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DIGITAL CURATION OF CULTURAL HERITAGE
COLLECTIONS PUBLISHED AS LINKED OPEN DATA:
PROPOSAL FOR AN AUTHORIAL MODEL
Carlos H. Marcondes, UFF, UFMG, Brazil, ch_marcondes@id.uff.br
DIGITAL CURATION:
1- Patrimonialization
2- Curatorial Work
A Curatorial Work presupposes a point of
view, an authorial interpretation of a set of
objects. How to represent it? Where to
store it? The MIC – Integrated Model of
Curatorship
2. OBJECTIVE: Develop the MIC for curatorial activities on digital
cultural heritage objects collections published over the Web as LOD
that integrates such collections into permanent, authorial and
reusable resources. Implement the MIC as LOD and named graph
5. CONCLUSIONS: It is expected that the model will serve as a basis for the development of
authorial tools for digital curation, as virtual exhibitions through which users can browse
DHOs, and take advantage of curatorial works that integrate, annotate and comment on
them.
1. CONTEXT/PROLEM: Cultural heritage
collections have being published over
the Web as LOD. Alhtoght
heterogeneous,n they are
complementary or have thematic
superimpositions. They need digital
curation to make sense of them.
4. Resultas

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CaTCH Conference 2023 - Poster 111 - Marcondes.pdf

  • 1. DIGITAL CURATION OF CULTURAL HERITAGE COLLECTIONS PUBLISHED AS LINKED OPEN DATA: PROPOSAL FOR AN AUTHORIAL MODEL Carlos H. Marcondes, UFF, UFMG, Brazil, ch_marcondes@id.uff.br DIGITAL CURATION: 1- Patrimonialization 2- Curatorial Work A Curatorial Work presupposes a point of view, an authorial interpretation of a set of objects. How to represent it? Where to store it? The MIC – Integrated Model of Curatorship 2. OBJECTIVE: Develop the MIC for curatorial activities on digital cultural heritage objects collections published over the Web as LOD that integrates such collections into permanent, authorial and reusable resources. Implement the MIC as LOD and named graph 5. CONCLUSIONS: It is expected that the model will serve as a basis for the development of authorial tools for digital curation, as virtual exhibitions through which users can browse DHOs, and take advantage of curatorial works that integrate, annotate and comment on them. 1. CONTEXT/PROLEM: Cultural heritage collections have being published over the Web as LOD. Alhtoght heterogeneous,n they are complementary or have thematic superimpositions. They need digital curation to make sense of them. 4. Resultas