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The challenges of preserving digital data for World
                  Heritage sites

                     DPE Planets and Caspar
                           ‘Wepreserve’
                      3rd annual Conference


                            UNESCO
   United Nations Educational, Scientific and Cultural Organization

                          Mario Hernandez

                  Nice, France October 29-30 2008




                                                                      1
UNESCO is a UN Specialized Agency


U nited
N ations
E ducation
S cience
C ulture
O rganization

                                          .
World Heritage Convention




                            M.Hernandez.
878 World Heritage sites (as per July 2008)




Great wall, China                    Taj Mahal, India




 Machu Picchu, Peru                   Palenque, Mexico
adopted the UNESCO Charter on Preservation of
  Digital Cultural Heritage (17 Oct 2003)‫‏‬

“….Recognizing that such resources of information and creative expression
  are increasingly produced, distributed, accessed and maintained in digital
  form, creating a new legacy – the digital heritage,

  ….Understanding that this digital heritage is at risk of being lost and that
  its preservation for the benefit of present and future generations is an
  urgent issue of worldwide concern, …”




                                                                      5
Overall environment




                      6
Data is very important
      data management not a main priority


Data storage is very important
     data storage structure low as far as
budget     priority


Data preservation
      limited to back-up(s)




                                            7
Environment – User audience(s)




                                 8
UNESCO




Heritage conservation
community

                        9
Data is originated at any of the 193 Member States (countries)
                                 Data is received at UNESCO
                                 Data creation process is unknown
                                 Data is stored
                                 Data is used only when necessary
                                 Data preservation is not a big concern
   UNESCO

                                   Data is generated
                                   Whole process is well known but not documented
                                   Data is stored
                                   Data is daily used, transformed, processed, etc
                                   Emerging technology:
                                         • data processing is main focus,
Cultural heritage conservation           • data preservation is not a concern
community



                                                                                          10
UNESCO as a CASPAR user




                          11
A process


Legal documents




Paper documents




Old photograhps




Paper maps
A process


Legal documents




Paper documents




Old photograhps




Paper maps
A process


Legal documents




Paper documents




Old photograhps
                  Final PDF




Paper maps
A process; the end-result

                  √       Staff changes (process
Legal documents
                          involves deep personal
                          knowledge). The chain of
                          evidence is lost!
Paper documents
                  X


Old photograhps
                  X       Inputs used not
                          documented

Paper maps
                  X
Before

       Paper documents
       Paper maps
       Paper photos
       Books
       Etc.


        Year +/- 2000

The use of PC becomes popular

              After

       Digital documents
       Digital maps
       Digital pictures
       Digital DVDs
       Etc.


                                16
The heritage conservation community
                as a
            CASPAR user




                                      17
Digital Cultural Heritage

• The ontology of digital heritage (“computer-assisted
  cultural heritage”) refers to the relationships
  between: data acquisition, processing, and
  visualization

• For the end user, this complex process has to be
  unified into a single experience: 3D exploration

• In this way 3D creates interaction between the end
  user, the research group that collected the data,
  and the cultural landscape

                                               18
Description of the data objects




                                  19
Machu Picchu, Peru
Data object: TEXT (PDF)




Machu Picchu, Peru
Data object: Images

Machu Picchu, Peru
Data object: Satellite images




Machu Picchu, Peru
Data object: digital GIS layers




Machu Picchu, Peru
•Description of the data objects




                             Data object: 3D models




   Machu Picchu, Peru
The cultural heritage data
       challenges




                             26
The process: known and/or unknown




                         Satellite data




                        Data object: 3D models
Machu Picchu, Peru
Representation information
•The RepInfo not available

  –   xxx.doc
  –   xxx.pdf
  –   xxx.jpeg
  –   Satellite images
                             Timbuktu (real picture)
  –   xxx.shp
  –   Laser cloud points
  –   xxx.mpeg (3D models)




                             Timbuktu virtual 3D model)


                                                          28
Preservation Challenges

Entire UNESCO heritage archive needs to be preserved

Typical of the type of data that UNESCO encounters:

• Proprietary file formats no longer recognized
• File format inconsistencies
• Changes in implicit team knowledge

A UNESCO specific challenge:

• Organizational changes, e.g. ex-USSR
UNESCO and ASEMANTICS
Cultural heritage RepInfo

UNESCO data objects do not have ‘complete’ RepInfo

•Testbed: tests the automatic extraction of RepInfo
•But: need to create additional RepInfo
•Tools: to assist in the completion of RepInfo under development (after
Pisa meeting): UNESCO + ASEMANTICS




                                                               30
Tool for
           jpeg repinfo
UNESCO
selected   Tool for
           GIS repinfo
Data
holdings   Tool for
           pdf repinfo    CASPAR
                          FIND, PDS,
            Tool for      KM, etc
            3D repinfo




                             31
Tool for
           jpeg repinfo
UNESCO
selected   Tool for
           GIS repinfo
Data
holdings   Tool for
           pdf repinfo    CASPAR
                          FIND, PDS,
            Tool for      KM, etc

UNESCO      3D repinfo

RepInfo




                             32
Creation of the Representation
                                  Information
•The user interacts with the RepInfo tool

•Existing RepInfo is extracted (automatic) and
presented to the user

•The user is requested to enter additional
‘mandatory’ fields

•The information is submitted and associated
RepInfo is created



                                                 33
Documenting a process
    Laser scanning
ASEMANTICS + UNESCO




                         34
Laser points




Laser scanning   Wire frame      Artifiical shading    Texture
                 Triangulation
Greece   Indonesia   Brazil   Japan    Laos




….. Thank you



                                        36

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Data For World Heritage Sites Mario Hernandez

  • 1. The challenges of preserving digital data for World Heritage sites DPE Planets and Caspar ‘Wepreserve’ 3rd annual Conference UNESCO United Nations Educational, Scientific and Cultural Organization Mario Hernandez Nice, France October 29-30 2008 1
  • 2. UNESCO is a UN Specialized Agency U nited N ations E ducation S cience C ulture O rganization .
  • 4. 878 World Heritage sites (as per July 2008) Great wall, China Taj Mahal, India Machu Picchu, Peru Palenque, Mexico
  • 5. adopted the UNESCO Charter on Preservation of Digital Cultural Heritage (17 Oct 2003)‫‏‬ “….Recognizing that such resources of information and creative expression are increasingly produced, distributed, accessed and maintained in digital form, creating a new legacy – the digital heritage, ….Understanding that this digital heritage is at risk of being lost and that its preservation for the benefit of present and future generations is an urgent issue of worldwide concern, …” 5
  • 7. Data is very important data management not a main priority Data storage is very important data storage structure low as far as budget priority Data preservation limited to back-up(s) 7
  • 8. Environment – User audience(s) 8
  • 10. Data is originated at any of the 193 Member States (countries) Data is received at UNESCO Data creation process is unknown Data is stored Data is used only when necessary Data preservation is not a big concern UNESCO Data is generated Whole process is well known but not documented Data is stored Data is daily used, transformed, processed, etc Emerging technology: • data processing is main focus, Cultural heritage conservation • data preservation is not a concern community 10
  • 11. UNESCO as a CASPAR user 11
  • 12. A process Legal documents Paper documents Old photograhps Paper maps
  • 13. A process Legal documents Paper documents Old photograhps Paper maps
  • 14. A process Legal documents Paper documents Old photograhps Final PDF Paper maps
  • 15. A process; the end-result √ Staff changes (process Legal documents involves deep personal knowledge). The chain of evidence is lost! Paper documents X Old photograhps X Inputs used not documented Paper maps X
  • 16. Before Paper documents Paper maps Paper photos Books Etc. Year +/- 2000 The use of PC becomes popular After Digital documents Digital maps Digital pictures Digital DVDs Etc. 16
  • 17. The heritage conservation community as a CASPAR user 17
  • 18. Digital Cultural Heritage • The ontology of digital heritage (“computer-assisted cultural heritage”) refers to the relationships between: data acquisition, processing, and visualization • For the end user, this complex process has to be unified into a single experience: 3D exploration • In this way 3D creates interaction between the end user, the research group that collected the data, and the cultural landscape 18
  • 19. Description of the data objects 19
  • 21. Data object: TEXT (PDF) Machu Picchu, Peru
  • 23. Data object: Satellite images Machu Picchu, Peru
  • 24. Data object: digital GIS layers Machu Picchu, Peru
  • 25. •Description of the data objects Data object: 3D models Machu Picchu, Peru
  • 26. The cultural heritage data challenges 26
  • 27. The process: known and/or unknown Satellite data Data object: 3D models Machu Picchu, Peru
  • 28. Representation information •The RepInfo not available – xxx.doc – xxx.pdf – xxx.jpeg – Satellite images Timbuktu (real picture) – xxx.shp – Laser cloud points – xxx.mpeg (3D models) Timbuktu virtual 3D model) 28
  • 29. Preservation Challenges Entire UNESCO heritage archive needs to be preserved Typical of the type of data that UNESCO encounters: • Proprietary file formats no longer recognized • File format inconsistencies • Changes in implicit team knowledge A UNESCO specific challenge: • Organizational changes, e.g. ex-USSR
  • 30. UNESCO and ASEMANTICS Cultural heritage RepInfo UNESCO data objects do not have ‘complete’ RepInfo •Testbed: tests the automatic extraction of RepInfo •But: need to create additional RepInfo •Tools: to assist in the completion of RepInfo under development (after Pisa meeting): UNESCO + ASEMANTICS 30
  • 31. Tool for jpeg repinfo UNESCO selected Tool for GIS repinfo Data holdings Tool for pdf repinfo CASPAR FIND, PDS, Tool for KM, etc 3D repinfo 31
  • 32. Tool for jpeg repinfo UNESCO selected Tool for GIS repinfo Data holdings Tool for pdf repinfo CASPAR FIND, PDS, Tool for KM, etc UNESCO 3D repinfo RepInfo 32
  • 33. Creation of the Representation Information •The user interacts with the RepInfo tool •Existing RepInfo is extracted (automatic) and presented to the user •The user is requested to enter additional ‘mandatory’ fields •The information is submitted and associated RepInfo is created 33
  • 34. Documenting a process Laser scanning ASEMANTICS + UNESCO 34
  • 35. Laser points Laser scanning Wire frame Artifiical shading Texture Triangulation
  • 36. Greece Indonesia Brazil Japan Laos ….. Thank you 36