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1
Evidencing Impact and Value
Alison O’Hara
Chief Executive
Audiences North East
2
Impact
Image: courtesy of Hales Gallery, London
and I-20 Gallery, New York
3
Definitions
• Impact: the effect or impression of one thing against
another
• Economic impact: Radich(1987), the economic impact of
a given phenomenon can be defined as ‘the effect of that
phenomenon on such economic factors as the economic
behaviour of consumers, businesses, the market,
industry, the economy as a whole, national wealth or
income, employment and capital’
• Social impact: Landry et al (1993), ‘those effects that go
beyond the artefacts and the enactment of the event or
performance itself and have a continuing influence upon,
and directly touch, people’s lives’
4
Value
Image: courtesy of BePak
5
Definitions
• Value: worth in usefulness or importance, utility
or merit
• Matarasso (1996), which value systems are
used to provide benchmarks against which work
will be measured, and about whom defines
quality, value and meaning
• Social and economic rationales for the arts, with
their emphasis on the arts as a means to other
ends will serve to devalue arts for its own sake
eg John Tusa
6
Current drivers for measuring
impact and value
• Economic downturn
– Local and national governments invest public
money in cultural opportunities. How do we
know if the money is well spent or wasted?
Does a £1 invested by government deliver
more than a £ in benefit?
• The Big Society
7
Cuts in public investment
• DCMS – 25% cut for 2011/12 to 2014/15
• ACE cuts – 29% cut, 6.9% cut for majority
of RFOs for 2011/12 and reduction of
14.9% to overall budget available for
RFOs for 4-year settlement period
• National museums – 15% cut and remain
free to enter
• English Heritage – 32% cut
• Visit Britain – 34% cut
8
The Big Society
• www.cabinetoffice.gov.uk Building the Big
Society
• Five priorities:
– Give communities more power
– Encourage people to take an active role in their
communities
– Transfer power from central to local government
– Support co-ops, mutuals, charities and social
enterprises
– Publish government data
9
Measuring Intrinsic Value
• Measuring Intrinsic
Value: How to stop
worrying and love
economics (2009) by
Hasan Bakhshi, Alan
Freeman and Graham
Hitchen
Image: Jaipur Kawa Brass Band,
Durham BRASS Fest
10
Measuring Intrinsic Value
• Recommends cultural sector embracing
the need to measure economic impact
• Cultural world will back itself into a corner
if it claims immunity from measuring
economic impact when money could be
spent on other things
• Even though it’s difficult to measure, it’s
not really optional – governments choose
between alternative expenditures
11
Intrinsic v instrumental
• Intrinsic value (own merits) v instrumental value
(non artistic side effects eg social inclusion,
crime prevention and learning)
• Proper assessment of intrinsic value
• Public’s own valuation of the arts – contingent
value (CV) and willingness to pay (WTP)
• Ask the public what they would be prepared to
pay, faced with a choice of spending the money
on something else
12
Culture and Sport Evidence
Programme (CASE)
• Vision is to influence culture and sports’
policy development and policy agenda
through the development of strategic,
policy-relevant, high-quality, cross-cutting,
social and economic evidence base for
culture and sport sectors
– Current research
– Research needs to provide
– Tools to collect research
13
CASE
• Publication
– Understanding the drivers,
impact and value of
engagement in culture and
sport, July 2010
www.culture.gov.uk
• Database
– www.impact.arts.gla.ac.uk/
c5,800 individual studies or
reviews on the drivers,
impact and value of
engagement in culture and
sport, advanced search
terms, links to reports
Image: The Alnwick Garden
14
Benefits of engaging in culture and sport
Individual engager
Achievement
Continuity with the past
Creativity
Diversion
Enjoyment
Escape
Expression
Health
Income
Inspiration
Knowledge of culture
Self-esteem
Self-identify
Skills/competency
Solace/consolation
Community
Bequest value
Community cohesion
Community identity
Creativity
Employment
Existence value
Innovation
Option to use
Productivity
Reduced crime
Shared experience
Social capital
National
Citizenship
International reputation
National pride
15
CASE publications
• Measuring short-term private benefit of
engagement
– Subjective well-being measures, two-step approach
• First survey data is used to estimate how a person’s SWB
changes when they engage in culture and sport
• This change in SWB is valued monetarily using the ‘income
compensation approach’ ie the analysis estimates the
increase in SWB generated by an increase in income
– Deriving economic values from SWB
• The income compensation approach can be used to convert
estimates of the SWB effect of policy outcomes such as
engagement in culture and sport into estimates of monetary
value of these policy outcomes.
16
CASE publications
• Measuring long-term public benefit of
engagement
– Due to data and evidence constraints work
was focused on the health gains associated
with doing sport
• However, CASE regional insights have
been developed to provide partners with
data and evidence on the position and role
of culture and sport within key local and
regional agendas
17
CASE database
18
Impact and value frameworks
• Arts Council England - self evaluation
framework
• MLA - Inspiring Learning
• Local Government Improvement and
Development (formerly IDeA)
• Audiences London – festivals and outdoor
events
• New Economics Foundation – theatre
• Film Council – impact of local cinemas
19
Arts Council England – self
evaluation framework
• Online flexible
development tool to
support arts organisations
in evaluating their own
performance and to help
them inform their future
planning, July 2010
• www.artscouncil.org.uk/s
elfevaluation/background-
self-evaluation/
Image: Constellation by Kiki Smith,
National Glass Centre
20
Arts Council England – self
evaluation framework
• Six key areas:
– Vision
– External environment
– Artistic aspirations and programme
– Participation and engagement
– Organisational capacity and capability
– Business model
• Each area has three strands:
– Topic – a breakdown of the key area into smaller areas of focus
– What success looks like – a high-level description of an organisation
that is delivering each topic effectively
– Questions you might ask yourselves – types of questions you might ask
to evaluate your strengths and weaknesses relating to that topic
– Resources – website links
21
MLA - Inspiring Learning
• A self-help improvement framework for
museums, libraries and archives, 2008
• Inspiring Learning supports organisations to:
– Assess their strengths and plan improvements
– Provide evidence of the impact of their activities
through the generic learning and generic social
outcomes
– Improve their strategic and operational performance
• www.inspiringlearningforall.gov.uk/
22
MLA - generic learning outcomes
• The generic learning
outcomes are
underpinned by a broad
definition of learning
which identifies benefits
that people gain
from interacting with
museums, libraries and
archives
• www.inspiringlearningfora
ll.gov.uk/toolstemplates/g
enericlearning/
Image: Killhope
23
MLA - generic learning outcomes
• GLO checklist
• Recording and
analysing
qualitative and
quantitative data
• GLO coding
• Templates
24
MLA - generic social outcomes
• Case studies, guidance and
tools to support museums,
libraries and archives in
planning how they deliver their
services and in measuring
their contribution to social
outcomes
• Step-by-step approach to
using the guidance, sample
questionnaires and case
studies
• www.inspiringlearningforall.gov
.uk/toolstemplates/genericsoci
al/index.html
Image: Sunderland Museum and
Winter Gardens
25
MLA - generic social outcomes
• Three outcome areas that
relate to government policy
priorities
• Look at organisation’s high
level aims
• Identify which audiences are
priorities to target
• Consider how your
project/service contribute to
one or more of the GSOs
• Decide what evidence you
need to gather
26
Local Government Improvement
and Development
• Formerly IDeA new web resource on how
to create a local outcomes framework for
culture and sport, September 2010
• Local outcomes framework will help you
measure and evidence the contribution
culture and sport provision makes to better
outcomes for your area
• www.idea.gov.uk/idk/core/page.do?
pageId=21649171
27
Local outcomes framework -
process
28
Local outcomes framework -
resources
• Guidance on what a local culture and sport
outcomes framework can help you do
• What should an outcomes framework include:
– Examples of outcomes triangles: children and young
people, economy, environment, health and well-being,
older people, safer communities, stronger
communities
– Logic model templates
– Evidence template
– Performance indicators template
29
Audiences London – festivals and
outdoor events
• Information sheets
available to download,
September 2010
• Key points to consider
when trying to measure
and evidence success or
impact of a festival
• www.audienceslondon.or
g/1891/our-
resources/advice-for-
audience-research-at-
festivals-and-outdoor-
events.html
Image: Stockton International
Riverside Festival
30
Audiences London – festivals and
outdoor events
• Information sheets:
– Evidencing success
– Methods
– Using questionnaires
– Sampling
– Working with volunteers
– Research guidelines and data protection
– Measuring economic impact
31
New Economics Foundation -
theatre
• Capturing the audience
experience – a handbook for
the theatre
• Presents a new model for
describing the audience
experience with standard
survey templates and
guidance on how to use them
• Value – explores what it is
about a good theatre
experience that makes it ‘worth
coming out for’
• www.itc-
arts.org/uploaded/documents/
Theatre%20handbook.pdf Image: Theatre Royal
32
The Audience Experience
Framework
33
Film Council - impact of local
cinemas
• Impact of local cinema –
five case studies, 2005
• Suggested tools for use
in further cinema impact
studies
• Methodological notes
• www.ukfilmcouncil.org.uk/
10022?
page=1&step=10&viewby
=category&value=17004
Image: Tyneside Cinema
34
Film Council - case studies
• Desk research
– No. of screens and seats
– Type of programme
– Annual ticket sales
– Revenue from food/drink/merchandising, advertising, project funding,
other income
– Annual expenditure
– Type of location and town
– Population of town
• Site visit
• Depth interviews with cinema manager and staff
• Focus group with cinema audience
• Phone interviews with cinema’s local suppliers, community groups
and educational organisations, local council and local press
35
Film Council - case studies report
• The social, cultural and environmental
impact of local cinema
• The impact of local cinema on the local
economy
• Appendix – tables which analyse
information (quantitative and qualitative)
by impact eg economic, social, cultural,
environmental
36
Film Council - suggested tools for
further research
• Pack of research materials:
– Templates for data collection
– Topic guides for interviews with stakeholders
– Briefing notes for cinema staff
– Monitoring form
– Draft letters
– Forms for measuring spending
37
Impact and value frameworks – the
highlights
• Arts Council England - self evaluation
framework
• MLA - Inspiring Learning
• Local Government Improvement and
Development (formerly IDeA)
• Audiences London – festivals and outdoor
events
• New Economics Foundation – theatre
• Film Council – impact of local cinemas

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Impact and value presentation

  • 1. 1 Evidencing Impact and Value Alison O’Hara Chief Executive Audiences North East
  • 2. 2 Impact Image: courtesy of Hales Gallery, London and I-20 Gallery, New York
  • 3. 3 Definitions • Impact: the effect or impression of one thing against another • Economic impact: Radich(1987), the economic impact of a given phenomenon can be defined as ‘the effect of that phenomenon on such economic factors as the economic behaviour of consumers, businesses, the market, industry, the economy as a whole, national wealth or income, employment and capital’ • Social impact: Landry et al (1993), ‘those effects that go beyond the artefacts and the enactment of the event or performance itself and have a continuing influence upon, and directly touch, people’s lives’
  • 5. 5 Definitions • Value: worth in usefulness or importance, utility or merit • Matarasso (1996), which value systems are used to provide benchmarks against which work will be measured, and about whom defines quality, value and meaning • Social and economic rationales for the arts, with their emphasis on the arts as a means to other ends will serve to devalue arts for its own sake eg John Tusa
  • 6. 6 Current drivers for measuring impact and value • Economic downturn – Local and national governments invest public money in cultural opportunities. How do we know if the money is well spent or wasted? Does a £1 invested by government deliver more than a £ in benefit? • The Big Society
  • 7. 7 Cuts in public investment • DCMS – 25% cut for 2011/12 to 2014/15 • ACE cuts – 29% cut, 6.9% cut for majority of RFOs for 2011/12 and reduction of 14.9% to overall budget available for RFOs for 4-year settlement period • National museums – 15% cut and remain free to enter • English Heritage – 32% cut • Visit Britain – 34% cut
  • 8. 8 The Big Society • www.cabinetoffice.gov.uk Building the Big Society • Five priorities: – Give communities more power – Encourage people to take an active role in their communities – Transfer power from central to local government – Support co-ops, mutuals, charities and social enterprises – Publish government data
  • 9. 9 Measuring Intrinsic Value • Measuring Intrinsic Value: How to stop worrying and love economics (2009) by Hasan Bakhshi, Alan Freeman and Graham Hitchen Image: Jaipur Kawa Brass Band, Durham BRASS Fest
  • 10. 10 Measuring Intrinsic Value • Recommends cultural sector embracing the need to measure economic impact • Cultural world will back itself into a corner if it claims immunity from measuring economic impact when money could be spent on other things • Even though it’s difficult to measure, it’s not really optional – governments choose between alternative expenditures
  • 11. 11 Intrinsic v instrumental • Intrinsic value (own merits) v instrumental value (non artistic side effects eg social inclusion, crime prevention and learning) • Proper assessment of intrinsic value • Public’s own valuation of the arts – contingent value (CV) and willingness to pay (WTP) • Ask the public what they would be prepared to pay, faced with a choice of spending the money on something else
  • 12. 12 Culture and Sport Evidence Programme (CASE) • Vision is to influence culture and sports’ policy development and policy agenda through the development of strategic, policy-relevant, high-quality, cross-cutting, social and economic evidence base for culture and sport sectors – Current research – Research needs to provide – Tools to collect research
  • 13. 13 CASE • Publication – Understanding the drivers, impact and value of engagement in culture and sport, July 2010 www.culture.gov.uk • Database – www.impact.arts.gla.ac.uk/ c5,800 individual studies or reviews on the drivers, impact and value of engagement in culture and sport, advanced search terms, links to reports Image: The Alnwick Garden
  • 14. 14 Benefits of engaging in culture and sport Individual engager Achievement Continuity with the past Creativity Diversion Enjoyment Escape Expression Health Income Inspiration Knowledge of culture Self-esteem Self-identify Skills/competency Solace/consolation Community Bequest value Community cohesion Community identity Creativity Employment Existence value Innovation Option to use Productivity Reduced crime Shared experience Social capital National Citizenship International reputation National pride
  • 15. 15 CASE publications • Measuring short-term private benefit of engagement – Subjective well-being measures, two-step approach • First survey data is used to estimate how a person’s SWB changes when they engage in culture and sport • This change in SWB is valued monetarily using the ‘income compensation approach’ ie the analysis estimates the increase in SWB generated by an increase in income – Deriving economic values from SWB • The income compensation approach can be used to convert estimates of the SWB effect of policy outcomes such as engagement in culture and sport into estimates of monetary value of these policy outcomes.
  • 16. 16 CASE publications • Measuring long-term public benefit of engagement – Due to data and evidence constraints work was focused on the health gains associated with doing sport • However, CASE regional insights have been developed to provide partners with data and evidence on the position and role of culture and sport within key local and regional agendas
  • 18. 18 Impact and value frameworks • Arts Council England - self evaluation framework • MLA - Inspiring Learning • Local Government Improvement and Development (formerly IDeA) • Audiences London – festivals and outdoor events • New Economics Foundation – theatre • Film Council – impact of local cinemas
  • 19. 19 Arts Council England – self evaluation framework • Online flexible development tool to support arts organisations in evaluating their own performance and to help them inform their future planning, July 2010 • www.artscouncil.org.uk/s elfevaluation/background- self-evaluation/ Image: Constellation by Kiki Smith, National Glass Centre
  • 20. 20 Arts Council England – self evaluation framework • Six key areas: – Vision – External environment – Artistic aspirations and programme – Participation and engagement – Organisational capacity and capability – Business model • Each area has three strands: – Topic – a breakdown of the key area into smaller areas of focus – What success looks like – a high-level description of an organisation that is delivering each topic effectively – Questions you might ask yourselves – types of questions you might ask to evaluate your strengths and weaknesses relating to that topic – Resources – website links
  • 21. 21 MLA - Inspiring Learning • A self-help improvement framework for museums, libraries and archives, 2008 • Inspiring Learning supports organisations to: – Assess their strengths and plan improvements – Provide evidence of the impact of their activities through the generic learning and generic social outcomes – Improve their strategic and operational performance • www.inspiringlearningforall.gov.uk/
  • 22. 22 MLA - generic learning outcomes • The generic learning outcomes are underpinned by a broad definition of learning which identifies benefits that people gain from interacting with museums, libraries and archives • www.inspiringlearningfora ll.gov.uk/toolstemplates/g enericlearning/ Image: Killhope
  • 23. 23 MLA - generic learning outcomes • GLO checklist • Recording and analysing qualitative and quantitative data • GLO coding • Templates
  • 24. 24 MLA - generic social outcomes • Case studies, guidance and tools to support museums, libraries and archives in planning how they deliver their services and in measuring their contribution to social outcomes • Step-by-step approach to using the guidance, sample questionnaires and case studies • www.inspiringlearningforall.gov .uk/toolstemplates/genericsoci al/index.html Image: Sunderland Museum and Winter Gardens
  • 25. 25 MLA - generic social outcomes • Three outcome areas that relate to government policy priorities • Look at organisation’s high level aims • Identify which audiences are priorities to target • Consider how your project/service contribute to one or more of the GSOs • Decide what evidence you need to gather
  • 26. 26 Local Government Improvement and Development • Formerly IDeA new web resource on how to create a local outcomes framework for culture and sport, September 2010 • Local outcomes framework will help you measure and evidence the contribution culture and sport provision makes to better outcomes for your area • www.idea.gov.uk/idk/core/page.do? pageId=21649171
  • 28. 28 Local outcomes framework - resources • Guidance on what a local culture and sport outcomes framework can help you do • What should an outcomes framework include: – Examples of outcomes triangles: children and young people, economy, environment, health and well-being, older people, safer communities, stronger communities – Logic model templates – Evidence template – Performance indicators template
  • 29. 29 Audiences London – festivals and outdoor events • Information sheets available to download, September 2010 • Key points to consider when trying to measure and evidence success or impact of a festival • www.audienceslondon.or g/1891/our- resources/advice-for- audience-research-at- festivals-and-outdoor- events.html Image: Stockton International Riverside Festival
  • 30. 30 Audiences London – festivals and outdoor events • Information sheets: – Evidencing success – Methods – Using questionnaires – Sampling – Working with volunteers – Research guidelines and data protection – Measuring economic impact
  • 31. 31 New Economics Foundation - theatre • Capturing the audience experience – a handbook for the theatre • Presents a new model for describing the audience experience with standard survey templates and guidance on how to use them • Value – explores what it is about a good theatre experience that makes it ‘worth coming out for’ • www.itc- arts.org/uploaded/documents/ Theatre%20handbook.pdf Image: Theatre Royal
  • 33. 33 Film Council - impact of local cinemas • Impact of local cinema – five case studies, 2005 • Suggested tools for use in further cinema impact studies • Methodological notes • www.ukfilmcouncil.org.uk/ 10022? page=1&step=10&viewby =category&value=17004 Image: Tyneside Cinema
  • 34. 34 Film Council - case studies • Desk research – No. of screens and seats – Type of programme – Annual ticket sales – Revenue from food/drink/merchandising, advertising, project funding, other income – Annual expenditure – Type of location and town – Population of town • Site visit • Depth interviews with cinema manager and staff • Focus group with cinema audience • Phone interviews with cinema’s local suppliers, community groups and educational organisations, local council and local press
  • 35. 35 Film Council - case studies report • The social, cultural and environmental impact of local cinema • The impact of local cinema on the local economy • Appendix – tables which analyse information (quantitative and qualitative) by impact eg economic, social, cultural, environmental
  • 36. 36 Film Council - suggested tools for further research • Pack of research materials: – Templates for data collection – Topic guides for interviews with stakeholders – Briefing notes for cinema staff – Monitoring form – Draft letters – Forms for measuring spending
  • 37. 37 Impact and value frameworks – the highlights • Arts Council England - self evaluation framework • MLA - Inspiring Learning • Local Government Improvement and Development (formerly IDeA) • Audiences London – festivals and outdoor events • New Economics Foundation – theatre • Film Council – impact of local cinemas

Hinweis der Redaktion

  1. Give communities more power – empowering local communities and giving them a voice so that they can have public money invested in the services they want. Encourage people to take an active role in their communities – increasing participation in community based activities as well as increasing the contribution from local people to supporting the services they use and value. Transfer power from central to local government – devolving power and finance to the most appropriate spatial level. Support co-ops, mutuals, charities and social enterprises – providing support to Third Sector organsations, including helping them to become more enterprising and self-sufficient.
  2. Estimated impact on SWB on doing sport, going to the cinema and going to live arts eg concerts and theatre demonstrates that engagement in culture and sport has a positive effect on SWB. The exception is doing sport once a year or less for which no effect was identified. Further, a higher frequency of engagement is generally associated with a higher level of SWB. The SWB measures used in the analysis are responses to the question: ‘How dissatisfied or satisfied with your life overall?’
  3. Estimated impact on SWB on doing sport, going to the cinema and going to live arts eg concerts and theatre demonstrates that engagement in culture and sport has a positive effect on SWB. The exception is doing sport once a year or less for which no effect was identified. Further, a higher frequency of engagement is generally associated with a higher level of SWB. The SWB measures used in the analysis are responses to the question: ‘How dissatisfied or satisfied with your life overall?’