1. Exam 1 Review

6. Part B. Slide Comparisons George Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884-86. Renoir, The Luncheon of the Boating Party , 1881.

7. Manet, Olympia , 1863 Gauguin, Manao-Tupapau (Spirit of the Dead Watching), 1892.

8. Matisse, The Red Studio , 1911 Courbet Gustave Courbet, The Painter’s Studio: A Real Allegory of the Last Seven Years of my Life , 1854-55

9. Aleksandr Rodchenko, photograph of Varvara Stepanova at her desk, 1924 Kirchner, Self Portrait with Model , 1910

10. Picasso, Still Life with Chair Caning , 1912 Hannah Höch, Cut with the Dada Kitchen Knife Through the Last Weimar Beer Belly Cultural Epoch of Germany , 1919-20. Photomontage

11. Part C. Single Slide essay Claude Monet, Impression: Sunrise , 1872

12. Berthe Morisot , On the Balcony , 1872

13. Gauguin, Aha oe feii? (What? Are you Jealous?), 1892.

14. Vladimir Tatlin, Counter-Relief , 1915, remade 1980, (Iron, copper, wood, and rope)

15. Practice Exam

17. Part B. Single Slide Comparison. Write a clear and coherent essay comparing and contrasting these two works in response to the following question. Be sure to address issues of forms, content, and art historical significance about each work in your answer. How is the female nude being represented, for what purpose and how do these representation reveal contradictory attitude towards women within the avant-garde movement?