2. MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed
by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.
3. USING THE UNIT SAFELY
Used for instructions intended to alert The symbol alerts the user to important instructions
the user to the risk of death or severe or warnings.The specific meaning of the symbol is
injury should the unit be used determined by the design contained within the
improperly. triangle. In the case of the symbol at left, it is used for
Used for instructions intended to alert
the user to the risk of injury or material The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
damage should the unit be used
must not be done is indicated by the design contained
improperly. within the circle. In the case of the symbol at left, it
* Material damage refers to damage or means that the unit must never be disassembled.
other adverse effects caused with The ● symbol alerts the user to things that must be
respect to the home and all its carried out. The specific thing that must be done is
furnishings, as well to domestic indicated by the design contained within the circle. In
animals or pets. the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
002c 008c
• Do not open (or modify in any way) the unit or its • Be sure to use only the AC adaptor supplied with
AC adaptor. the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
.......................................................................................................... the AC adaptor’s body. Other AC adaptors may
003
• Do not attempt to repair the unit, or replace parts use a different polarity, or be designed for a
within it (except when this manual provides different voltage, so their use could result in
specific instructions directing you to do so). Refer damage, malfunction, or electric shock.
all servicing to your retailer, the nearest Roland ..........................................................................................................
008e
Service Center, or an authorized Roland • Use only the attached power-supply cord. Also,
distributor, as listed on the “Information” page. the supplied power cord must not be used with
.......................................................................................................... any other device.
004
• Never install the unit in any of the following ..........................................................................................................
009
locations. • Do not excessively twist or bend the power cord,
• Subject to temperature extremes (e.g., direct nor place heavy objects on it. Doing so can
sunlight in an enclosed vehicle, near a heating damage the cord, producing severed elements
duct, on top of heat-generating equipment); or and short circuits. Damaged cords are fire and
are shock hazards!
• Damp (e.g., baths, washrooms, on wet floors); ..........................................................................................................
011
or are • Do not allow any objects (e.g., flammable
• Exposed to steam or smoke; or are material, coins, pins); or liquids of any kind
• Subject to salt exposure; or are (water, soft drinks, etc.) to penetrate the unit.
• Humid; or are
• Exposed to rain; or are ..........................................................................................................
• Dusty or sandy; or are
• Subject to high levels of vibration and
shakiness.
..........................................................................................................
007
• Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
..........................................................................................................
3
4. USING THE UNIT SAFELY
012b 101b
• Immediately turn the power off, remove the AC • The unit and the AC adaptor should be located so
adaptor from the outlet, and request servicing by their location or position does not interfere with
your retailer, the nearest Roland Service Center, their proper ventilation.
or an authorized Roland distributor, as listed on ..........................................................................................................
the “Information” page when: 120c
• Always grasp only the plug on the power-
• The AC adaptor, the power-supply cord, or the supply cord when plugging into, or unplugging
plug has been damaged; or from, an outlet or this unit.
• If smoke or unusual odor occurs
..........................................................................................................
• Objects have fallen into, or liquid has been 103b
spilled onto the unit; or • At regular intervals, you should unplug the AC
• The unit has been exposed to rain (or otherwise adaptor and clean it by using a dry cloth to wipe
has become wet); or all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
• The unit does not appear to operate normally power outlet whenever the unit is to remain
or exhibits a marked change in performance. unused for an extended period of time. Any
.......................................................................................................... accumulation of dust between the power plug
013
• In households with small children, an adult and the power outlet can result in poor insulation
should provide supervision until the child is and lead to fire.
capable of following all the rules essential for the ..........................................................................................................
104
safe operation of the unit. • Try to prevent cords and cables from becoming
.......................................................................................................... entangled. Also, all cords and cables should be
014
• Protect the unit from strong impact. placed so they are out of the reach of children.
(Do not drop it!) ..........................................................................................................
106
.......................................................................................................... • Never climb on top of, nor place heavy objects on
015 the unit.
• Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of ..........................................................................................................
107c
other devices. Be especially careful when using • Never handle the AC adaptor or its plugs with
extension cords—the total power used by all wet hands when plugging into, or unplugging
devices you have connected to the extension from, an outlet or this unit.
cord’s outlet must never exceed the power rating ..........................................................................................................
(watts/amperes) for the extension cord. Excessive 108b
loads can cause the insulation on the cord to heat • Before moving the unit, disconnect the AC
up and eventually melt through. adaptor and all cords coming from external
.......................................................................................................... devices.
016 ..........................................................................................................
• Before using the unit in a foreign country, consult 109b
with your retailer, the nearest Roland Service • Before cleaning the unit, turn off the power and
Center, or an authorized Roland distributor, as unplug the AC adaptor from the outlet.
listed on the “Information” page.
..........................................................................................................
.......................................................................................................... 110b
• Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the
outlet.
..........................................................................................................
118c
• Keep any screws you may remove and the
included plugs in a safe place out of children’s
reach, so there is no chance of them being
swallowed accidentally.
..........................................................................................................
4
5. IMPORTANT NOTES
Power Supply Additional Precautions
301 • This unit allows you to switch images sat high speed. For
• Do not connect this unit to same electrical outlet that is some people, viewing such images can cause headache,
being used by an electrical appliance that is controlled by
nausea, or other discomfort. Do not use this unit to create
an inverter (such as a refrigerator, washing machine,
video that might cause these types of health
microwave oven, or air conditioner), or that contains a
problems.Roland Corporation will accept no responsi-
motor. Depending on the way in which the electrical
bility for any such health problems that may occur in
appliance is used, power supply noise may cause this unit
yourself or in viewers.
to malfunction or may produce audible noise. If it is not
553
practical to use a separate electrical outlet, connect a • Use a reasonable amount of care when using the unit’s
power supply noise filter between this unit and the buttons, sliders, or other controls; and when using its jacks
electrical outlet. and connectors. Rough handling can lead to malfunctions.
302 556
• The AC adaptor will begin to generate heat after long • When connecting / disconnecting all cables, grasp the
hours of consecutive use. This is normal, and is not a connector itself—never pull on the cable. This way you
cause for concern. will avoid causing shorts, or damage to the cable’s
307 internal elements.
• Before connecting this unit to other devices, turn off the
559a
power to all units. This will help prevent malfunctions • When you need to transport the unit, package it in the box
and/or damage to other devices. (including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
Placement 988
• Security Slot ( )
352a
• This device may interfere with radio and television http://www.kensington.com/
reception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
360
• Depending on the material and temperature of the surface
on which you place the unit, its rubber feet may discolor
or mar the surface.
You can place a piece of felt or cloth under the rubber feet
to prevent this from happening. If you do so, please make
sure that the unit will not slip or move accidentally.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
5
6. Contents
Check the included items..................................................................................................................... 7
Names of Things and What They Do................................................................................................... 8
Top Panel ..................................................................................................................................................... 8
Rear Panel .................................................................................................................................................. 10
Connecting Peripheral Devices ......................................................................................................... 11
Connecting Source Devices..................................................................................................................... 11
Connecting Video Devices ............................................................................................................................ 11
Connecting Computers.................................................................................................................................. 11
Connecting Output Devices.................................................................................................................... 12
The Difference Between A/B MIX OUT and PGM OUT.......................................................................... 12
Connecting Output Devices.......................................................................................................................... 13
TALLY Output ................................................................................................................................................ 13
Turning the Power On/Off .................................................................................................................. 14
Connecting the AC adaptor .................................................................................................................... 14
Turning the power on .............................................................................................................................. 15
Switching Between A Bus and B Bus ............................................................................................... 16
Switching the Picture in the A/B Mode................................................................................................ 16
Switching the Picture Using the Video Fader ............................................................................................ 16
Switching Using the AUTO Button ............................................................................................................. 18
Use in Other Operation Modes Besides the A/B Mode ..................................................................... 19
Changing the Operation Mode..................................................................................................................... 19
Switching After Monitoring the Preview Picture (PGM-PST Mode)...................................................... 20
Switching the Picture Directly (LVS Mode)................................................................................................ 21
Using Picture-in-Picture to Composite Two Screens .......................................................................... 22
Composition in the A/B Mode or LVS Mode ............................................................................................ 22
Composition in the PGM-PST Mode ........................................................................................................... 24
Using the Downstream Keyer (DSK) ................................................................................................. 26
What’s a Downstream Keyer (DSK)? .................................................................................................... 26
Trying Out DSK Composition ................................................................................................................ 27
Combining DSK and Picture-in-Picture................................................................................................ 29
Applying Fade to the Final Output .................................................................................................... 30
Saving Settings to PANEL PRESET Buttons ................................................................................... 31
Saving the Current Settings .................................................................................................................... 31
Calling Up Saved Settings....................................................................................................................... 31
Copying Saved Settings to Another Button.......................................................................................... 32
Exchanging Saved Settings with Another Button ............................................................................... 33
Returning to Factory-default State (Factory Reset)......................................................................... 34
Switching Between NTSC and PAL................................................................................................... 35
Changing Settings Using the Menus ................................................................................................ 36
Displaying the Menus.............................................................................................................................. 36
Menu Levels .............................................................................................................................................. 36
Menu Operations...................................................................................................................................... 37
Menu List ............................................................................................................................................. 38
Troubleshooting.................................................................................................................................. 44
Main Specifications ............................................................................................................................ 46
Remote Control......................................................................................................................................... 46
Index..................................................................................................................................................... 47
6
7. Check the included items
The following items are included. Please make sure that all items are present. If anything is missing, please contact your dealer.
LVS-800 itself RCA-BNC adaptor plugs (four)
fig.LVS800-itself.eps fig.RCA-BNC-plug.eps
Owner’s Manual (this document)
fig.owners-manual.eps
AC Adaptor (PSB-7U) and Power Cord
fig.PSB-7U.eps
7
8. Names of Things and What They Do
Top Panel
fig.top-panel.eps
1 2 3
12
4 13
5 14
15
6
16
7 17
8 9 10 11
1. V-LINK Button 2. SETUP Buttons (p. 36)
This allows connection of V-LINK-compatible equipment from These are used for such tasks as displaying various menu items
Roland. To operate the RSS-V-Mixer by remote control, press and making system settings.
this button to switch it on.
3. TIME Dial
What’s V-LINK?
This sets the transition time when performing a switch using
V-LINK is a feature for performing video synchronized to the AUTO button. It makes the following three AUTO-button
music using MIDI. The V-LINK feature provides a quick and time settings.
simple way to establish a link with a Roland instrument, music- •For A/B MIX
production device, or video presenter.
•For DSK
•For PGM OUTPUT FADE
During remote control of a V-LINK-compatible instrument,
music-production device, or video equipment via a MIDI 4. PANEL PRESET Buttons (p. 31)
connection, this button lights up automatically when V-LINK is
These save the current panel settings. Use them to instantly call
switched on at the connected device.
up saved panel settings.
For more information about remote control via MIDI, V-LINK, 5. PinP Buttons (p. 22)
or the RS-232C interface, please download the separately
These are used for Picture-in-Picture composition of the A Bus
available reference document from the following Roland
website. video and B Bus video.
http://www.rolandsystemsgroup.net/
8
9. Names of Things and What They Do
6. A Bus/PGM Input Selectors (p. 16)
These select the video to input to A Bus.
*During use in the PGM-PST mode, you use these to select the video channel for program output.
7. B Bus/PST Input Selectors (p. 16)
These select the video to input to B Bus.
*During use in the PGM-PST mode, you use these to select the video for preview output.
8. TRANSITION Buttons for A/B MIX (p. 16)
These select the transition effect used during a transition between A Bus and B Bus.
9. AUTO Button for A/B MIX (p. 18)
This performs a transition between A Bus and B Bus by button operation, without using the video fader. It flashes during the transition
operation. When the transition ends, it goes dark.
10. TRANSITION Indicator
This displays the location of the video fader. The lighted location is changed by operation of the video fader or the AUTO button for A/B
MIX. Illumination of more elements toward the front of the unit indicates a greater ratio of B Bus video. Illumination of more elements
toward the back of the unit indicates a greater ratio of A Bus video.
11. Video Fader (p. 17)
This is a T-bar type video fader. You switch between A Bus and B Bus by moving it up and down.
12. PGM OUTPUT FADE Button (p. 30)
Operating this button automatically applies a fade-in or fade-out to program output. The time of the fade-in or fade-out is set using the TIME
dial. This lights up when a fade-out has been completed. It goes dark when a fade-in has been completed and program video is being output.
It flashes while a fade is in progress.
13. KEY LEVEL Dial (p. 28)
This adjusts the degree of the key composition.
14. BACKGROUND Buttons (p. 27)
These select the DSK background picture.
15. FOREGROUND Buttons (p. 27)
These select the DSK foreground picture.
16. TRANSITION Buttons for DSK (p. 27)
These select how the picture set for the foreground to appear and disappear.
17. AUTO Button for DSK (p. 28)
This displays the picture set for the foreground. It lights up when the foreground picture is output. It goes dark when the picture is not
output. It flashes while a mix is in progress.
9
10. Names of Things and What They Do
Rear Panel
1 2 3 4 5 6
7
8
9
10 11 12 13
1. PGM PVW Connector 7. MONITOR OUT Connectors
This outputs the DSK preview picture. Before performing DSK These output signals being input via the VIDEO INPUT
composition, you connect a monitor to check and verify the connectors (composite or S-Video) without processing.
video displayed as the DSK foreground. You can then You can connect a monitor to each of these “loop-thru" monitor
composite the background picture after first checking the logos, outputs.
text, or other images.
8. POWER Button
2. PGM OUT Connectors This switches the power on and off.
These output the mixed video plus the DSK composition. You
connect them to projectors or other display equipment for the 9. AC Adapter Connector
final output. This is for connecting the included AC adapter (PSB-7U).
Two composite connectors and one S-Video connector are
available. All connectors output the same picture. 10. MIDI IN and OUT/THRU Connectors
Use these when connecting a MIDI device (a V-LINK-
3. A/B MIX PVW Connector compatible product or the like) to operate the unit remotely, or
This outputs a preview picture for the video mix. You connect a when using the unit to perform remote control of another
monitor for previewing a source prior to committing to a device.
transition. The current location of the video fader and the
selected video on the inactive bus are output. 11. RS-232C Connector
A variety of setting menus are also displayed at the top of the Use this when connecting an external device to operate the unit
preview picture. remotely.
4. A/B MIX OUT Connectors
For more information about remote control via MIDI, V-LINK,
These output only the mix results for A Bus and B Bus. You can
or RS-232C interface, please download the separately available
connect a video deck or other such recording unit and record reference materials from the following Roland website.
the video prior to DSK composition. http://www.rolandsystemsgroup.net/
Two composite connectors and one S-Video connector are
available. All connectors output the same picture. 12. TALLY Connector
Provides low-current contact closure to activate tally lamps on
5. PC INPUT Connectors your cameras or tally light system.
These are for RGB-signal input. You can connect computers that
serve as video source. 13. VIDEO INPUT (S-Video) Connectors
*Incoming computer signal will be downscalled to match the These are for input of S-Video signals. You can connect cameras
resolution of other video sources. or other video sources. When composite or RGB and S-Video
signals are simultaneously input to the same channel, the
6. VIDEO INPUT (Composite) Connectors S-Video signals take priority.
These are for composite-signal input. You can connect cameras
or other video sources.
10
11. Connecting Peripheral Devices
Connecting Source Devices
To prevent malfunction or damage to video monitors or other devices, always turn off the power on all devices before
making any connections.
Connecting Video Devices
Channels 1 through 4 are exclusively for composite signals. S-Video can be connected to channels 5 through 8. Channels 5
and 6 can be used either for composite or S-Video, but S-Video takes priority when both types of signals are input.
*When connecting a device that has an RCA pin type connector to a composite input connector, use the included adapter plug.
fig.source-connect.eps
Video Cameras
Composite Cables and
RCA - BNC adaptor plugs
* When composite and S-Video
connections are made at 5 and
6, the S-Video takes priority.
S-Video cables
* When a computer is connected
at PC1 and S-Video is connected
at 7, S-Video takes priority.
Video Players * When a computer is connected
at PC2 and S-Video is connected
at 8, S-Video takes priority.
Connecting Computers
Computers can be connected at the PC1 and PC2 connectors. A built-in scan converter converts the incoming RGB signal
to a standard definition video signal. Channels 7 and 8 can be used for both computer and S-Video input. When both
types of signals are input, the S-Video takes priority.
*The PC1 and PC2 input connectors on the LVS-800 are for D-Sub 15-pin cables. Using a cable adapter makes it possible to connect devices that have
DVI-I output connectors. A D-Sub 15-pin to DVI-I adapter is not included. Please purchase one separately.
fig.PC-connect.eps
D-Sub 15 pins VGA cable
Supported Resolutions
640 x 480 / 120Hz 800 x 600 / 120Hz
832 x 624 / 75Hz 1024 x 768 / 80Hz
1152 x 864 / 75Hz 1152 x 870 / 75Hz
1280 x 1024 / 75Hz 1600 x 1200 / 60Hz
* The refresh rate is the maximum value
of each resolution.
When displaying a movie from computer input, flicker or other picture corruption may occur. This is called tearing, and does not indicate an
equipment malfunction.
11
12. Connecting Peripheral Devices
Connecting Output Devices
The Difference Between A/B MIX OUT and PGM OUT
The LVS-800 is equipped with two sets of output connectors. These are the A/B MIX OUT connectors and the PGM OUT
connectors. The A/B MIX OUT connectors output only the results of the mixed video of A Bus and B Bus (A/B MIX). The
PGM OUT connectors output the results of the A/B mix plus your composited logos, text, etc (DSK composition). Final
output fade is enabled only for PGM OUT.
*In the figure shown below, 1 through 4 indicate where on the panels the respective internal blocks are located.
fig.ABmix-PGMout.eps
4
3
1
2
Ch2 Ch4 Ch6 Ch8
Ch1 Ch3 Ch5 Ch7 PC1 PC2
Scan Converter
1 2 3 4 5 6 7 8
1 Input Select
Bus A Bus B
Background Foreground
Video Mixer 3
2 DSK
4 Output Fade
A/B MIX OUT PGM OUT
12
13. Connecting Peripheral Devices
Connecting Output Devices
You can connect displays or capture devices to the A/B MIX OUT in order to view or capture the output of the A/B mix
only (no DSK). You should connect displays or capture devices to the PGM OUT jacks in order to view or capture the
final mix of A/B mix plus DSK. You can connect source monitors to the MONITOR OUT jacks to have at-a-glance
monitoring of all your input sources. Monitors connected to the A/B MIX PVW or PGM PVW jacks will allow you to
preview sources.
*When computers are connected to the PC1 and PC2 input connectors, the scan-converted video signals are output from the 7/PC1 and 8/PC2 output
connectors.
*The output from A/B MIX PVW displays on-screen menu items in addition to the video before transition.
fig.output-devices.eps
Projectors
Recorder
Composite S-Video
(BNC - BNC)
Composite Composite
(BNC - BNC) (BNC - BNC)
Source Monitors
Preview Monitors
TALLY Output
The LVS-800 is equipped with a D-Sub 15-pin TALLY output connector. Connecting a video monitor capable of tally
input to this makes it possible to illuminate the tally lamps on the monitor. The lamp is switched on and off according to
the channel selection, enabling you to see which channel is currently in use on the monitor.
The pin assignment is as shown below. The LVS-800 uses an open-collector tally output (closed contact).
*Connecting a video monitor capable of tally input requires a cable that must be obtained separately.
fig.tally-config.eps
Pin No. Channel
5 4 3 2 1 1 Ch1
10 9 8 7 6
2 Ch5
3 NC
4 GND
5 Ch4
6 Ch2
7 Ch6
8 NC
9 GND
10 Ch8
11 Ch3
15 14 13 12 11 12 Ch7
13 NC
14 GND
15 NC
13
14. Turning the Power On/Off
Connecting the AC adaptor
Connect the AC adaptor to LVS-800. Place the AC adaptor so the side with the indicator (see illustration) faces upwards
and the side with textual information faces downwards. The indicator will light when you plug the AC adaptor into an
AC outlet.
fig.connect-PSB7U.eps
Indicator
About Cord Hook
To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid
applying undue stress to the AC adaptor connector, anchor the power cord using the cord hook, as shown in the
illustration.
fig.cord-hook.eps
Caution regarding the power supply
Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the
surface feels gritty to the touch when you touch this device, cameras connected to it, or the metal portions of other
objects, such as VCRs. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are
concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a
slight noise may occur, depending on the particulars of your installation. If you are unsure of the connection method,
contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
fig.earth-terminal.eps
Unsuitable places for connection
•Water pipes (may result in shock or electrocution)
•Gas pipes (may result in fire or explosion)
•Telephone-line ground or lightning rod (may be dangerous in the event of lightning)
14
15. Turning the Power On/Off
Turning the power on
*Once the connections have been completed (p. 14), turn on power to your various devices in the order specified. By turning on devices in the wrong
order, you risk causing malfunction and/or damage to monitors and other devices.
*This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
Turning the power on
Make sure that the AC adaptor is correctly connected. Press the [POWER] button located on rear panel. It takes few
seconds to boot the system.
fig.power-on.eps
Turning the power off
Press the [POWER] button located on rear panel. Check all indicators/LEDs to turn off.
15
16. Switching Between A Bus and B Bus
Input sources are selected and switched between the A Bus and the B Bus. The unit has eight input selectors for each Bus,
and you choose the input video for each bus before you perform the transition.
With the LVS-800, you can switch between A Bus and B Bus in three different modes. Operation of each of these modes is
described below.
•A/B mode This performs switching using the video fader or the [AUTO] button for A/B MIX.
•PGM-PST mode This lets you check the preview picture before switching and perform the transition using the [AUTO] button.
•LVS mode This lets you perform switching directly, using only the input selector buttons.
The results of these operations are output from the A/B MIX OUT connectors. If you want to output the results from the
PGM OUT connectors as well, make the settings described below.
•At [PGM OUTPUT FADE], switch off the [AUTO] button.
•At DSK, for [BACKGROUND], select [A/B MIX].
•Switch off the [AUTO] button for DSK.
Switching the Picture in the A/B Mode
Switching the Picture Using the Video Fader
1. Choose the A Bus and B Bus video.
Select the channels of the video input to A Bus and B Bus. Selecting an input channel makes the LED for the button light
up. For information about what the color of the LED means, see the following page.
fig.AB-source-select.eps
2. Choose the type of transition (transition effect).
If you want to apply a transition effect, use a [TRANSITION] button to choose [MIX], [WIPE1], or [WIPE2]. To apply no
effect, choose [CUT].
fig.select-transition.eps
Start Finish
CUT A B No transition effect is applied.
MIX A A
B B The pictures on A and B are blended together
as they are switched.
WIPE1 A A
B B The video switches using horizontal wipe.
(factory default setup)
WIPE2 A A
B B The video switches using box wipe from center
(factory default setup)
16
17. Switching Between A Bus and B Bus
3. Move the video fader.
Move the video fader. Moving it toward the back of the unit makes more of the picture on A Bus appear, and moving
toward the front displays more B Bus picture.
*If you selected [CUT] in step 2, the picture is switched between A Bus and B Bus at the middle position of the video fader.
*When the same input channel has been selected for A Bus and B Bus, moving the video fader does not affect the output.
fig.move-Tbar.eps
When the video fader has not been moved all the way to the A Bus or B Bus side, changing the input channel for the opposite bus may
cause noise on the output picture. When changing the input channel for the bus on the side opposite the bus displayed, first make sure
that the video fader has been moved all the way to the end of the stroke.
The LEDs of the Input Selector Buttons
Pressing an input selector button for A Bus or B Bus makes the button’s LED light up. The color of the LED may change
to red or green, depending on the position of the video fader. The LED at the end of the stroke to which the video fader
has been moved completely (100% output) lights up in red, and the LED at the opposite end of the stroke (corresponding
to the channel now in standby and providing no output at all) lights up in green. When the control is not completely at
one of these ends, and both buses are producing output, both LEDs light up in red.
Red
Green
Green
Red
Red
Red
17
18. Switching Between A Bus and B Bus
Switching Using the AUTO Button
You can also perform switching simply by pressing the [AUTO] button for A/B MIX, without using the video fader. The
video fader itself does not move, but movement between A and B is performed automatically. The location of the light on
the TRANSITION indicator shows the movement between A and B.
1. Choose the type of transition (transition effect).
If you want to apply a transition effect, use a [TRANSITION] button to choose [MIX], [WIPE1], or [WIPE2]. To apply no
effect, choose [CUT].
fig.select-transition.eps
Start Finish
CUT A B No transition effect is applied.
MIX A A
B B The pictures on A and B are blended together
as they are switched.
WIPE1 A A
B B The video switches using horizontal wipe.
(factory default setup)
WIPE2 A A
B B The video switches using box wipe from center
(factory default setup)
2. Set the transition time.
Turn the [TIME] dial to set the transition time. You can set this anywhere within the range of 0 (zero) to 4 seconds. You
can set the transition time at any point along a stepless range.
*If you selected [CUT] in step 1, the time setting has no effect.
fig.time-dial.eps
3. Perform the transition.
Press the [AUTO] button. The TRANSITION indicator shows the shift between A and B.
*When the same input channel has been selected for both A Bus and B Bus, no transition in the video occurs when the button is pressed.
fig.auto-transition.eps
When a transition has been made using the [AUTO] button, the position of the video fader does not match the lighted location of the
TRANSITION indicator. Pulling the video fader back all the way toward the front may result in the indicator lighting up at the A Bus
side.
A Bus is output in this status. To restore the original relation, move the video fader forward and backward all the way.
18
19. Switching Between A Bus and B Bus
Use in Other Operation Modes Besides the A/B Mode
Changing the Operation Mode
Changing the operation mode is accomplished using the menus. For more information about how to do this, refer to
“Changing Settings Using the Menus” (p. 36).
*The on-screen menu will only appear on a monitor connected to the A/B MIX PVW jack.
1. From the menu, select “Panel Mode Setup.”
Press the [MENU] button to display the menu screen. From the list that appears, choose “Panel Mode Setup,” then press
the [ENTER] button.
2. Choose “PGM-PST Mode” or “LVS Mode.”
•PGM-PST mode This lets you use the [AUTO] button for A/B MIX to execute a transition after checking the preview video.
•LVS mode This lets you perform a transition directly using the input selector buttons.
3. End the menu display.
Press the [MENU] button several times to make the menu display disappear.
The Names of the Buses in the PGM-PST Mode
When the operation mode is changed to the PGM-PST mode, the names of the buses also change. “A” becomes “PGM,”
and “B” becomes “PST.”
19
20. Switching Between A Bus and B Bus
Switching After Monitoring the Preview Picture (PGM-PST Mode)
In the PGM-PST mode, before you perform a switch, you can check the video on the preview monitor, then use the
buttons to execute the transition. The preview picture is displayed on the preview monitor connected to the A/B MIX
PVW connector.
1. Choose the type of transition (transition effect).
If you want to apply a transition effect, use a [TRANSITION] button to choose [MIX], [WIPE1], or [WIPE2]. To apply no
effect, choose [CUT].
fig.select-transition.eps
Start Finish
CUT A B No transition effect is applied.
MIX A A
B B The pictures on A and B are blended together
as they are switched.
WIPE1 A A
B B The video switches using horizontal wipe.
(factory default setup)
WIPE2 A A
B B The video switches using box wipe from center
(factory default setup)
2. Set the transition time.
Turn the [TIME] dial to set the transition time. You can set this anywhere within the range of 0 (zero) to 4 seconds. You
can set the transition time at any point along a stepless range.
*If you selected [CUT] in step 1, the time setting has no effect.
fig.time-dial.eps
3. Choose the video channel on the PST side.
The picture on the selected channel is output to the preview monitor connected to the A/B MIX PVW connector. The
selected video is not output to A/B MIX OUT or PGM OUT at this stage.
fig.PST-input.eps
4. Output the video.
Press the [AUTO] button for A/B MIX. The video you selected in step 3 is output from the A/B MIX OUT and PGM OUT
connectors. As this happens, the corresponding input LED is lit on the PGM Bus to indicate that the selected input is now
active. PGM Bus will always indicate the currently active input being sent to the PGM outputs. In the PGM-PST mode,
the TRANSITION indicator and the button LEDs work as shown below.
fig.auto-transition.eps
PGM side lights up after
movement between buses
PGM side
is red
PGM side
is green
20
21. Switching Between A Bus and B Bus
Switching the Picture Directly (LVS Mode)
When no previewing is needed, you can perform switching by using only the input selector buttons. This lets you execute
a transition more easily and rapidly. You can do this in the LVS mode.
In the LVS mode, B Bus is handled as main video and A Bus is handled as insert video. Moving the video fader to the A Bus side
superimposes the insert video selected on A Bus over the main video of B Bus. P in P (Picture-in-Picture) settings are also enabled.
The video selected for A Bus is output from the A/B MIX PVW connector.
1. Move the video fader to the B Bus side.
2. Select the input channel.
Press the B Bus input selector buttons in succession to switch the video.
*The transition-effect and transition-time settings remain in effect for switching performed in this way. Also note that no channel can be selected for
A Bus while a transition effect is being applied.
fig.select-PGM.eps
When the LVS mode is enabled and the video fader is set to A Bus, using the B Bus input selector buttons to switch the channel makes
the output video change in the sequence shown below.
1.Selected channel on A Bus
2.Previously selected channel on B Bus
3.Newly selected channel on B Bus
*At step 2, the picture is displayed briefly, then immediately changes to 3.
*Between 1 and 2, the transition-effect and transition-time settings have no effect.
*between 2 and 3, the transition-effect and transition-time settings are applied.
Let’s say that you have selected input 2 on A Bus and input 1 on B Bus, and the video fader is set to A Bus. In this state,
the video for input 2 is output. If you now change the selected channel for B Bus from input 1 to input 3, the output
picture changes in the sequence shown below.
fig.LVS-mode.eps
Now being output
A-2 B-1 B-3
Output only momentarily
Newly Selected
21
22. Switching Between A Bus and B Bus
Using Picture-in-Picture to Composite Two Screens
You can apply Picture-in-Picture to create a small window of one source superimposed over another source.
Composition in the A/B Mode or LVS Mode
The A Bus video is the inset screen, and is displayed over the B Bus video (the background).
1. Choose the picture to display in the inset screen.
Choose the channel of the video to display in the inset screen on A Bus.
fig.select-Ach.eps
2. Choose the picture to make the background.
Choose the channel of the video for the background on B Bus.
fig.select-Bch.eps
3. Press a [P in P] button.
Press any of the four [PinP] buttons. The location where the inset screen is displayed varies depending on the button you
press.
The [A] in the square on the panel indicates the location of the inset screen.
Pressing the illuminated [PinP] button a second time cancels the selection and makes the button go dark. The picture on the inset screen
displayed changes to a full-screen display.
fig.PinP-button.eps
22
23. Switching Between A Bus and B Bus
4. Move the video fader to the A Bus (inset screen) side.
Move the video fader to the A Bus side. The inset screen appears.
*The way the inset screen comes into view differs according to the transition-effect setting. When [CUT] has been selected, it remains hidden until the
middle position is reached, and is displayed thereafter.
fig.move-Tbar-A.eps
5. Move the video fader to the B Bus (background) side.
Move the video fader to the B Bus side. The inset screen disappears.
*The way the inset screen disappears from view differs according to the transition-effect setting.
fig.move-Tbar-B.eps
You can apply Picture-in-Picture by using the [AUTO] button for A/B MIX, without operating the video fader.
You can also change where the inset screen is displayed while Picture-in-Picture is being applied. Pressing a different [P in P] button
from the one you chose in step 3 changes the display location.
In the LVS mode, using a B Bus input selector to change the background picture during display of an inset screen makes the displayed
inset screen disappear. If this happens, move the video fader to the B Bus side, then move it back to the A Bus side. Returning it to the
A Bus side makes the inset screen reappear.
In the A/B mode, changing the background does not make the displayed inset screen disappear.
The only transition effects available for selection during Picture-in-Picture composition are [MIX] and [CUT]. Selecting [WIPE1] or
[WIPE2] is not possible.
23
24. Switching Between A Bus and B Bus
Composition in the PGM-PST Mode
You can use Preview to check the video for inset-screen display first, then display it using the [AUTO] button.
1. Choose the background channel.
Choose the channel of the video to display as the background with PST.
fig.select-Ach.eps
2. Display the background.
Press the [AUTO] button to display the background video.
fig.select-Bch.eps
3. Check the picture of the inset screen.
Choose the channel of the video to display in the inset screen with PST. The selected picture is output to the preview
monitor connected to the A/B MIX PVW connector.
fig.SUB-PIC-select.eps
24
25. Switching Between A Bus and B Bus
4. Press a [P in P] button.
Press any of the four [PinP] buttons. The location where the inset screen is displayed varies depending on the button you
press. The [A] in the square on the panel indicates the location of the inset screen.
fig.PinP-button.eps
5. Display the inset screen.
Press the [AUTO] button for A/B MIX to composite the inset-screen picture on the background. The results of
composition are output to a recording unit or projector connected to a A/B MIX OUT connector.
*The way the inset screen comes into view differs according to the transition-effect setting. When [CUT] has been selected, it appears instantly when
the [AUTO] button for A/B MIX is pressed.
fig.auto-transition.eps
6. Make the inset screen disappear.
Press the [AUTO] button for A/B MIX to make the inset-screen picture disappear.
*The way the inset screen disappears from view differs according to the transition-effect setting. When [CUT] has been selected, it disappears instantly
when the [AUTO] button for A/B MIX is pressed.
You can also change where the inset screen is displayed while Picture-in-Picture is being applied. Pressing a different [PinP] button from
the one you chose in step 3 changes the display location.
25
26. Using the Downstream Keyer (DSK)
What’s a Downstream Keyer (DSK)?
A Downstream Keyer (DSK) allows you to superimpose text or graphics over background video. Since the text of
graphics appear “downstream“ from your A/B mix, you can freely switch or mix various video sources behind your
“keyed“ text or graphics.
Generally, elements such as logos and text are composited using DSK. This feature makes it possible to switch the
background video or actuate picture-in-picture while displaying same logos or text in the foreground.
The results of DSK composition are output only via the PGM OUT connectors. No DSK output comes from the A/B MIX OUT
connectors.
fig.DSK.eps
Upstream
Downstream
26
27. Using the Downstream Keyer (DSK)
Trying Out DSK Composition
1. Choose the background picture.
Use the three BACKGROUND buttons to choose the background video. If you want to use the results of the A/B mix as
the background, press the [A/B MIX] button to make it light up. If you want to use source video directly from channel 6
or channel 7 as the background, choose [6] or [7/PC1].
fig.background-select.eps
2. Choose the foreground picture.
Use the three FOREGROUND buttons to choose the video you want to composite and display on the foreground. If you
want to composite a logo, text, or other such element from a computer, press either the [7/PC1] button or the [8/PC2]
button to make it light up. The picture you selected using FOREGROUND is output to the preview monitor via the PGM
PVW connector.
Before you perform composition, check whether the picture from the computer is being output correctly to the LVS-800. Send the output
from channels 7 or 8 to a monitor or projector, and check the picture. The output might not look correct if the proper settings have not
been made on the computer.
fig.foreground-select.eps
3. Decide how the keyed material appears and disappears.
Decide how the picture you selected in step 2 to appears and disappears. Select either [CUT] or [MIX]. Selecting [CUT]
makes the foreground picture appear and disappear instantly. Selecting [MIX] makes it fade in and fade out. You can set
the time for the fade-in and fade-out (from 0 to 4 seconds) by turning the [TIME] dial.
fig.cut-or-mix.eps
CUT Presented by
MIX Presented by
27
28. Using the Downstream Keyer (DSK)
4. Perform composition and output.
Pressing the [AUTO] button for DSK performs composition of the selected FOREGROUND picture superimposed on the
selected BACKGROUND picture. The composited video is output to a projector or other device connected to the PGM
OUT connectors.
fig.DSK-AUTO.eps
5. Adjust the key level.
You can adjust the key level by turning the [KEY LEVEL] dial. Turning it all the way to [MIN] makes no key
composition at all, and outputs the FOREGROUND picture unchanged. At [MAX], keying is maximum, and only the
BACKGROUND picture is output. Find the place where the key level is exactly right.
fig.key-level.eps
By default, black is the key color used in key composition. Keyed material featuring white, yellow or brightly colored (non-dark) text or
logos on a black background produces optimal “overlay” onto your background video. You can also use the menus to select a different
color. Refer to “Changing Settings Using the Menus” (p. 36) and “Menu List” (p. 38).
fig.DSK-image.eps
You can also add edge blur (soft edges) to text or logos displayed in the composited foreground. Edge blur can help reduce jagged, noisy
edges on your key material. The degree of blur is set using the menus. Refer to “Changing Settings Using the Menus” (p. 36) and “Menu
List” (p. 38).
You can also display the FOREGROUND picture as an inset screen using Picture-in-Picture, instead of using key composition. You use
the menus to change the DSK mode. Refer to “Changing Settings Using the Menus” (p. 36) and “Menu List” (p. 38).
28
29. Using the Downstream Keyer (DSK)
Combining DSK and Picture-in-Picture
With the LVS-800, you can perform DSK composition, then also apply Picture-in-Picture (PinP). This lets you display
logos or other elements in smaller size and at the place you want on the screen. For information on how to select the
background and foreground video, refer to the previous section.
*When key composition and Picture-in-Picture are used in combination, the Border and Shadow settings assigned to PinP1 through PinP4 have no
effect. Only the settings for location and size are effective.
fig.key-and-PinP.eps
Keyer only Keyer + PinP
1. From the menu, select “DSK Setup” and “DSP PinP.”
Press the [MENU] button to display the menu screen. From the list that appears, use UP or DOWN to highlight “DSK
Setup,” then press the [ENTER] button. From the list that appears, choose “DSK PinP.” After making the selection, press
the [ENTER] button.
*The on-screen menu will only appear on a monitor connected to the A/B MIX PVW jack.
fig.select-DSK-Pinp.eps
2. Decide on the P in P number.
By default, this is set to “Off.” Choose the number from “PinP1” to “PinP4”. After making the selection, press the
[MENU] button three times to quit the menu display.
fig.select-PinP4.eps
3. Perform composition and output.
Pressing the [AUTO] button for DSK reduces the size of the FOREGROUND picture according to the setting of PinP1
through PinP4, and performs composition of the FOREGROUND picture superimposed on the BACKGROUND picture.
4. Adjust the key level.
You can adjust the key level by turning the [KEY LEVEL] dial.
29
30. Applying Fade to the Final Output
You can apply fade-in or fade-out to the output from the PGM OUT connectors (the program output).
Pressing the [AUTO] button for PGM OUTPUT FADE makes the button’s LED flash and starts a fade-out. When the fade-
out has been completed, the button stops flashing and stays lit. Press the PGM OUTPUT FADE button again to start a
fade-in. When the fade-in ends, the LED goes dark.
fig.out-fade-button.eps
If you want to change the fade-in or fade-out time (to any value from 0 to 4 seconds), adjust it using the TIME dial.
fig.time-dial.eps
By default, black is the color used for fades. You can also use the menus to select white. Refer to “Changing Settings Using the Menus”
(p. 36) and “Menu List” (p. 38).
30
31. Saving Settings to PANEL PRESET Buttons
You can save the state of various controls to [PANEL PRESET] buttons. Saving lets you call up a variety of settings at the
press of a button. The [PANEL PRESET] buttons are numbered from 1 to 12, and let you save up to 12 sets of settings.
You can save the state of the controls described below.
fig.preset-parameter.eps
Items Parameters to save
Bus A Input Selector Selected input channel
Bus B Input Selector Selected input channel
A/B MIX
PinP Button Selected PinP position (1-4)
Section
TRANSITION Button Selected transition effect type
Video Fader Position between A and B *
BACKGROUND Button Background channel
FOREGROUND Button Foreground channel
TRANSITION Button Appearance and disappearance of foreground
DSK
AUTO Button Output or non-output of foreground
Section
KEY LEVEL Dial Level of keyer
DSK Key Mode Color of keyer
DSK PinP On/Off of DSK PinP and the position (1-4)
TIME Dial Time of transition and PGM output fade
Others
PGM OUTPUT FADE Output or non-output of program picture
*The internal position between A and B of the video fader is indicated by the lighted location of the TRANSITION indicator next to the video fader.
This may not necessarily match the position of the video fader. To make these match up, move the video fader forward and backward all the way.
Saving the Current Settings
Follow the steps described below to save the current state.
1. Put the unit in the state you want to save.
Make the settings for the bus input channels, Picture-in-Picture, and other values.
2. Save the settings.
To save the settings to one of the [PANEL PRESET] buttons from 1 through 6, press and hold the button for three seconds
or longer.
To save the settings to a button from 7 through 12, press the [SHIFT] button to make it light up, then press and hold the
desired button for three seconds or longer.
When all [PANEL PRESET] buttons flash, the saving operation has finished.
fig.save-7to12.eps
1-6 7-12
Calling Up Saved Settings
To recall values that have been saved, press the button corresponding to the number you want to call up. The pressed
button lights up and the saved values are recalled. Recalling settings in this way puts the various controls in the same
state they were in when the settings were saved. The pressed button lights up while the recalled state remains in effect. If
the called-up state is changed, the button goes dark.
*To call up values saved at a button from 7 through 12, press the [SHIFT] button, then press the numbered button.
31
32. Saving Settings to PANEL PRESET Buttons
Copying Saved Settings to Another Button
You can copy the settings saved from any Panel Preset button to another Panel Preset button. Use the menus to perform the
copy operation. For information on how to use the menus, refer to “Changing Settings Using the Menus” (p. 36).
*To view the on-screen menu, you need to have a monitor connected to the A/B MIX PVW jack.
Executing a copy operation overwrites any existing settings at the copy destination, causing any previously saved settings to be lost.
1. Display the menu.
Press the [MENU] button to display the menu.
2. Select “Panel Preset Edit.”
From the list that appears, choose “Panel Preset Edit,” then press the [ENTER] button.
fig.copy1.eps
3. Select “Copy.”
From the list that appears, choose “Copy,” then press the [ENTER] button.
fig.copy2.eps
4. Select the numbers of the copy source and destination.
The number displayed on the left side of the screen is the copy source. Use the arrow buttons to select the number of the
copy source, then press the [ENTER] button. Pressing this displays a number for the copy destination on the right side of
the screen. Use the arrow buttons to select the number of the copy destination, then press the [ENTER] button.
fig.copy3.eps
Copy source Copy destination
5. Execute the copy operation.
To execute the copy operation, select “Yes [ENTER] SW” and press the [ENTER] button. To cancel execution, select “No” and
press the [ENTER] button. When the operation has ended, press the [MENU] button several times to quit the menu display.
fig.copy5.eps
32
33. Saving Settings to PANEL PRESET Buttons
Exchanging Saved Settings with Another Button
You can exchange (swap) the settings saved at any button with the settings at another button. Use the menus to perform
the exchange operation. For information on how to use the menus, refer to “Changing Settings Using the Menus” (p. 36).
1. Display the menu.
Press the [MENU] button to display the menu.
2. Select “Panel Preset Edit.”
From the list that appears, choose “Panel Preset Edit,” then press the [ENTER] button.
fig.copy1.eps
3. Select “Exchange.”
From the list that appears, choose “Exchange,” then press the [ENTER] button.
fig.select-exchange.eps
4. Select the numbers of the exchange source and destination.
The number displayed on the left side of the screen is the exchange source. Use the arrow buttons to select the number of
the exchange source, then press the [ENTER] button. Pressing this displays a number for the exchange destination on the
right side of the screen. Use the arrow buttons to select the number of the exchange destination, then press the [ENTER]
button.
fig.exchange-from1.eps
Exchange Exchange
source destination
5. Execute the exchange operation.
To execute the exchange operation, select “Yes [ENTER] SW” and press the [ENTER] button. To cancel execution, select
“No” and press the [ENTER] button. When the operation has ended, press the [MENU] button several times to quit the
menu display.
fig.exchange-YES.eps
33
34. Returning to Factory-default State (Factory Reset)
This returns various settings to their factory defaults.
Executing a factory reset causes all settings and saved values except the following settings to be lost.
(Please be aware that settings saved to PANEL PRESET buttons are also lost.)
•NTSC/PAL setting (p. 35)
•Calibration of the video fader (Video Fader Calibrate A/B)
*To view the on-screen menu, you need to have a monitor connected to the A/B MIX PVW jack.
1. At the menu, choose “Factory Reset.”
Press the [MENU] button to display the menu. From the list, choose “Factory Reset,” then press the [ENTER] button.
fig.screen1.eps
2. Choose “Yes [ENTER] SW.”
Use the arrow buttons to choose “Yes [ENTER] SW.”
fig.screen2.eps
3. Execute FACTORY RESET.
Pressing the [ENTER] button returns the unit to its factory-default state.
*Pressing the [MENU] button at this stage returns you to the previous screen without returning the unit to its factory-default state.
4. Quit the menu screen.
Press the [MENU] button several times to make the menu display disappear.
34
35. Switching Between NTSC and PAL
The LVS-800 can switch to NTSC or PAL at startup.
Switching to NTSC at Startup
At the DSK section, under [BACKGROUND], hold down the [A/B MIX] and [7/PC1] buttons and turn on the power.
Once set to NTSC, the setting persists in memory even after power off.
fig.change-NTSC.eps
Switching to PAL at Startup
At the DSK section, under [FOREGROUND], hold down the [A/B MIX] and [8/PC2] buttons and turn on the power.
Once set to PAL, the setting persists in memory even after power off.
fig.change-PAL.eps
You can also use the menus to switch between NTSC and PAL. At the “Utility” menu, choose “NTSC/PAL,” then select “NTSC” or
“PAL.” After this operation, the setting requires some time to take effect.
35
36. Changing Settings Using the Menus
Making changes to various settings, including the operation mode and the location and size of the inset screen for
Picture-in-Picture, are tasks you perform after first displaying the menus.
Displaying the Menus
The menus are displayed in the preview monitor connected to the A/B MIX PVW connector. When you’re performing
menu operations, first be sure to connect a preview monitor.
Pressing the [MENU] button displays the menu screen on the preview monitor.
fig.PVW-monitor.eps
Menu Levels
The menus are structured using the level hierarchy shown below. Selecting an upper-level item displays the lower level
for setting the value.
fig.menu-tree.eps
MENU
MENU 1 MENU 1-1 VALUE
MENU 1-2 VALUE
MENU 1-3 VALUE
MENU 2 MENU 2-1 VALUE
MENU 2-2 VALUE
MENU 3 MENU 3-1 VALUE
MENU 3-2 VALUE
MENU 3-3 VALUE
36
37. Changing Settings Using the Menus
Menu Operations
Use the procedure described below to change various settings.
1. Display the menu.
Go to SETUP and press the [MENU] button. The menu screen appears on the preview monitor.
fig.press-MENU.eps
2. Choose the item whose setting you want to change.
Use the up and down arrow buttons to choose the item whose setting you want to change.
fig.cursor-button.eps
3. Decide on the setting-change item.
Press the [ENTER] button to move down one level.
fig.ENTER-button.eps
*If the menu item is located at a deeper level, repeat steps 2 and 3.
*To go back to the original level, press the [MENU] button.
4. Change the setting value.
Use the up and down arrow buttons to change the setting value.
fig.cursor-button.eps
5. End the menu display.
Press the [MENU] button several times to make the menu display disappear.
The values of menu settings are saved in internal memory when you exit the menu. To save the values of settings, exit the menu screen
before you turn off the power.
37
38. Menu List
Going to SETUP and pressing the [MENU] button starts by displaying the menu items at the first level.
For information on the menu items at the second level, refer to the following pages.
fig.menu-top.eps
MENU Wipe1 Setup This chooses the wipe pattern and other such settings assigned to the Wipe1 button.
Wipe2 Setup This chooses the wipe pattern and other such settings assigned to the Wipe2 button.
PinP1 Setup This sets the location, size, and the like of the PinP1 inset screen.
PinP2 Setup This sets the location, size, and the like of the PinP2 inset screen.
PinP3 Setup This sets the location, size, and the like of the PinP3 inset screen.
PinP4 Setup This sets the location, size, and the like of the PinP4 inset screen.
PC1 Input Setup This sets the location, size, color, and the like for PC1 input.
PC2 Input Setup This sets the location, size, color, and the like for PC2 input.
DSK Setup This sets color and degree of edge blur for keyer, and sets whether PinP is on or off.
Output Fade This sets the color for Output Fade (white or black).
Panel Preset Edit This performs copying, exchange, and other such operations for Panel Preset settings.
Panel Mode Setup This changes the operation mode of the LVS-800.
MIDI Setup This sets the send and receive channel and other values for MIDI (for remote control).
Utility This makes a variety of system settings.
Factory Reset This returns the LVS-800 to its factory-default state.
*For more information about Factory Reset, refer to “Returning the Unit to Its Factory-default State” (p. 34).
38
39. Menu List
Wipe Setup Menu
fig.wipe1-menu.eps
MENU
Wipe1 Setup
01:FAM Mixes A/B keeping the luminance levels unchanged during the transition.
Wipe2 Setup
02:NAM Mixes while showing areas that have high luminance levels during the transition.
These are standard wipes. You choose the pattern from the following selections.
03:Wipe01 09:Wipe07
04:Wipe02 10:Wipe08
05:Wipe03 11:Wipe09
06:Wipe04 12:Wipe10
07:Wipe05 13:Wipe11
08:Wipe06
These are soft-edge wipes. You choose the pattern from the following selections.
14:SWipe01 20:SWipe07
15:SWipe02 21:SWipe08
16:SWipe03 22:SWipe09
17:SWipe04 23:SWipe10
18:SWipe05 24:SWipe11
19:SWipe06
When shipped from the factory, 05:Wipe03 is assigned to WIPE1 and 22:SWipe09 is assign to WIPE2 by default.
05:Wipe03 22:SWipe09
39
40. Menu List
PinP Setup Menu
fig.PinP-menu.eps
MENU
PinP1 Setup
PinP2 Setup
PinPx-Hposi This adjusts the horizontal position of the inset screen.
PinP3 Setup
PinP4 Setup PinPx-Vposi This adjusts the vertical position of the inset screen.
PinPx-Size This adjusts the size of the inset screen.
PinPx-Border This adjusts the width of the border on the inset screen.
PinPx-BColor This selects the border color on the inset screen.
PinPx-Shadow This adjusts the width of shadow added to the inset screen.
PinPx-SColor This selects the shadow color on the inset screen.
PinPx-Trimming This adjusts the range of trimming for the inset screen.
PinPx-Reset This returns the PinP settings to factory defaults.
*In the “PinPx-Hposi” and other items described above, a number from 1 through 4 appears at the location shown by “x.” For example, a “1” is
inserted when “PinP1 Setup” has been selected, and a “4” is inserted when “PinP4 Setup” has been selected.
In the factory-default state, the locations of the inset screen for PinP1 through PinP4 are as shown below. All selections from 1 through 4
have a white border added. By default, no shadow is added.
1 2 3 4
40
