Urban
Planning and Design at the
Harvard Graduate School
of Design
Education
Bachelors at the School of Architecture, Ahmedabad
(CEPT), and graduated with a master’s degree with
distinction in Urban Design from the GSD(1987).
INTRODUCTION
Inspirations & Influences
Charles Correa and Doshi-Indian Architects
Claude Batley - British Architect
Major Areas of Interest
Conservation of heritage buildings, Urban Planning of
informally growing cities, Sustainable Development
3
Teaching & Positions
Executive Director of the Urban Design Research
Institute (1994-2004)
University of Michigan (2003–2007)
School of Architecture and Urban Planning at MIT
(2007–2010)
4 4
Architect, professor,
academic, author and
researcher.  His writings
include coauthoring
Bombay—The Cities Within.
Ongoing researches ‘The
Kumbh Mela – Mapping the
Ephemeral City’, theory on
‘Kinetic City’ 
“I took 9 years to complete my undergraduate
studies…| My undergraduate dissertation which
should have taken me six months took me four
years…”
FACT
Conservation
Projects
• Taj Mahal Visitor Centre
Agra, India (2000)
• Capela de Nossa Senhora do
Monte
Old Goa, India
• Restoration of the Oval
Maidan
Institutions &
Workplaces
• Magic bus campus
Navi Mumbai, India (2007)
• Visitors Centre CSMVS,
Mumbai, India (2011)
• KMC Corporate Office,
Hyderabad, India (2012)
• Lab of the future
Basel, Switzerland (2015)
Housing
• House in a Tea garden
Conoor, India (2008)
• Think Tank Retreat
Goa, India, 2009
• HaathiGaon
Amer, Jaipur, India (2010)
• Two house 2
Chennai, India, (2014)
PROJECTS RMA Architects, was founded in 1990 in Mumbai and has designed
and executed projects for clients that include government and
non-governmental agencies, corporate as well as private
individuals and institutions.
6
7
1
Plot Area : 3918 m2
Floors : 5
KMC corporate office
Hyderabad, India (2012)
8
1
• Located in Cyber city,
Hyderbad.
• Quite Isolated and still
developing, not many
buildings around.
• Requires a more intense
shading mechanism.
• Idea of double skin façade to
allow modulation of air and
light
9
• The inner skin - reinforced
concrete frame with commonly
used aluminum windows.
• The outer façade - custom cast
aluminum trellis with hydroponic
(grow plants without use of soil)
trays integrated for growing a
variety of plant species.
•  Integrated misting system.
• In contrast to the usual purely
aesthetic green wall.
1
10
1
3 layers of
façade serving
different
purposes,
the second
layer is curtain
wall while
creepers acts
as breathing
membrane
11
1
• The screen also
takes on an
aesthetic function
of a dynamic
façade.
• Assorted species
organized in a way
to create patterns,
as well as bloom
at various times of
the year.
• Bring attention to
different parts of
the building
façade through the
changing seasons.
• The company employs 20
gardeners who tend to the façade
and can access it though a system
of catwalks on all five levels.
• The penetration of the building
visually by two very disparate
groups – both socially and
economically, also softens the social
threshold created by class
differences, which are inevitable in
corporate organizations in India.
12
13
15
2
House in a Tea garden
Conoor, Tamilnadu, India (2008)
2
• Set in a tea plantation,
designed to minimize its
footprint on the landscape
of tea plantation.
• Was designed to be more
like a guest house for tea
plantation fraternity
members.
16
A wide entrance lounge,
through which one enters into
a vestibule, which opens onto
a living lounge. 
Stone Pavers used for
hardscape.
2
17
2
A one level and open layout
floor plan
18
2
The linear structure that sits
right at the edge of the
plantation, making the most
of the garden's views.
19
20 20
2
The finished concrete of the
main circulation spine that
connects the house's rooms;
several bedrooms, including a
guest suite, lounge, living and
dining areas, as well as
kitchen and service rooms.
The three main rooms are
made to look like three
separate cabins underneath
the single roof and were
therefore treated as boxes
within an open plan and built
from wood which contrasts
the concrete and stone slab
and metal canopy of the other
primary components. 
2
21
2
A form-finished concrete tube
forms the central circulation
spine for the house, with
interior spaces finished in
richly textured natural wood.
22
The roof certainly dominates
the final structure. Finished in
stainless steel panels, the roof
also acts as a blurring of
boundaries between inside
and out, bringing glimpses of
the surrounding nature into
the interior through its
reflections.
2
23
2
The roof that floats
above the verandah and
reflects the tea garden
below.
Contextually
comfortable, yet
distinctly modern, the
house overlooks the tea
garden remaining in
dialogue with its 24
25
Housing for Mahouts and
Their Elephants-HaathiGaon
Amer, Jaipur, India (2010)
3
26 26
Location: Foothills of Amber
Fort Jaipur,
Rajasthan
• A housing project for a 100 elephants and
their Mahouts (caretakers), Hathigaon (or
elephant village)
• This is a very sustainable and low housing
project.
• A great design which is nature, human and
animal sensitive came out of the
intelligence and cleverness of the architect
for utilizing the site
• This project created a healthy relation and
brought them closer to each other.
• The design and planning instead of
segregating the people bring them closer.
27
• The design strategy first
involved structuring the
landscape that had been
devastated by its use as
a sand quarry by local
sand suppliers, to create
a series of water bodies
to harvest the rain
runoff, as this is the most
crucial resource in the
desert climate of
Rajasthan.
SITE
UTILISATION
28
The water body was a
critical component of
the design, as it also
facilitated the
bonding between
the mahout and
elephant, through the
process of bathing –
an important ritual
both for the health of
the elephant as well
as their bonding with
their keeper.
29
• With the water
resources in place, an
extensive tree plantation
program was carried out
together with seeding
the site to propagate
local species - all at an
extremely low cost,
using local labour and
craftspeople – a
sustainable
development.
• Local labor and
craftsperson are
investing in their own
area.
• Helping the elephant
community to grow
sustainably
VEGITATION
PLANTATION
30
• The thans (housing unit
s) are organized in
clusters and situated on
portions of the site that
are not used for the
landscape
regeneration.
Courtyards and
pavilions supplement
the otherwise small
area of 40 sqm that
was allocated in the
budget for this
essentially
low-income housing pr
oject.
• The site planning thus
employed a system of
clusters to create
shared community
space at different
hierarchies to build a
sense of community
31
• The challenges of
working through the
bureaucracy in a
project sponsored
by the Government
and executed by the
equivalent to the
Public Works
Department were
overcome by
focusing on the
landscape and using
the precious
resource of water as
the central
instrument around
which decisions
were facilitated.
CHALLENGES
32
• This was a humbling
experience, as
clearly the lives of
the inhabitants, and
what was crucial for
their needs, were
privileged in the
budgets with the
investment
in architecture being
minimal.
• The intent in the
design was to leave
room for the
inhabitants to
transform their own
homes incrementally
and appropriate
them through visual
and spatial
transformations over
time.
• Play of shadow and light
• Stones are not perfectly cut in a stone therefore a
• Random Rubble Masonry with perfect finish
• it look like a primitive structure, raw and unfinished.
• But there is a beauty in that also.
• The elephant’s feed is stored on the thin metal roof, insulating it from the harsh sun
• Raised metal roof allows stack effect which allows hot air to pass out.
• Light, corrugated metal roofing and open MS (mild steel) framing.
• Openings in opposite directions helps in cross ventilation.
3
THE DIFFERENCE!
34
MARCH 2007
SEPT 2010
Neal Creative | click & Learn more
Neal Creative ©
TIP │ Use the built-in color
palette with green and yellow
for callouts and accents
USE of locally available resources
“
36
—RAHUL MEHROTRA
WE respond to questions of inequity, climate, local
availability of materials and technology…
We are not interested in the acrobatics of architecture or
importing materials.
Neal Creative | click & Learn more
Neal Creative ©
POWERFUL
PRESENTATIONS!
THANK YOU

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rma.pdf

  • 1. Modern Indian Architecture RMA Architects 1 Kumar Harsh – 15110010 Ramachandra Reddy – 15110012 Rishi Tiwari - 15110023
  • 2. “ARCHITECTURE IS PHYSICAL MANIFESTATION OF ASPIRATIONS OF SOCIETY.” —RAHUL MEHROTRA 2
  • 3. Professor of Urban Design and Planning and Chair of the Department of Urban Planning and Design at the Harvard Graduate School of Design Education Bachelors at the School of Architecture, Ahmedabad (CEPT), and graduated with a master’s degree with distinction in Urban Design from the GSD(1987). INTRODUCTION Inspirations & Influences Charles Correa and Doshi-Indian Architects Claude Batley - British Architect Major Areas of Interest Conservation of heritage buildings, Urban Planning of informally growing cities, Sustainable Development 3 Teaching & Positions Executive Director of the Urban Design Research Institute (1994-2004) University of Michigan (2003–2007) School of Architecture and Urban Planning at MIT (2007–2010)
  • 4. 4 4 Architect, professor, academic, author and researcher.  His writings include coauthoring Bombay—The Cities Within. Ongoing researches ‘The Kumbh Mela – Mapping the Ephemeral City’, theory on ‘Kinetic City’ 
  • 5. “I took 9 years to complete my undergraduate studies…| My undergraduate dissertation which should have taken me six months took me four years…” FACT
  • 6. Conservation Projects • Taj Mahal Visitor Centre Agra, India (2000) • Capela de Nossa Senhora do Monte Old Goa, India • Restoration of the Oval Maidan Institutions & Workplaces • Magic bus campus Navi Mumbai, India (2007) • Visitors Centre CSMVS, Mumbai, India (2011) • KMC Corporate Office, Hyderabad, India (2012) • Lab of the future Basel, Switzerland (2015) Housing • House in a Tea garden Conoor, India (2008) • Think Tank Retreat Goa, India, 2009 • HaathiGaon Amer, Jaipur, India (2010) • Two house 2 Chennai, India, (2014) PROJECTS RMA Architects, was founded in 1990 in Mumbai and has designed and executed projects for clients that include government and non-governmental agencies, corporate as well as private individuals and institutions. 6
  • 7. 7 1 Plot Area : 3918 m2 Floors : 5 KMC corporate office Hyderabad, India (2012)
  • 8. 8 1 • Located in Cyber city, Hyderbad. • Quite Isolated and still developing, not many buildings around. • Requires a more intense shading mechanism. • Idea of double skin façade to allow modulation of air and light
  • 9. 9 • The inner skin - reinforced concrete frame with commonly used aluminum windows. • The outer façade - custom cast aluminum trellis with hydroponic (grow plants without use of soil) trays integrated for growing a variety of plant species. •  Integrated misting system. • In contrast to the usual purely aesthetic green wall. 1
  • 10. 10 1 3 layers of façade serving different purposes, the second layer is curtain wall while creepers acts as breathing membrane
  • 11. 11 1 • The screen also takes on an aesthetic function of a dynamic façade. • Assorted species organized in a way to create patterns, as well as bloom at various times of the year. • Bring attention to different parts of the building façade through the changing seasons.
  • 12. • The company employs 20 gardeners who tend to the façade and can access it though a system of catwalks on all five levels. • The penetration of the building visually by two very disparate groups – both socially and economically, also softens the social threshold created by class differences, which are inevitable in corporate organizations in India. 12
  • 13. 13
  • 14.
  • 15. 15 2 House in a Tea garden Conoor, Tamilnadu, India (2008)
  • 16. 2 • Set in a tea plantation, designed to minimize its footprint on the landscape of tea plantation. • Was designed to be more like a guest house for tea plantation fraternity members. 16
  • 17. A wide entrance lounge, through which one enters into a vestibule, which opens onto a living lounge.  Stone Pavers used for hardscape. 2 17
  • 18. 2 A one level and open layout floor plan 18
  • 19. 2 The linear structure that sits right at the edge of the plantation, making the most of the garden's views. 19
  • 20. 20 20 2 The finished concrete of the main circulation spine that connects the house's rooms; several bedrooms, including a guest suite, lounge, living and dining areas, as well as kitchen and service rooms.
  • 21. The three main rooms are made to look like three separate cabins underneath the single roof and were therefore treated as boxes within an open plan and built from wood which contrasts the concrete and stone slab and metal canopy of the other primary components.  2 21
  • 22. 2 A form-finished concrete tube forms the central circulation spine for the house, with interior spaces finished in richly textured natural wood. 22
  • 23. The roof certainly dominates the final structure. Finished in stainless steel panels, the roof also acts as a blurring of boundaries between inside and out, bringing glimpses of the surrounding nature into the interior through its reflections. 2 23
  • 24. 2 The roof that floats above the verandah and reflects the tea garden below. Contextually comfortable, yet distinctly modern, the house overlooks the tea garden remaining in dialogue with its 24
  • 25. 25 Housing for Mahouts and Their Elephants-HaathiGaon Amer, Jaipur, India (2010) 3
  • 26. 26 26 Location: Foothills of Amber Fort Jaipur, Rajasthan • A housing project for a 100 elephants and their Mahouts (caretakers), Hathigaon (or elephant village) • This is a very sustainable and low housing project. • A great design which is nature, human and animal sensitive came out of the intelligence and cleverness of the architect for utilizing the site • This project created a healthy relation and brought them closer to each other. • The design and planning instead of segregating the people bring them closer.
  • 27. 27 • The design strategy first involved structuring the landscape that had been devastated by its use as a sand quarry by local sand suppliers, to create a series of water bodies to harvest the rain runoff, as this is the most crucial resource in the desert climate of Rajasthan. SITE UTILISATION
  • 28. 28 The water body was a critical component of the design, as it also facilitated the bonding between the mahout and elephant, through the process of bathing – an important ritual both for the health of the elephant as well as their bonding with their keeper.
  • 29. 29 • With the water resources in place, an extensive tree plantation program was carried out together with seeding the site to propagate local species - all at an extremely low cost, using local labour and craftspeople – a sustainable development. • Local labor and craftsperson are investing in their own area. • Helping the elephant community to grow sustainably VEGITATION PLANTATION
  • 30. 30 • The thans (housing unit s) are organized in clusters and situated on portions of the site that are not used for the landscape regeneration. Courtyards and pavilions supplement the otherwise small area of 40 sqm that was allocated in the budget for this essentially low-income housing pr oject. • The site planning thus employed a system of clusters to create shared community space at different hierarchies to build a sense of community
  • 31. 31 • The challenges of working through the bureaucracy in a project sponsored by the Government and executed by the equivalent to the Public Works Department were overcome by focusing on the landscape and using the precious resource of water as the central instrument around which decisions were facilitated. CHALLENGES
  • 32. 32 • This was a humbling experience, as clearly the lives of the inhabitants, and what was crucial for their needs, were privileged in the budgets with the investment in architecture being minimal. • The intent in the design was to leave room for the inhabitants to transform their own homes incrementally and appropriate them through visual and spatial transformations over time. • Play of shadow and light • Stones are not perfectly cut in a stone therefore a • Random Rubble Masonry with perfect finish • it look like a primitive structure, raw and unfinished. • But there is a beauty in that also.
  • 33. • The elephant’s feed is stored on the thin metal roof, insulating it from the harsh sun • Raised metal roof allows stack effect which allows hot air to pass out. • Light, corrugated metal roofing and open MS (mild steel) framing. • Openings in opposite directions helps in cross ventilation.
  • 35. Neal Creative | click & Learn more Neal Creative © TIP │ Use the built-in color palette with green and yellow for callouts and accents USE of locally available resources
  • 36. “ 36 —RAHUL MEHROTRA WE respond to questions of inequity, climate, local availability of materials and technology… We are not interested in the acrobatics of architecture or importing materials.
  • 37. Neal Creative | click & Learn more Neal Creative © POWERFUL PRESENTATIONS! THANK YOU