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Open cultural data: where is the value?
Milena Popova, Senior Marketing Specialist
31 March 2014, Manchester
Content
 Background
 Game change
 Value creation
 Case studies
 Future opportunities
Europe’s cultural heritage: the locked treasure
 Uneven pace of digitization of cultural heritage in Europe
 Heterogeneous datasets
 IPR issues
Open, Sesame!
 February 2012: data.europeana.eu (experimental pilot)
• 2.4 million objects under CC0 from 8 direct Europeana providers
encompassing over 200 cultural institutions from 15 countries
 July 2012: Europeana data exchange agreement (DEA) as the
only agreement between Europeana and its content providers and
aggregators
1. Metadata published under the terms of the Creative Commons CC0
1.0 Universal Public Domain Dedication (re-use without any
restrictions)
2. Each digital object (and the associated preview) needs to carry a
rights label
 September 2012: release of over 20 millions cultural records
under the CC0 on www.europeana.eu
30.000.000+
Text, Images, Audio and Video
Where is the value?
Code: re-use
 Provide tools and infrastructure to enable creative re-use of
open cultural data
 Establish partnerships with content partners/open data
advocates
 Encourage application development through hackathons and
business incubation contests
Instrustructure
Partnership with Wikimedia
GLAM-WIKI Toolset
 Developed in partnership with 4 national chapters of Wikimedia
(UK, the Netherlands, France and Switzerland) and Europeana
 Allows automatic upload of large batches of openly licensed digital
versions of GLAMs’ content to Wikimedia Commons, the online
media repository for Wikimedia
 Encourages publication of open cultural content and its re-use
(benefits):
• Global outreach: GLAM digital content is easily accessible to the
multilingual audience of Wikipedia users worldwide
• Multiplier effect: hundreds of images generate millions of
impressions
First pilot upload
App competitions
 Hack4Europe roadshows 2011-2012
• 170 developers in 9 European countries, 79 prototypes
 Thematic hackathons and co-creation workshops
• Social Learning Space, 27-28 Feb 2014, Berlin organised by Berlin
Media School and Facebook Europe (WW1 theme)
 Apps4Europe open data competitions + business lounges
• Hack4Norway, 7-8 Feb 2014
• Hack4Sardinia, 29-30 May 2014
 Europeana Creative Challenges
• 1st
on History Education & Natural History Education, 14 April 2014
http://ecreativeeducation2014.istart.org
• 2nd
on Tourism and Social Networks, Sept 2014
• 3rd
on Design, Spring 2015
Case studies
Europeana demonstrator projects
Other API implementations
Apps competitions case studies
 Apps4Europe open data competitions + business lounges
• 4 culture-related finalists: Open Source Muse, Nostalgeo, SecondTake
and OldMapsOnline
 Europeana Creative Challenges
• Pilots on History Education & Natural History Education
Future opportunities
• Growing number of open datasets (incl. cultural)
• Stronger start up culture in Europe
• Viable apps – new ideas, clear business models,
great teams
• Niche/market-specific applications
(examples: tourism, education, entertainment,
retail)
Thank you!
Milena.Popova@europeana.eu

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The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...
The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...
 

Open Cultural Data: Where is the value?

  • 1. Open cultural data: where is the value? Milena Popova, Senior Marketing Specialist 31 March 2014, Manchester
  • 2. Content  Background  Game change  Value creation  Case studies  Future opportunities
  • 3. Europe’s cultural heritage: the locked treasure  Uneven pace of digitization of cultural heritage in Europe  Heterogeneous datasets  IPR issues
  • 4.
  • 5. Open, Sesame!  February 2012: data.europeana.eu (experimental pilot) • 2.4 million objects under CC0 from 8 direct Europeana providers encompassing over 200 cultural institutions from 15 countries  July 2012: Europeana data exchange agreement (DEA) as the only agreement between Europeana and its content providers and aggregators 1. Metadata published under the terms of the Creative Commons CC0 1.0 Universal Public Domain Dedication (re-use without any restrictions) 2. Each digital object (and the associated preview) needs to carry a rights label  September 2012: release of over 20 millions cultural records under the CC0 on www.europeana.eu
  • 7. Where is the value?
  • 8.
  • 9. Code: re-use  Provide tools and infrastructure to enable creative re-use of open cultural data  Establish partnerships with content partners/open data advocates  Encourage application development through hackathons and business incubation contests
  • 11.
  • 13. GLAM-WIKI Toolset  Developed in partnership with 4 national chapters of Wikimedia (UK, the Netherlands, France and Switzerland) and Europeana  Allows automatic upload of large batches of openly licensed digital versions of GLAMs’ content to Wikimedia Commons, the online media repository for Wikimedia  Encourages publication of open cultural content and its re-use (benefits): • Global outreach: GLAM digital content is easily accessible to the multilingual audience of Wikipedia users worldwide • Multiplier effect: hundreds of images generate millions of impressions
  • 16.  Hack4Europe roadshows 2011-2012 • 170 developers in 9 European countries, 79 prototypes  Thematic hackathons and co-creation workshops • Social Learning Space, 27-28 Feb 2014, Berlin organised by Berlin Media School and Facebook Europe (WW1 theme)  Apps4Europe open data competitions + business lounges • Hack4Norway, 7-8 Feb 2014 • Hack4Sardinia, 29-30 May 2014  Europeana Creative Challenges • 1st on History Education & Natural History Education, 14 April 2014 http://ecreativeeducation2014.istart.org • 2nd on Tourism and Social Networks, Sept 2014 • 3rd on Design, Spring 2015
  • 20. Apps competitions case studies  Apps4Europe open data competitions + business lounges • 4 culture-related finalists: Open Source Muse, Nostalgeo, SecondTake and OldMapsOnline  Europeana Creative Challenges • Pilots on History Education & Natural History Education
  • 21. Future opportunities • Growing number of open datasets (incl. cultural) • Stronger start up culture in Europe • Viable apps – new ideas, clear business models, great teams • Niche/market-specific applications (examples: tourism, education, entertainment, retail)