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What does history do for theatre and what does theatre do for history. The influence of WWII on theatre in Germany   Lucy Hammond Teresa Malloy Emily Seekings Gemma Hutchinson
Theatre in Nazi Germany http://en.wikipedia.org/wiki/Image:Hitlermusso2_edit.jpg
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Theatrical life was largely untouched by Nazi Ideology: ,[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],1899 – Viennese newspaper claimed theatre was the victim of an international conspiracy, Bartels was also writing racist dramas in the 1890s. Festivals of Wagner’s operas at Bayreuth came to represent German national defiance against cosmopolitan decadence of Weimar Republic.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Reorganisation of theatre under the Nazis ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Repressed Theatre ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
WWII ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Bertolt Brecht (1898 – 1956) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Biography ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Epic   Theatre ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Dramatic theatre  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Expressionism
Political Theatre   ,[object Object],[object Object],[object Object],[object Object],[object Object]
Exile and Anti-Nazism ,[object Object],[object Object],Mother Courage
[object Object],[object Object],[object Object],[object Object],[object Object]
Modern – Post war German Theatre  ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
Theatre of the grotesque… ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
Durrenmatt (1921 – 1990) ,[object Object],[object Object],[object Object]
Documentary drama… ,[object Object],[object Object],[object Object],(Peter Weiss, Dramen, vol II , Suhrkamp, Frankfurt /main, 1968 p464)
Peter Weiss ,[object Object],http://www.arcolatheatre.com/_images/showorig/2006.05.23_10-05-50Investigation.jpg play bill from the investigation….
[object Object],[object Object],[object Object],[object Object],Richter a modern German director focuses on his own wars with the media and various social issues.  He has a very contemporary approach to theatre and is very realistic about how he presents his work; he is influenced by the English culture of in-yer-face theatre.  Despite his being very contemporary he is clearly influenced by the history of war in his country and the idea of exposing the grotesque nature of reality so that we become aware and can grow and move onwards.  (photo) (www. falkrichter.com/logic/article) The omnipresence of the media: globalisation and neo-liberalism as its motors.
[object Object],[object Object]
References … ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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  • 1. What does history do for theatre and what does theatre do for history. The influence of WWII on theatre in Germany Lucy Hammond Teresa Malloy Emily Seekings Gemma Hutchinson
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