Literary Terms Ii Plot

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Plot ,[object Object],[object Object],http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

Foreshadowing ,[object Object],http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

Inciting Force ,[object Object],http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

Conflict ,[object Object],http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

Conflict- 4 types ,[object Object],[object Object],http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

Conflict- 4 types, cont. ,[object Object],[object Object],[object Object],http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

Rise and Fall of a Plot ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Freytag’s Pyramid http://www.orangeusd.k12.ca.us/yorba/literary_elements.htm

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In this section you will probably see how considerations about character overlap with last weeks explanation of plot. At the center of a story's plot is the story's conflict. And that conflict is always between people, or at least it's always between characters (sometimes they are actually not people, in the literal sense). As you begin to think about character, be careful to distinguish between two possible definitions of character: · the personality of the individual. · the particular individual in a literary work. When talking about the individuals who populate stories, round (or well rounded) characters are usually considered essential to quality fiction. We might also describe these characters as complex and three dimensional (in this sense, they seem realistic). Flat characters are those who are not shown in true complexity. · In lesser story telling, these might be stock characters who are sometimes too clearly used as plot devices. · Or in finer stories they are used as types for allegorical purposes, as features of the story's landscape, as necessary but brief participants in action, or to enhance readers' understanding of a central character (See Chekhov’s Misery for an example of the latter). Another way of looking at character in a story is to ask how the writer develops his or her characters: · Through dialogue? · Exposition and description? · Actions? · Other characters or the setting? Key Distinctions Protagonist: this is a label for the main character whose actions move the story forward… often associated with the hero or anti-hero. Antagonist: the primary character or force in the story that acts in opposition to the protagonist. Another note: protagonists and antagonists are not always human or even individuals. The setting in Jack London’s story, To Build a Fire, is actually the antagonist. Because of the need for an empathetic main character (see distinctions between empathetic and sympathetic here) , the protagonist is almost always human or, if nothing else, a symbolic representation of human desires. An interesting variance in formula to consider: Satan, as portrayed in Paradise Lost. The fallen angel initially takes on the role of an apparent anti-hero. However, Milton reveals him to be a fool by the end of his epic poem and ultimately a false-protagonist. The real character making all of the key choices that advance the story forward? God. Why did Milton have a story where the main character seems to shift? It does fit his story's purpose: to show the appeal of evil (the initial empathy that the poem creates for Satan). As the poem progresses, however, Satan's argument becomes more pathetic, obviously manipulative, and less empathetic. Another good question to answer: is the character dynamic or static? Usually, main characters change in some way, making them dynamic characters. If the main character doesn't change, he or she usually keeps us interested by his or her desire to change or keep from changing. Th.

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ENG125: Introduction to Literature List of Literary Techniques Technique Description Allusion A reference to a recognized literary work, person, historic event, artistic achievement, etc. that enhances the meaning of a detail in a literary work. Climax The crisis or high point of tension that becomes the story’s turning point—the point at which the outcome of the conflict is determined. Conflict The struggle that shapes the plot in a story. Dramatic irony When the reader or audience knows more about the action than the character involved. Epiphany A profound and sudden personal discovery. Exposition Setting and essential background information presented at the beginning of a story or play. Falling action A reduction in intensity following the climax in a story or play, allowing the various complications to be worked out. Fate An outside source that determines human events. Figurative language Language used in a non-literal way to convey images and ideas. Figures of speech The main tools of figurative language; include similes and metaphors.. First-person point of view Occurs when the narrator is a character in the story and tells the story from his or her perspective. Flashback The description of an event that occurred prior to the action in the story. Foreshadowing A technique a writer uses to hint or suggest what the outcome of an important conflict or situation in a narrative ENG125: Introduction to Literature will be. Imagery A distinct representation of something that can be experienced and understood through the senses (sight, hearing, touch, smell, and taste), or the representation of an idea. Irony A contradiction in words or actions. There are three types of irony: verbal, situational, and dramatic. Limited omniscient point of view Occurs when a narrator has access to the thoughts and feelings of only one character in a story. Metaphor A figure of speech in which an implied comparison is made between one object and another that is different from it. Objective point of view A detached point of view, evident when an external narrator does not enter into the mind of any character in a story but takes an objective stance, often to create a dramatic effect. Omniscient point of view An all-knowing point of view, evident when an external narrator has access to the thoughts and feelings of all the characters in a story. Persona Literally, in Latin, “a mask.” Plot A connecting element in fiction; a sequence of interrelated, conflicting actions and events that typically build to a climax and bring about a resolution Point of view The perspective of the narrator who will present the action to the reader. Resolution The outcome of the action in a story or play. Rising action Conflicts and circumstances that build to a high point of tension in a story or pl ...

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