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Early Cinema
   Revision Presentation
The cinema of attractions and early ‘primitive’ cinema
1896-1906

Pre-cinema – Muybridge’s Horse

Early cinema – Lumiere Brothers and their combined film
camera and projector

A time of rapid expansion of film industry

A time of huge shifts in film technology

Film a working class pastime

Mainly non-English speaking spectators
George Melies and the ‘cinema of attractions’

His trick films that would tour with Vauldeville acts around
the country

Film formed part of an evening’s entertainment that
included magicians, acrobats, dancers etc.

Early cinema recreated the theatre stage

Film terms like mise-en-scene come from the theatre
Films began to experiment with narrative and storytelling

Rescued by Rover (Hepworth, 1905) was the first film to use the
180 Degree Line of Action

The Lonedale Operator (Griffith, 1911) was the first film to use
parallel editing

These techniques allowed film makers to recreate classic
novels.

This then encouraged more middle class people to the cinema
(especially women)

Cinemas were built to look like theatres, with the classes
segregated – poor in the ‘pits’ the rich upstairs in the balcony.

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Early cinema

  • 1. Early Cinema Revision Presentation
  • 2. The cinema of attractions and early ‘primitive’ cinema 1896-1906 Pre-cinema – Muybridge’s Horse Early cinema – Lumiere Brothers and their combined film camera and projector A time of rapid expansion of film industry A time of huge shifts in film technology Film a working class pastime Mainly non-English speaking spectators
  • 3. George Melies and the ‘cinema of attractions’ His trick films that would tour with Vauldeville acts around the country Film formed part of an evening’s entertainment that included magicians, acrobats, dancers etc. Early cinema recreated the theatre stage Film terms like mise-en-scene come from the theatre
  • 4. Films began to experiment with narrative and storytelling Rescued by Rover (Hepworth, 1905) was the first film to use the 180 Degree Line of Action The Lonedale Operator (Griffith, 1911) was the first film to use parallel editing These techniques allowed film makers to recreate classic novels. This then encouraged more middle class people to the cinema (especially women) Cinemas were built to look like theatres, with the classes segregated – poor in the ‘pits’ the rich upstairs in the balcony.