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BIG HISTORY PROJECT / LITTLE BIG HISTORY 1
LITTLE BIG HISTORY
In this assignment, we are asking you to use a big history approach to examine a single
object and create a “Little Big History.” What is a “Little Big History”?
We define Little Big Histories as meeting these three criteria:
Like all histories, it captures change over time.
Unlike many histories, your chronological account must refer to at least one time
period, event, or piece of evidence dating from before the evolution of humans.
Since big history uses many approaches to knowledge, such as geology, cosmology,
biology, and chemistry, your Little Big History should include at least two approach-‐
es to knowledge.
You will work on a team to investigate an object or a commodity (anything that is bought
and sold), a process or technical innovation, a social construct or institution, or an activity
— just about anything that interests you and that you can research. We will guide you
through a series of steps to help you produce a written paper and a presentation of your
Little Big History (LBH), such as a three-‐dimensional or web-‐based exhibition.
Your investigation has a number of important steps. You will start by working as a group,
and then work on your own to write a narrative, and then refocus on the group effort
to create a LBH exhibit. Here is a list of the steps that you will follow; your teacher will
determine the exact order and timing for completion of each assignment:
With your group:
01. Select an object to study
02. Frame research questions about the object
03. Find out everything you can about your object, take notes about things you find interesting,
and annotate your sources
04. Make connections among your sources and relate your topic to big history thresholds
05. Create a presentation or exhibit
On your own:
01. Write a first draft of your little big history paper
02. Gather feedback from teachers and peers
03. Revise and complete your paper
04. Reflect on the value of your group’s LBH project
Each of these steps is a task for conducting and presenting your historical research.
The following are details about each task along the way to creating your Little Big History.
BIG HISTORY PROJECT / LITTLE BIG HISTORY 2
With your group:
01. Select an object to study
Work with members of your group to choose your object or subject. Try to agree on
something that interests all of you and/or something that you use or encounter in your
everyday lives. Here are some examples. Remember, commodities are good because
they usually cross numerous thresholds but pop cultural phenomena can be difficult
because they are rooted more deeply in modern times.
Water bottle
Whistling
Bicycle
Banana
Rice
Salt
Thumb
Gold
02. Frame research questions about the object
Create a research statement that includes some of the questions you will investigate
regarding your object of study:
We are interested in the history of . We are curious about and would
like to learn:
how long have people been using ?
where and how did it originate?
how has it or its use changed over time?
how have different people used it?
what were the major changes in its form and use?
how does this object of study fit within the concept of thresholds of
increasing complexity?
interesting, and annotate your sources
Work with your team to identify books, articles, and websites you will use to answer
the above questions. Make certain to consider the sources you have already used in the
course. How might they help you tell your Little Big History? Then look for new sources
outside the big history curriculum. Identify sources from various approaches to knowl-‐
edge (disciplines) that have contributed to the big history course and that pertain to
your object of study. For example, if you were doing a little big history of salt, you might
consider sources having to do with the chemistry of salt, the geography of salt, and/
or the history of salt. Be sure to think about the reliability of the sources you choose,
making sure that they are authoritative and present trustworthy evidence.
After reading and taking notes on your sources, consider how each source helps you
answer your questions and assists you in your investigation. Then, write an annotated
bibliography to turn in to your teacher.
BIG HISTORY PROJECT / LITTLE BIG HISTORY 3
Use the table below to identify the sources you will use to answer your Little Big History
research questions and annotate your sources by filling in the spaces with appropriate
information.
Name of the source (your teacher will tell you your preferred format):
Main discipline (chemistry, geology, archaeology, history, astronomy, etc.):
Claim testers (What makes this a reliable source of information):
Annotation (What is the main argument, claim? How does this support your research questions?)
Threshold (Which threshold of complexity does this
source describe?)
Page numbers to note (What page numbers provide
particularly useful information?)
BIG HISTORY PROJECT / LITTLE BIG HISTORY 4
04. Make connections among your sources and relate your topic to big history thresholds
This project requires that your Little Big History include relevant information from at
least three of the eight big history major thresholds of increasing complexity. You must
include one threshold from before human history and one threshold from within human
history. In the spaces below, write the name of each threshold you’ll include along
with the key concepts you studied around each threshold. Then, write a research ques-‐
tion to guide inquiry into your object of study at each threshold you plan to include.
THRESHOLD Research questions
THRESHOLD Research questions
THRESHOLD Research questions
Fill in a “connection card” for each of the thresholds your Little Big History narrative will
address. Refer to the course’s eight Threshold Cards and your own research material to
make connections between your object and at least three thresholds.
THRESHOLD #:
INGREDIENTS + GOLDILOCKS CONDITIONS = INCREASING COMPLEXITY
Record the threshold details that are most relevant to your topic:
Research question(s):
Relevant source(s):
Key events in your Little Big History:
BIG HISTORY PROJECT / LITTLE BIG HISTORY 5
On your own:
Build your Little Big History and create a draft of your narrative or explanation.
Your narrative should include all of the following elements:
A coherent, evidence-‐based narrative of how your object of study “got here.”
How your object of study connects to at least three big history thresholds,
from both within human history and before human history.
Reference three big history thresholds of increasing complexity
Evidence from at least three different disciplines that contribute to the Little
Big History of your object of study.
The identification of at least two instances in the story where you think logic,
intuition, or authority has “stood in” for evidence, or where scientists have
used their best guess in place of evidence.
A description of the significance of the object of study to your lives and to big
history.
02. Gather feedback from teachers and peers
Collect comments from your teacher and classmates about your written narrative.
Look for ways that you may be able to improve your work.
03. Revise and complete your paper
After receiving feedback on your first draft of your narrative, complete the necessary
revisions.
With your group:
05. Create a presentation or exhibit
Present what you learned by researching and writing your narrative by producing an
exhibit that highlights the most significant features of the object of study’s Little Big
History in a captivating format.
Now that you have drafted your Little Big History narrative, you can begin to think of how
you might create an exhibit of your narrative for an audience. An exhibit of this nature
should
. You and your group members may decide that this exhibit
will be a three-‐dimensional exhibit, along the lines of those you see in a museum, or an
electronic exhibit, like a website that includes photographs, maps, and perhaps some
interactive elements.
BIG HISTORY PROJECT / LITTLE BIG HISTORY 6
Before you begin working on your exhibit, you should prepare a proposal that you
can share with your big history teacher. The proposal should include:
A description of the exhibit format
What do you want the finished product to be? Will this be a three-‐dimensional exhibit?
Or, will it be an electronic format? What do you imagine it will look like? What
are some elements you wish to include? Will it be interactive? Will it include video
and/or audio? Describe your proposed exhibit format below.
for the exhibit (e.g., students, parents, administrators, etc.)
Who will be your audience for this exhibit? Will it be only your classmates? Or have
you and your teacher decided to invite other members of your school community and/
or your parents? What do you need to consider about your audience? What kind of
background information will you need to provide for them? What will hook and main-‐
tain your audience’s attention? Please explain below.
A draft, storyboard, or sketch of your exhibit plan
On a separate sheet, sketch out what you envision your exhibit to be. Make sure you
clearly indicate how different sections will highlight important parts of your narrative.
On your own:
Now that you’ve completed all of your individual and group work, take the time to write
a fairly detailed description of the work you did for the Little Big History project.
Reflect upon the value of the project and explain what you liked and disliked about it.

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Writing "Little Big Histories"

  • 1. BIG HISTORY PROJECT / LITTLE BIG HISTORY 1 LITTLE BIG HISTORY In this assignment, we are asking you to use a big history approach to examine a single object and create a “Little Big History.” What is a “Little Big History”? We define Little Big Histories as meeting these three criteria: Like all histories, it captures change over time. Unlike many histories, your chronological account must refer to at least one time period, event, or piece of evidence dating from before the evolution of humans. Since big history uses many approaches to knowledge, such as geology, cosmology, biology, and chemistry, your Little Big History should include at least two approach-‐ es to knowledge. You will work on a team to investigate an object or a commodity (anything that is bought and sold), a process or technical innovation, a social construct or institution, or an activity — just about anything that interests you and that you can research. We will guide you through a series of steps to help you produce a written paper and a presentation of your Little Big History (LBH), such as a three-‐dimensional or web-‐based exhibition. Your investigation has a number of important steps. You will start by working as a group, and then work on your own to write a narrative, and then refocus on the group effort to create a LBH exhibit. Here is a list of the steps that you will follow; your teacher will determine the exact order and timing for completion of each assignment: With your group: 01. Select an object to study 02. Frame research questions about the object 03. Find out everything you can about your object, take notes about things you find interesting, and annotate your sources 04. Make connections among your sources and relate your topic to big history thresholds 05. Create a presentation or exhibit On your own: 01. Write a first draft of your little big history paper 02. Gather feedback from teachers and peers 03. Revise and complete your paper 04. Reflect on the value of your group’s LBH project Each of these steps is a task for conducting and presenting your historical research. The following are details about each task along the way to creating your Little Big History.
  • 2. BIG HISTORY PROJECT / LITTLE BIG HISTORY 2 With your group: 01. Select an object to study Work with members of your group to choose your object or subject. Try to agree on something that interests all of you and/or something that you use or encounter in your everyday lives. Here are some examples. Remember, commodities are good because they usually cross numerous thresholds but pop cultural phenomena can be difficult because they are rooted more deeply in modern times. Water bottle Whistling Bicycle Banana Rice Salt Thumb Gold 02. Frame research questions about the object Create a research statement that includes some of the questions you will investigate regarding your object of study: We are interested in the history of . We are curious about and would like to learn: how long have people been using ? where and how did it originate? how has it or its use changed over time? how have different people used it? what were the major changes in its form and use? how does this object of study fit within the concept of thresholds of increasing complexity? interesting, and annotate your sources Work with your team to identify books, articles, and websites you will use to answer the above questions. Make certain to consider the sources you have already used in the course. How might they help you tell your Little Big History? Then look for new sources outside the big history curriculum. Identify sources from various approaches to knowl-‐ edge (disciplines) that have contributed to the big history course and that pertain to your object of study. For example, if you were doing a little big history of salt, you might consider sources having to do with the chemistry of salt, the geography of salt, and/ or the history of salt. Be sure to think about the reliability of the sources you choose, making sure that they are authoritative and present trustworthy evidence. After reading and taking notes on your sources, consider how each source helps you answer your questions and assists you in your investigation. Then, write an annotated bibliography to turn in to your teacher.
  • 3. BIG HISTORY PROJECT / LITTLE BIG HISTORY 3 Use the table below to identify the sources you will use to answer your Little Big History research questions and annotate your sources by filling in the spaces with appropriate information. Name of the source (your teacher will tell you your preferred format): Main discipline (chemistry, geology, archaeology, history, astronomy, etc.): Claim testers (What makes this a reliable source of information): Annotation (What is the main argument, claim? How does this support your research questions?) Threshold (Which threshold of complexity does this source describe?) Page numbers to note (What page numbers provide particularly useful information?)
  • 4. BIG HISTORY PROJECT / LITTLE BIG HISTORY 4 04. Make connections among your sources and relate your topic to big history thresholds This project requires that your Little Big History include relevant information from at least three of the eight big history major thresholds of increasing complexity. You must include one threshold from before human history and one threshold from within human history. In the spaces below, write the name of each threshold you’ll include along with the key concepts you studied around each threshold. Then, write a research ques-‐ tion to guide inquiry into your object of study at each threshold you plan to include. THRESHOLD Research questions THRESHOLD Research questions THRESHOLD Research questions Fill in a “connection card” for each of the thresholds your Little Big History narrative will address. Refer to the course’s eight Threshold Cards and your own research material to make connections between your object and at least three thresholds. THRESHOLD #: INGREDIENTS + GOLDILOCKS CONDITIONS = INCREASING COMPLEXITY Record the threshold details that are most relevant to your topic: Research question(s): Relevant source(s): Key events in your Little Big History:
  • 5. BIG HISTORY PROJECT / LITTLE BIG HISTORY 5 On your own: Build your Little Big History and create a draft of your narrative or explanation. Your narrative should include all of the following elements: A coherent, evidence-‐based narrative of how your object of study “got here.” How your object of study connects to at least three big history thresholds, from both within human history and before human history. Reference three big history thresholds of increasing complexity Evidence from at least three different disciplines that contribute to the Little Big History of your object of study. The identification of at least two instances in the story where you think logic, intuition, or authority has “stood in” for evidence, or where scientists have used their best guess in place of evidence. A description of the significance of the object of study to your lives and to big history. 02. Gather feedback from teachers and peers Collect comments from your teacher and classmates about your written narrative. Look for ways that you may be able to improve your work. 03. Revise and complete your paper After receiving feedback on your first draft of your narrative, complete the necessary revisions. With your group: 05. Create a presentation or exhibit Present what you learned by researching and writing your narrative by producing an exhibit that highlights the most significant features of the object of study’s Little Big History in a captivating format. Now that you have drafted your Little Big History narrative, you can begin to think of how you might create an exhibit of your narrative for an audience. An exhibit of this nature should . You and your group members may decide that this exhibit will be a three-‐dimensional exhibit, along the lines of those you see in a museum, or an electronic exhibit, like a website that includes photographs, maps, and perhaps some interactive elements.
  • 6. BIG HISTORY PROJECT / LITTLE BIG HISTORY 6 Before you begin working on your exhibit, you should prepare a proposal that you can share with your big history teacher. The proposal should include: A description of the exhibit format What do you want the finished product to be? Will this be a three-‐dimensional exhibit? Or, will it be an electronic format? What do you imagine it will look like? What are some elements you wish to include? Will it be interactive? Will it include video and/or audio? Describe your proposed exhibit format below. for the exhibit (e.g., students, parents, administrators, etc.) Who will be your audience for this exhibit? Will it be only your classmates? Or have you and your teacher decided to invite other members of your school community and/ or your parents? What do you need to consider about your audience? What kind of background information will you need to provide for them? What will hook and main-‐ tain your audience’s attention? Please explain below. A draft, storyboard, or sketch of your exhibit plan On a separate sheet, sketch out what you envision your exhibit to be. Make sure you clearly indicate how different sections will highlight important parts of your narrative. On your own: Now that you’ve completed all of your individual and group work, take the time to write a fairly detailed description of the work you did for the Little Big History project. Reflect upon the value of the project and explain what you liked and disliked about it.