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with Graeme Hodgson




www.learningfactory.net                graeme.hodgson@learningfactory.net
BACKGROUND
        Adult students want to:




www.learningfactory.net           graeme.hodgson@learningfactory.net
Deliberate Practice

   Psychologist K. Anders Ericsson, a professor of Psychology
   at Florida State University:

   “The differences between expert
   performers and normal adults reflect a
   life-long period of deliberate effort to
   improve performance in a specific domain."




www.learningfactory.net                       graeme.hodgson@learningfactory.net
Deliberate Practice

   “How expert one becomes at a skill has more to do with
   HOW one practices than with merely performing a skill
   a large number of times. An expert breaks down the
   skills that are required to be expert and focuses on
   improving those skill chunks during practice… often
   paired with immediate coaching feedback. Another
   important feature lies in continually practicing a skill at
   more challenging levels.”
                                        - Anders Ericsson (1993)




www.learningfactory.net                    graeme.hodgson@learningfactory.net
Cognitive Theory

  “Excellent performance
  results from practicing
  complex tasks that
  produce errors. Such
  errors provide the
  learner with rich
  feedback that results in
  scaffolding for future
  performance.”
                          - Mayer (2008)


www.learningfactory.net                    graeme.hodgson@learningfactory.net
Function of Drills (for Learners)

   •Provide a focus on accuracy.
   •Provide learners with intensive practice in hearing and
   saying particular words or phrases.
   •Provide a safe environment for learners to experiment
   with producing the language.
   •Help students notice the correct form or
   pronunciation of a word or phrase.
   •Provide an opportunity for learners to get immediate
   feedback on their accuracy.
   •Help memorization and automization of common
   language patterns and language chunks.

www.learningfactory.net                 graeme.hodgson@learningfactory.net
General Guidelines on Drilling

    Better for Ss NOT to see the language written down
   before they practice saying it (T models, S repeat)
    Give clear, natural and consistent models.
    Hand movements indicate intonation, beat stress
   etc. Join or separate fingers to show word boundaries
   and linking.
    Back-chaining helps focus on correct pronunciation
   & intonation . It is also attention-grabbing!
    Vary drill in terms of who repeats: whole class, half
   the class, boys, girls, individuals.
    Drilling should be done at a “snappy” pace.

www.learningfactory.net                  graeme.hodgson@learningfactory.net
Changing Pace by Drilling

   Whisper drills (for quietening down a rowdy class)
   Shouting drills (for livening them up )

   Model saying things in different ways:
   e.g. very happy, very sad, very bored, very excited, sleepy, angry
   etc. (Model facial expression & get learners to do the same).




www.learningfactory.net                        graeme.hodgson@learningfactory.net
“Communicative tasks- yes – but there is also a definite need for
     an explicit focus on form and meaning, and therefore for the
     micro skills needed to do that. And this is often completely
     lacking in teachers and in their training.”


     “The micro techniques (eg: drilling, contextualizing, use of
     substitution tables, etc) ...are extremely useful ... and will
     enhance coursebook work.”

                                         Jim Scrivener
                                      IATEFL Conference,
                                       Harrogate 2010)



www.learningfactory.net                             graeme.hodgson@learningfactory.net
 Relevance of repetition & “mental rehearsal” for fluency




www.learningfactory.net                           graeme.hodgson@learningfactory.net
“For years and years people learnt languages
                   with teaching methods that most modern
                   teachers would think were completely anti-
                   fluency. Grammar translation, audio-lingualism,
                   constant drilling and repetition. And yet, the
                   result of that was that some people became very
                   fluent. You just know them, you’ve met them,
                   you may be them.” (ABCI, 2010)


www.learningfactory.net                           graeme.hodgson@learningfactory.net
“For the last 15 or 20 years, sts have learnt
                   English using communicative activity after
                   communicative activity. Lots and lots of talking.
                   And you know what happened? Some of them
                   become very fluent and some of them, don’t.”
                                       (ABCI, 2010)




www.learningfactory.net                             graeme.hodgson@learningfactory.net
“Once you’ve said: ‘Have you ever been to France?’
                   ‘Have you ever been to France?’ ‘Have you ever been to
                   France?’ enough times, you can say ‘Have you ever been
                   to Fortaleza?’ ‘Have you ever been to Recife?’ ‘Have you
                   ever been to Salvador?’ ‘Have you ever been to Porto
                   Alegre’. You can say it easy, easy. But … the challenge for
                   you is…
                    Yes, repetition works, how can you make it work WELL?
                   What kind of repetition does the magic to the brain?
                   That’s my last question.”
                   (ABCI, 2010)
www.learningfactory.net                             graeme.hodgson@learningfactory.net
REPETITION DRILL

1. Teacher says a sentence/ lexical item;
2. Students repeat the sentence/lexical
item, in chorus;
3. After 2 or 3 choral repetitions,
conduct an individual repetition.
4. Teacher repeats procedures 1-3 using
the prompts suggested in the Teacher’s
Guide.
SUBSTITUTION DRILL

1. The teacher presents the basic structure that
students need to practice;
2. The teacher provides a cue word/expression to
substitute in a slot;
3. The teacher models the sentence;
4. Students say the new sentence, in chorus,
keeping the same pattern;
6. After 2 or 3 choral repetitions, T colIects
individual repetitions;
SUBSTITUTION DRILL

Example:

T: What’s your *name+? Stds repeat.
T: last name. (mime “hold on”)
T: What’s your *last name+? Stds repeat.

T: job
Stds: What’s your *job+?
QUESTION & ANSWER DRILL

1. Teacher asks a question;
2. Student answers the question.
3. Teacher asks stds to repeat either the
   question or the answer (depending on the
   focus of the drill) in chorus.

E.g. T: What time is it? [on the board - 5:30]
     T: It’s half past five. (Student repeats)
     Stds: It’s half past five.
DRILLS
                 Transformation drill

Student transforms sentence by making it negative or
interrogative, switching from singular into plural or by
changing tense, mood, voice, aspect or modality.

                    Open Pair drill

Student A or group A asks Student B or group B a
question, considering a prompt given by the teacher.
E.g.     T: happy.
         A: Are you happy? (Stds repeat)
         B: B’s reply. (yes, I am./No, I’m not.)
CHAIN DRILL

1. Student A asks Student B a question;
2. Student B answers the question;
3. Student B asks Student C a question;
4. Student C answers the question;
5. The same procedure is repeated until all
   students take part in the activity.
6. Correction permeates the activity, if
   necessary.
References

• Tice, J. Teaching English, British Council, 2004.
http://www.teachingenglish.org.uk/articles/drilling-1

• Anders Ericsson, K. Krampe, R. and Tesch-Romer, C. The Role of
Deliberate Practice in the Acquisition of Expert
Performance. Psychological Review 1993, Vol. 100. No. 3, 363-406

• Mayer, R. E. Learning and Instruction. Upper Saddle River, New
Jersey: Pearson Education, Inc. 2008.




www.learningfactory.net                      graeme.hodgson@learningfactory.net
Thank you!




              www.learningfactory.net

www.learningfactory.net            graeme.hodgson@learningfactory.net

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Controlled practice bt 2012

  • 1. with Graeme Hodgson www.learningfactory.net graeme.hodgson@learningfactory.net
  • 2. BACKGROUND Adult students want to: www.learningfactory.net graeme.hodgson@learningfactory.net
  • 3.
  • 4. Deliberate Practice Psychologist K. Anders Ericsson, a professor of Psychology at Florida State University: “The differences between expert performers and normal adults reflect a life-long period of deliberate effort to improve performance in a specific domain." www.learningfactory.net graeme.hodgson@learningfactory.net
  • 5. Deliberate Practice “How expert one becomes at a skill has more to do with HOW one practices than with merely performing a skill a large number of times. An expert breaks down the skills that are required to be expert and focuses on improving those skill chunks during practice… often paired with immediate coaching feedback. Another important feature lies in continually practicing a skill at more challenging levels.” - Anders Ericsson (1993) www.learningfactory.net graeme.hodgson@learningfactory.net
  • 6. Cognitive Theory “Excellent performance results from practicing complex tasks that produce errors. Such errors provide the learner with rich feedback that results in scaffolding for future performance.” - Mayer (2008) www.learningfactory.net graeme.hodgson@learningfactory.net
  • 7. Function of Drills (for Learners) •Provide a focus on accuracy. •Provide learners with intensive practice in hearing and saying particular words or phrases. •Provide a safe environment for learners to experiment with producing the language. •Help students notice the correct form or pronunciation of a word or phrase. •Provide an opportunity for learners to get immediate feedback on their accuracy. •Help memorization and automization of common language patterns and language chunks. www.learningfactory.net graeme.hodgson@learningfactory.net
  • 8. General Guidelines on Drilling  Better for Ss NOT to see the language written down before they practice saying it (T models, S repeat)  Give clear, natural and consistent models.  Hand movements indicate intonation, beat stress etc. Join or separate fingers to show word boundaries and linking.  Back-chaining helps focus on correct pronunciation & intonation . It is also attention-grabbing!  Vary drill in terms of who repeats: whole class, half the class, boys, girls, individuals.  Drilling should be done at a “snappy” pace. www.learningfactory.net graeme.hodgson@learningfactory.net
  • 9. Changing Pace by Drilling Whisper drills (for quietening down a rowdy class) Shouting drills (for livening them up ) Model saying things in different ways: e.g. very happy, very sad, very bored, very excited, sleepy, angry etc. (Model facial expression & get learners to do the same). www.learningfactory.net graeme.hodgson@learningfactory.net
  • 10. “Communicative tasks- yes – but there is also a definite need for an explicit focus on form and meaning, and therefore for the micro skills needed to do that. And this is often completely lacking in teachers and in their training.” “The micro techniques (eg: drilling, contextualizing, use of substitution tables, etc) ...are extremely useful ... and will enhance coursebook work.” Jim Scrivener IATEFL Conference, Harrogate 2010) www.learningfactory.net graeme.hodgson@learningfactory.net
  • 11.  Relevance of repetition & “mental rehearsal” for fluency www.learningfactory.net graeme.hodgson@learningfactory.net
  • 12. “For years and years people learnt languages with teaching methods that most modern teachers would think were completely anti- fluency. Grammar translation, audio-lingualism, constant drilling and repetition. And yet, the result of that was that some people became very fluent. You just know them, you’ve met them, you may be them.” (ABCI, 2010) www.learningfactory.net graeme.hodgson@learningfactory.net
  • 13. “For the last 15 or 20 years, sts have learnt English using communicative activity after communicative activity. Lots and lots of talking. And you know what happened? Some of them become very fluent and some of them, don’t.” (ABCI, 2010) www.learningfactory.net graeme.hodgson@learningfactory.net
  • 14. “Once you’ve said: ‘Have you ever been to France?’ ‘Have you ever been to France?’ ‘Have you ever been to France?’ enough times, you can say ‘Have you ever been to Fortaleza?’ ‘Have you ever been to Recife?’ ‘Have you ever been to Salvador?’ ‘Have you ever been to Porto Alegre’. You can say it easy, easy. But … the challenge for you is… Yes, repetition works, how can you make it work WELL? What kind of repetition does the magic to the brain? That’s my last question.” (ABCI, 2010) www.learningfactory.net graeme.hodgson@learningfactory.net
  • 15. REPETITION DRILL 1. Teacher says a sentence/ lexical item; 2. Students repeat the sentence/lexical item, in chorus; 3. After 2 or 3 choral repetitions, conduct an individual repetition. 4. Teacher repeats procedures 1-3 using the prompts suggested in the Teacher’s Guide.
  • 16. SUBSTITUTION DRILL 1. The teacher presents the basic structure that students need to practice; 2. The teacher provides a cue word/expression to substitute in a slot; 3. The teacher models the sentence; 4. Students say the new sentence, in chorus, keeping the same pattern; 6. After 2 or 3 choral repetitions, T colIects individual repetitions;
  • 17. SUBSTITUTION DRILL Example: T: What’s your *name+? Stds repeat. T: last name. (mime “hold on”) T: What’s your *last name+? Stds repeat. T: job Stds: What’s your *job+?
  • 18. QUESTION & ANSWER DRILL 1. Teacher asks a question; 2. Student answers the question. 3. Teacher asks stds to repeat either the question or the answer (depending on the focus of the drill) in chorus. E.g. T: What time is it? [on the board - 5:30] T: It’s half past five. (Student repeats) Stds: It’s half past five.
  • 19. DRILLS Transformation drill Student transforms sentence by making it negative or interrogative, switching from singular into plural or by changing tense, mood, voice, aspect or modality. Open Pair drill Student A or group A asks Student B or group B a question, considering a prompt given by the teacher. E.g. T: happy. A: Are you happy? (Stds repeat) B: B’s reply. (yes, I am./No, I’m not.)
  • 20. CHAIN DRILL 1. Student A asks Student B a question; 2. Student B answers the question; 3. Student B asks Student C a question; 4. Student C answers the question; 5. The same procedure is repeated until all students take part in the activity. 6. Correction permeates the activity, if necessary.
  • 21. References • Tice, J. Teaching English, British Council, 2004. http://www.teachingenglish.org.uk/articles/drilling-1 • Anders Ericsson, K. Krampe, R. and Tesch-Romer, C. The Role of Deliberate Practice in the Acquisition of Expert Performance. Psychological Review 1993, Vol. 100. No. 3, 363-406 • Mayer, R. E. Learning and Instruction. Upper Saddle River, New Jersey: Pearson Education, Inc. 2008. www.learningfactory.net graeme.hodgson@learningfactory.net
  • 22. Thank you! www.learningfactory.net www.learningfactory.net graeme.hodgson@learningfactory.net