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C h a p t e r s 3 & 6 PA RT I I I
  Globalizing the Body Politics
                &
Jamming Media and Popular Culture
WHAT IS THE IMPACT OF
   POPULAR CULTURE?


Does Everyone “Read”
Pop Culture The Same?
Consuming Popular Culture
Meaning is never FIXED, but is always being CONSTRUCTED
within various contexts through encoding and decoding.



 Stuart Hall                                                         Decoded
                            Encoded Message
   (1980)                                                            Message
 Encoding
                               Sender                               Receiver
 Decoding
                                Encoding cultural texts

ENCODING: the process of creating a message.
DECODING: the process of interpreting a message.

Various industries prepare reader profiles, portrayals of readership demographics, and
respond to the cultural and political needs of cultural identities in a variety of ways.
Consuming Popular Culture

    DOMINANT                   NEGOTIATED                  OPPOSITIONAL
                                READING                      READING
  OR HEGEMONIC
     READING
                           The       viewer/reader
                            generally shares the         The reader brings an
 Preferred reading         preferred meaning of          alternative
                            the texts                     interpretation of the
 Reader/viewer
  decodes        the       They also resist and          text
  message in the way        modify the encoded           Resist the dominant
  intended by the           meaning
                                                          reading of the text
  encoder                  They negotiate the
                            meaning based on their       Shaped by the social
 Consistent with the       positionality, interests,     position of the reader
  dominant     beliefs,     and experiences
  norms,           and
  ideologies
Pop Culture & Representation

     RACE, GENDER, CLASS INTERSECTIONAL ANALYSIS

            The Hunger Games
                     PAY ATTENTION TO:
• Stereotypical, Misrepresentation & Under Representation of Non-
  Dominant Groups
• Gender & Sexuality
THE    I HAVE READ THESE
             BOOKS OR
            WATCHED THIS
HUNGER          FILM
               A. Yes
 GAMES         B. No
FACTS ON THE POPULARITY OF
          THE HUNGER GAMES
• 2006: Collins signed a six-   • The first book originally had a
  figure deal for three books     50,000 first printing.
  with Scholastic.
                                • It was bumped up twice to
• September 14, 2008: The         200,000 copies.
  Hunger Games was first
  published as a hardcover in   • February 11, 2010:         The
  the U.S.                        Hunger Games had           sold
• November 2008: The Hunger       800,000 copies
  Games became a New York
  Times Best Seller.            • The rights to the novel had
                                  been sold in 38 countries.
• December         2008:   An
  audiobook       version was
  released.
MORE FACTS ON THE POPULARITY OF
             THE HUNGER GAMES
             PRINT                              E-BOOK

• September 2010: The Hunger        • Suzanne Collins is the First
  Games was on The New York           young adult author to sell over
  Times      list     for    over     1 million Kindle ebooks.
  100 consecutive weeks.            • She is the 6th author to join
• When The Hunger Games film          the "Kindle Million Club.”
  was released, the book had
  been on USA Today’s best-         • March 2012, announced that
  selling books list for 135          Collins had become the best-
  consecutive weeks.                  selling Kindle author of all
• The publisher reported 26           time.
  million Hunger Games trilogy      • Collins had written 29 of the
  books in print, including movie     100 most-highlighted passages
  tie-in books.                       in Kindle ebooks.
THE ECONOMIC FACTOR
          The Hunger Games posted a record
           breaking opening weekend, netting
           an estimated $155 million (Rolling
           Stone March 26, 2012)

          The Hunger Games has earned $337.1
           million after 24 days and seems
           headed for a final domestic total of
           about $375 million. (CNN April 16,
           2012)

          The film is nearing the $200 million
           mark overseas, and its worldwide
           total stands at $531 million. (CNN
           April 16, 2012)
ADDITIONAL ECONOMIC PROFITEERS
ACCORDING TO SEEKING ALPHA ON
MARCH 22, 2012:



8 additional companies stand to
          profit from
      The Hunger Games:

    1.   Amazon
    2.   Barnes & Noble
    3.   Cinemark
    4.   Hot Topic
    5.   IMAX Corporation
    6.   Netflix
    7.   Regal Entertainment
    8.   Scholastic
TODAY’S THEMES

POWER           Pop culture represents
 SELF     stereotypes that are connected to
OTHERS        social judgments of others.
HUNGER GAMES & CASTING
 According to Jezebel March 26 2012, the book   What Race or Ethnicity
     describes Katniss with the following       do you imagine Katniss
                characteristics.                        to be?

                                                   A. White or
                    Katniss Everdeen                  European
 Lives in District 12                                Descent
 Coal-mining country; Appalachians.               B. African or Black
 Olive skin,                                         Descent
 “Straight, black hair,”                          C. Asian or Pacific
                                                      Islander Descent
 Grey eyes
                                                   D. Latina or Persian
 "small in stature" and                              Descent
 light (in weight) for her age (16)               E. Any of the
 One of the smallest tributes in her games.          above.
IS THIS WHO YOU IMAGINED?



A.Yes
B.No
ACCORDING TO RACEBENDING.COM

Debra Zane Casting distributed a casting call that read:

“…actresses submitting for the role “should be
Caucasian, between ages 15 and 20, who could
portray someone ‘underfed but strong,’ and ‘naturally
pretty underneath her tomboyishness.”
Jennifer Lawrence May Be Up For Hunger
    Games Lead, But There’s Controversy Too
“First of all: Caucasian? Hunger Games author Suzanne Collins is
careful to write Katniss as being of ambiguous ethnicity, with
straight dark hair, olive skin and gray eyes– basically, she could be
from any race. It’s not really a surprise that they’d want to cast a
white girl in the role, given the myopic way Hollywood views race
and who sells tickets, but kind of shocking that they’d
completely exclude auditioners of other races.”

                                                     -CinemaBlend
Oh No They Didn’t: The Hunger Games Casting for
            ‘Underfed’ White Teenage Girls
“The question isn’t, ‘Is Katniss white?’ but ‘Could Katniss possibly be anything
other than white?’

In casting only for Caucasian performers, the filmmakers seem to close the door
on that possibility.

“…is that move warranted by the material or simply another case of Hollywood
whitewashing? There aren’t many good reasons for excluding non-white
performers from consideration based on Collins’ books and characters, aside
from the desire to appeal to the dominant paradigm in the film’s marketing
materials. If Collins is on board with this and has any argument in favor of the
casting move, she should start explaining.”

                                                                    -Movieline
April of 2011, Suzanne Collins told Entertainment Weekly
                   that her characters…

…Were not particularly intended to be biracial. It is a time
period where hundreds of years have passed from now.
There's been a lot of ethnic mixing. But I think I describe
them as having dark hair, grey eyes, and sort of olive skin
.…But then there are some characters in the book who
are more specifically described.
IDENTITY & REPRESENATION IN
          THE HUNGER GAMES
On page 45 of The Hunger Games, Collins describes the
character Rue as:
…a twelve-year-old girl from District 11. She has dark
brown skin and eyes…

What Race or Ethnicity do you imagine this character to be?

   A. White or European Descent
   B. African or Black Descent
   C. Asian or Pacific Islander Descent
   D. Middle Eastern or Persian Descent
   E. Unsure
IS THIS WHO YOU IMAGINED?



A.Yes
B.No
TWITTER RESPONSES TO
   RUE’S CASTING
COLLINS & ROSS ON CASTING

In regards to Thresh and Rue as characters, Collins said,
              "They're African-American.”


Director Gary Ross added:

Thresh and Rue will be [played by actors who are] African-
American. It's a multi-racial culture and the film will reflect that.
But I think Suzanne didn't see a particular ethnicity to Gale and
Katniss when she wrote it, and that's something we've talked
about a lot.
CONCLUDING THOUGHTS

   People use popular culture to
    reaffirm their own cultural
            identities.
• Sometimes due to a conflict in culture values and cultural
  identities, people actively resist certain popular culture texts.

• Much of the resistance stems from concerns about the
  representation of various social groups.

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Does Pop Culture Represent All Equally

  • 1. C h a p t e r s 3 & 6 PA RT I I I Globalizing the Body Politics & Jamming Media and Popular Culture
  • 2. WHAT IS THE IMPACT OF POPULAR CULTURE? Does Everyone “Read” Pop Culture The Same?
  • 3. Consuming Popular Culture Meaning is never FIXED, but is always being CONSTRUCTED within various contexts through encoding and decoding. Stuart Hall Decoded Encoded Message (1980) Message  Encoding Sender Receiver  Decoding Encoding cultural texts ENCODING: the process of creating a message. DECODING: the process of interpreting a message. Various industries prepare reader profiles, portrayals of readership demographics, and respond to the cultural and political needs of cultural identities in a variety of ways.
  • 4. Consuming Popular Culture DOMINANT NEGOTIATED OPPOSITIONAL READING READING OR HEGEMONIC READING  The viewer/reader generally shares the  The reader brings an  Preferred reading preferred meaning of alternative the texts interpretation of the  Reader/viewer decodes the  They also resist and text message in the way modify the encoded  Resist the dominant intended by the meaning reading of the text encoder  They negotiate the meaning based on their  Shaped by the social  Consistent with the positionality, interests, position of the reader dominant beliefs, and experiences norms, and ideologies
  • 5. Pop Culture & Representation RACE, GENDER, CLASS INTERSECTIONAL ANALYSIS The Hunger Games PAY ATTENTION TO: • Stereotypical, Misrepresentation & Under Representation of Non- Dominant Groups • Gender & Sexuality
  • 6. THE I HAVE READ THESE BOOKS OR WATCHED THIS HUNGER FILM A. Yes GAMES B. No
  • 7. FACTS ON THE POPULARITY OF THE HUNGER GAMES • 2006: Collins signed a six- • The first book originally had a figure deal for three books 50,000 first printing. with Scholastic. • It was bumped up twice to • September 14, 2008: The 200,000 copies. Hunger Games was first published as a hardcover in • February 11, 2010: The the U.S. Hunger Games had sold • November 2008: The Hunger 800,000 copies Games became a New York Times Best Seller. • The rights to the novel had been sold in 38 countries. • December 2008: An audiobook version was released.
  • 8. MORE FACTS ON THE POPULARITY OF THE HUNGER GAMES PRINT E-BOOK • September 2010: The Hunger • Suzanne Collins is the First Games was on The New York young adult author to sell over Times list for over 1 million Kindle ebooks. 100 consecutive weeks. • She is the 6th author to join • When The Hunger Games film the "Kindle Million Club.” was released, the book had been on USA Today’s best- • March 2012, announced that selling books list for 135 Collins had become the best- consecutive weeks. selling Kindle author of all • The publisher reported 26 time. million Hunger Games trilogy • Collins had written 29 of the books in print, including movie 100 most-highlighted passages tie-in books. in Kindle ebooks.
  • 9. THE ECONOMIC FACTOR  The Hunger Games posted a record breaking opening weekend, netting an estimated $155 million (Rolling Stone March 26, 2012)  The Hunger Games has earned $337.1 million after 24 days and seems headed for a final domestic total of about $375 million. (CNN April 16, 2012)  The film is nearing the $200 million mark overseas, and its worldwide total stands at $531 million. (CNN April 16, 2012)
  • 10. ADDITIONAL ECONOMIC PROFITEERS ACCORDING TO SEEKING ALPHA ON MARCH 22, 2012: 8 additional companies stand to profit from The Hunger Games: 1. Amazon 2. Barnes & Noble 3. Cinemark 4. Hot Topic 5. IMAX Corporation 6. Netflix 7. Regal Entertainment 8. Scholastic
  • 11. TODAY’S THEMES POWER Pop culture represents SELF stereotypes that are connected to OTHERS social judgments of others.
  • 12. HUNGER GAMES & CASTING According to Jezebel March 26 2012, the book What Race or Ethnicity describes Katniss with the following do you imagine Katniss characteristics. to be? A. White or Katniss Everdeen European  Lives in District 12 Descent  Coal-mining country; Appalachians. B. African or Black  Olive skin, Descent  “Straight, black hair,” C. Asian or Pacific Islander Descent  Grey eyes D. Latina or Persian  "small in stature" and Descent  light (in weight) for her age (16) E. Any of the  One of the smallest tributes in her games. above.
  • 13. IS THIS WHO YOU IMAGINED? A.Yes B.No
  • 14. ACCORDING TO RACEBENDING.COM Debra Zane Casting distributed a casting call that read: “…actresses submitting for the role “should be Caucasian, between ages 15 and 20, who could portray someone ‘underfed but strong,’ and ‘naturally pretty underneath her tomboyishness.”
  • 15. Jennifer Lawrence May Be Up For Hunger Games Lead, But There’s Controversy Too “First of all: Caucasian? Hunger Games author Suzanne Collins is careful to write Katniss as being of ambiguous ethnicity, with straight dark hair, olive skin and gray eyes– basically, she could be from any race. It’s not really a surprise that they’d want to cast a white girl in the role, given the myopic way Hollywood views race and who sells tickets, but kind of shocking that they’d completely exclude auditioners of other races.” -CinemaBlend
  • 16. Oh No They Didn’t: The Hunger Games Casting for ‘Underfed’ White Teenage Girls “The question isn’t, ‘Is Katniss white?’ but ‘Could Katniss possibly be anything other than white?’ In casting only for Caucasian performers, the filmmakers seem to close the door on that possibility. “…is that move warranted by the material or simply another case of Hollywood whitewashing? There aren’t many good reasons for excluding non-white performers from consideration based on Collins’ books and characters, aside from the desire to appeal to the dominant paradigm in the film’s marketing materials. If Collins is on board with this and has any argument in favor of the casting move, she should start explaining.” -Movieline
  • 17. April of 2011, Suzanne Collins told Entertainment Weekly that her characters… …Were not particularly intended to be biracial. It is a time period where hundreds of years have passed from now. There's been a lot of ethnic mixing. But I think I describe them as having dark hair, grey eyes, and sort of olive skin .…But then there are some characters in the book who are more specifically described.
  • 18. IDENTITY & REPRESENATION IN THE HUNGER GAMES On page 45 of The Hunger Games, Collins describes the character Rue as: …a twelve-year-old girl from District 11. She has dark brown skin and eyes… What Race or Ethnicity do you imagine this character to be? A. White or European Descent B. African or Black Descent C. Asian or Pacific Islander Descent D. Middle Eastern or Persian Descent E. Unsure
  • 19. IS THIS WHO YOU IMAGINED? A.Yes B.No
  • 20. TWITTER RESPONSES TO RUE’S CASTING
  • 21.
  • 22. COLLINS & ROSS ON CASTING In regards to Thresh and Rue as characters, Collins said, "They're African-American.” Director Gary Ross added: Thresh and Rue will be [played by actors who are] African- American. It's a multi-racial culture and the film will reflect that. But I think Suzanne didn't see a particular ethnicity to Gale and Katniss when she wrote it, and that's something we've talked about a lot.
  • 23. CONCLUDING THOUGHTS People use popular culture to reaffirm their own cultural identities. • Sometimes due to a conflict in culture values and cultural identities, people actively resist certain popular culture texts. • Much of the resistance stems from concerns about the representation of various social groups.

Hinweis der Redaktion

  1. Kindle Million Club: recognizes authors who have sold over 1 million paid units in the Amazon Kindle store.
  2. Seeking Alpha is the premier website for actionable stock market opinion and analysis
  3. The main character of the series is KatnissEverdeen.
  4. Jennifer Lawrence was cast as Katniss.
  5. Let’s take a look at how some folks felt about the casting choices.
  6. Jennifer Lawrence was cast as Katniss.